Exodus 38
1 Ó sì fi igi kasia kọ́ pẹpẹ ẹbọ sísun, ìgbọ̀nwọ́ mẹ́fà ni gíga rẹ̀ àti ìgbọ̀nwọ́ márùn-ún, igun rẹ̀ ṣe déédé.
Bezalel made the altar burnt offering from acacia wood. It was square and measured five cubits long by five cubits wide by three cubits high.
2 Ó ṣe ìwo sí igun mẹ́rẹ̀ẹ̀rin, nítorí kí ìwo àti pẹpẹ náà lè jẹ́ ọ̀kan, ó sì bo pẹpẹ náà pẹ̀lú idẹ.
He made horns for each of its corners, all one piece with the altar, and covered the whole altar with bronze.
3 Idẹ ni ó ṣe gbogbo ohun èlò pẹpẹ, ìkòkò rẹ̀, ọkọ, àwokòtò rẹ̀, fọ́ọ̀kì tí a fi n mú ẹran àti àwo iná rẹ̀.
He made all its utensils: buckets for removing ashes, shovels, sprinkling bowls, meat forks, and firepans. He made all its utensils of bronze.
4 Ó ṣe ààrò fún pẹpẹ náà, àwọ̀n onídẹ, kí ó wà níṣàlẹ̀ ẹsẹ̀ rẹ̀, dé ìdajì òkè pẹpẹ náà.
He made a bronze mesh grate for the altar and placed it under the ledge of the altar, so that the mesh came halfway down the altar.
5 Ó dá òrùka idẹ láti mú kí ó di òpó igun mẹ́rẹ̀ẹ̀rin idẹ ààrò náà mú.
He cast four bronze rings for the four corners of the grate as holders for the poles.
6 Ó sì fi igi kasia ṣe àwọn òpó náà, ó sì bò wọ́n pẹ̀lú idẹ.
He made poles of acacia wood for the altar and covered them with bronze.
7 Ó sì fi òpó náà bọ inú òrùka, nítorí kí ó lè wà ní ìhà pẹpẹ náà láti máa fi gbé e. Ó sì fi pákó ṣé pẹpẹ náà ní oníhò nínú.
He put the poles through the rings on either side of the altar so it could be carried. He made the altar hollow, using boards.
8 Ó ṣe agbada idẹ, o sì fi idẹ ṣe ẹsẹ̀ rẹ̀ ti àwòjìji àwọn obìnrin tí ó ń sìn ní ẹnu-ọ̀nà àgọ́ àjọ.
He made the bronze basin with its stand with bronze from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Ó sì ṣe àgbàlá inú náà. Ní ìhà gúúsù ni aṣọ títa ti ọ̀gbọ̀ olókùn dáradára wà, ó jẹ́ mita mẹ́rìndínláàádọ́ta ní gígùn,
Then he made a courtyard. For the south side of the courtyard he made curtains of finely-spun linen, a hundred cubits long on one side,
10 pẹ̀lú ogún òpó àti ogún ihò ìtẹ̀bọ̀ idẹ, àti pẹ̀lú fàdákà tí ó kọ́ ọ, tí ó sì de àwọn òpó náà.
with twenty posts and twenty bronze stands, with silver hooks and bands on the posts.
11 Ní ìhà àríwá náà tún jẹ mita mẹ́rìndínláàádọ́ta ní gígùn, ó sì ní ogún òpó àti ogun ihò ìtẹ̀bọ̀ idẹ, pẹ̀lú fàdákà tí ó kọ́ ọ, tí ó sì de àwọn òpó náà.
Similarly he made curtains placed on the north side in an identical arrangement.
12 Ìhà ìwọ̀-oòrùn jẹ́ mita mẹ́tàlélógún ní fífẹ̀, ó sì ní aṣọ títa pẹ̀lú òpó mẹ́wàá àti ihò ìtẹ̀bọ̀ mẹ́wàá, pẹ̀lú fàdákà tí ó kọ́ ọ, tí ó sì de àwọn òpó náà pọ̀.
He made curtains for the west side of the courtyard fifty cubits wide, with ten posts and ten stands.
13 Fún ìhà ìlà-oòrùn, sí ibi tí oòrùn ti ń yọ náà jẹ́ mita mẹ́tàlélógún ni fífẹ̀.
The east side of the courtyard that faces the sunrise was fifty cubits wide.
14 Aṣọ títa ìhà ẹnu-ọ̀nà kan jẹ́ mita mẹ́fà ààbọ̀, pẹ̀lú òpó mẹ́ta àti ihò ìtẹ̀bọ̀ mẹ́ta,
He made the curtains on one side fifteen cubits long, with three posts and three stands,
15 àti aṣọ títa ní ìhà kejì tí ó wà ní ẹnu-ọ̀nà àgbàlá náà jẹ́ mita mẹ́fà ààbọ̀ pẹ̀lú òpó mẹ́ta àti ihò ìtẹ̀bọ̀ mẹ́fà.
and the curtains on the other side just the same.
16 Gbogbo aṣọ tí ó yí àgbàlá náà jẹ́ ọ̀gbọ̀ olókùn dáradára.
All the curtains around the courtyard were of finely-woven linen.
17 Ihò ìtẹ̀bọ̀ fún òpó náà idẹ ni. Ìkọ́ òpó náà àti ìgbànú tí ó wà lára òpó náà jẹ́ fàdákà, a sì bo orí wọn pẹ̀lú fàdákà; gbogbo àwọn òpó àgbàlá náà ní ìgbànú fàdákà.
The stands for the posts were bronze, the hooks and bands were silver, and the tops of the posts were covered with silver. All the posts around the courtyard had silver bands.
18 Aṣọ títa fún ẹnu-ọ̀nà àgbàlá náà jẹ́ ti aṣọ aláró, ti elése àlùkò, ti òdòdó àti ti ọ̀gbọ̀ olókùn wẹ́wẹ́ tí a fi iṣẹ́ abẹ́rẹ́ ṣe; ogún ìgbọ̀nwọ́ sì ni gígùn rẹ̀, àti gíga rẹ̀ ní ìbò rẹ̀ jẹ ìgbọ̀nwọ́ márùn-ún, ó bá aṣọ títa àgbàlá wọ̀n-ọn-nì ṣe déédé,
The curtain for the entrance to the courtyard was embroidered with blue, purple, and crimson thread, and finely-spun linen. It was twenty cubits long by five cubits high, the same height as the courtyard curtains.
19 pẹ̀lú òpó mẹ́rin àti ihò ìtẹ̀bọ̀ idẹ mẹ́rin. Ìkọ́ àti ìgbànú wọn jẹ́ fàdákà, a sì bo orí wọn pẹ̀lú fàdákà.
It was held up by four posts and four stands. The posts had silver hooks, tops, and bands.
20 Gbogbo èèkàn àgọ́ tabanaku náà àti ti àyíká àgbàlá náà jẹ́ idẹ.
All the tent pegs for the Tabernacle and for the surrounding courtyard were made of bronze.
21 Wọ̀nyí ni iye ohun èlò tí a lò fún tabanaku náà, tabanaku ẹ̀rí, èyí ti a kọ bí òfin Mose nípa àwọn ọmọ Lefi ní abẹ́ àkóso Itamari ọmọ Aaroni àlùfáà.
The following is what was used for the Tabernacle, the Tabernacle of the Testimony, recorded at Moses' direction by the Levites under the supervision of Ithamar, son of Aaron the priest.
22 (Besaleli ọmọ Uri, ọmọ Huri, ti ẹ̀yà Juda, ṣe ohun gbogbo ti Olúwa pàṣẹ fún Mose.
Bezalel, son of Uri, son of Hur, from the tribe of Judah, made everything that the Lord had ordered Moses to make.
23 Pẹ̀lú rẹ̀ ni Oholiabu ọmọ Ahisamaki, ti ẹ̀yà Dani: alágbẹ̀dẹ, àti oníṣẹ́-ọnà àti oníṣọ̀nà tí a fi iṣẹ́ abẹ́rẹ́ ṣe ní aṣọ aláró àti elése àlùkò àti òdòdó àti ọ̀gbọ̀ dáradára.)
He was assisted by Oholiab, son of Ahisamach, from the tribe of Dan, an engraver, designer, and embroiderer using blue, purple, and crimson thread and finely-woven linen.
24 Àròpọ̀ iye wúrà lára wúrà ọrẹ tí a lò fún gbogbo iṣẹ́ ibi mímọ́ náà jẹ́ tálẹ́ǹtì mọ́kàndínlọ́gbọ̀n àti òjìlélẹ́ẹ̀gbẹ́rín ó dín mẹ́wàá ṣékélì gẹ́gẹ́ bí i ṣékélì ibi mímọ́.
The total amount of gold from the offering that was used for the work on the sanctuary was 29 talents and 730 shekels, (using the sanctuary shekel standard).
25 Fàdákà tí a rí nínú ìjọ, ẹni tí a kà nínú ìkànìyàn jẹ́ ọgọ́rùn-ún tálẹ́ǹtì àti òjìdínlẹ́gbẹ̀san ó lé mẹ́ẹ̀ẹ́dógún ṣékélì, gẹ́gẹ́ bí ìwọ̀n ṣékélì ibi mímọ́,
The total amount of silver from those who had been counted in the census was 100 talents and 1,775 shekels (using the sanctuary shekel standard).
26 ààbọ̀ ṣékélì kan ní orí ẹnìkọ̀ọ̀kan, gẹ́gẹ́ bí ìwọ̀n ṣékélì ibi mímọ́, lórí olúkúlùkù ẹni tí ó ti kọjá tí a ti kà, láti ẹni ogún ọdún tàbí jù bẹ́ẹ̀ lọ, àròpọ̀ wọ́n jẹ́ ọgbọ̀n ọ̀kẹ́ lé ẹgbẹ̀tadínlógún ó lé àádọ́jọ ọkùnrin.
This represents a beka per person, or half a shekel, (using the sanctuary shekel standard) from everyone twenty years of age or older who had been censused, a total of 603,550 men.
27 Ọgọ́rùn-ún tálẹ́ǹtì fàdákà ní a lò láti fi dá ihò ìtẹ̀bọ̀ fún ibi mímọ́ àti fún aṣọ títa ọgọ́rùn-ún ihò ìtẹ̀bọ̀ nínú ọgọ́rùn-ún tálẹ́ǹtì náà tálẹ́ǹtì kan fún ihò ìtẹ̀bọ̀ kọ̀ọ̀kan.
The hundred talents of silver were used to cast the sanctuary stands and the curtain stands, 100 bases from the 100 talents, or one talent per base.
28 Ó lo òjìdínlẹ́gbẹ̀san ó lé mẹ́ẹ̀ẹ́dógún ṣékélì ni ó fi ṣe ìkọ́ fún òpó náà, láti fi bo orí òpó náà àti láti fi ṣe ọ̀já wọn.
Bezalel used the 1,775 shekels of silver to make the hooks for the posts, cover their tops, and make bands for them.
29 Idẹ ara ọrẹ náà jẹ́ àádọ́rin tálẹ́ǹtì àti egbèjìlá ṣékélì.
The total amount of bronze from the offering was 70 talents and 2,400 shekels.
30 Ó lò ó láti fi ṣe ihò ìtẹ̀bọ̀ fún ẹnu-ọ̀nà àgọ́ àjọ, pẹpẹ idẹ náà pẹ̀lú ààrò idẹ rẹ̀ àti gbogbo ohun èlò rẹ̀,
Bezalel used it to make the stands for the entrance to the Tent of Meeting, the bronze altar and its bronze grate, all the utensils for the altar,
31 ihò ìtẹ̀bọ̀ àgbàlá náà àyíká àti ihò ìtẹ̀bọ̀ ẹnu-ọ̀nà àgbàlá àti gbogbo èèkàn àgọ́ náà, àti gbogbo èèkàn àgbàlá náà yíká.
the stands for the courtyard and its entrance, and all the tent pegs for the Tabernacle and the courtyard.
