Exodus 38
1 Ó sì fi igi kasia kọ́ pẹpẹ ẹbọ sísun, ìgbọ̀nwọ́ mẹ́fà ni gíga rẹ̀ àti ìgbọ̀nwọ́ márùn-ún, igun rẹ̀ ṣe déédé.
Bezalel constructed the altar of burnt offering from acacia wood. It was square, five cubits long, five cubits wide, and three cubits high.
2 Ó ṣe ìwo sí igun mẹ́rẹ̀ẹ̀rin, nítorí kí ìwo àti pẹpẹ náà lè jẹ́ ọ̀kan, ó sì bo pẹpẹ náà pẹ̀lú idẹ.
He made a horn at each of its four corners, so that the horns and altar were of one piece, and he overlaid the altar with bronze.
3 Idẹ ni ó ṣe gbogbo ohun èlò pẹpẹ, ìkòkò rẹ̀, ọkọ, àwokòtò rẹ̀, fọ́ọ̀kì tí a fi n mú ẹran àti àwo iná rẹ̀.
He made all the altar’s utensils of bronze—its pots, shovels, sprinkling bowls, meat forks, and firepans.
4 Ó ṣe ààrò fún pẹpẹ náà, àwọ̀n onídẹ, kí ó wà níṣàlẹ̀ ẹsẹ̀ rẹ̀, dé ìdajì òkè pẹpẹ náà.
He made a grate of bronze mesh for the altar under its ledge, halfway up from the bottom.
5 Ó dá òrùka idẹ láti mú kí ó di òpó igun mẹ́rẹ̀ẹ̀rin idẹ ààrò náà mú.
At the four corners of the bronze grate he cast four rings as holders for the poles.
6 Ó sì fi igi kasia ṣe àwọn òpó náà, ó sì bò wọ́n pẹ̀lú idẹ.
And he made the poles of acacia wood and overlaid them with bronze.
7 Ó sì fi òpó náà bọ inú òrùka, nítorí kí ó lè wà ní ìhà pẹpẹ náà láti máa fi gbé e. Ó sì fi pákó ṣé pẹpẹ náà ní oníhò nínú.
Then he inserted the poles into the rings on the sides of the altar for carrying it. He made the altar with boards so that it was hollow.
8 Ó ṣe agbada idẹ, o sì fi idẹ ṣe ẹsẹ̀ rẹ̀ ti àwòjìji àwọn obìnrin tí ó ń sìn ní ẹnu-ọ̀nà àgọ́ àjọ.
Next he made the bronze basin and its stand from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Ó sì ṣe àgbàlá inú náà. Ní ìhà gúúsù ni aṣọ títa ti ọ̀gbọ̀ olókùn dáradára wà, ó jẹ́ mita mẹ́rìndínláàádọ́ta ní gígùn,
Then he constructed the courtyard. The south side of the courtyard was a hundred cubits long and had curtains of finely spun linen,
10 pẹ̀lú ogún òpó àti ogún ihò ìtẹ̀bọ̀ idẹ, àti pẹ̀lú fàdákà tí ó kọ́ ọ, tí ó sì de àwọn òpó náà.
with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.
11 Ní ìhà àríwá náà tún jẹ mita mẹ́rìndínláàádọ́ta ní gígùn, ó sì ní ogún òpó àti ogun ihò ìtẹ̀bọ̀ idẹ, pẹ̀lú fàdákà tí ó kọ́ ọ, tí ó sì de àwọn òpó náà.
The north side was also a hundred cubits long, with twenty posts and twenty bronze bases. The hooks and bands of the posts were silver.
12 Ìhà ìwọ̀-oòrùn jẹ́ mita mẹ́tàlélógún ní fífẹ̀, ó sì ní aṣọ títa pẹ̀lú òpó mẹ́wàá àti ihò ìtẹ̀bọ̀ mẹ́wàá, pẹ̀lú fàdákà tí ó kọ́ ọ, tí ó sì de àwọn òpó náà pọ̀.
The west side was fifty cubits long and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver.
13 Fún ìhà ìlà-oòrùn, sí ibi tí oòrùn ti ń yọ náà jẹ́ mita mẹ́tàlélógún ni fífẹ̀.
And the east side, toward the sunrise, was also fifty cubits long.
14 Aṣọ títa ìhà ẹnu-ọ̀nà kan jẹ́ mita mẹ́fà ààbọ̀, pẹ̀lú òpó mẹ́ta àti ihò ìtẹ̀bọ̀ mẹ́ta,
The curtains on one side of the entrance were fifteen cubits long, with three posts and three bases.
15 àti aṣọ títa ní ìhà kejì tí ó wà ní ẹnu-ọ̀nà àgbàlá náà jẹ́ mita mẹ́fà ààbọ̀ pẹ̀lú òpó mẹ́ta àti ihò ìtẹ̀bọ̀ mẹ́fà.
And the curtains on the other side were also fifteen cubits long, with three posts and three bases as well.
16 Gbogbo aṣọ tí ó yí àgbàlá náà jẹ́ ọ̀gbọ̀ olókùn dáradára.
All the curtains around the courtyard were made of finely spun linen.
17 Ihò ìtẹ̀bọ̀ fún òpó náà idẹ ni. Ìkọ́ òpó náà àti ìgbànú tí ó wà lára òpó náà jẹ́ fàdákà, a sì bo orí wọn pẹ̀lú fàdákà; gbogbo àwọn òpó àgbàlá náà ní ìgbànú fàdákà.
The bases for the posts were bronze, the hooks and bands were silver, and the plating for the tops of the posts was silver. So all the posts of the courtyard were banded with silver.
18 Aṣọ títa fún ẹnu-ọ̀nà àgbàlá náà jẹ́ ti aṣọ aláró, ti elése àlùkò, ti òdòdó àti ti ọ̀gbọ̀ olókùn wẹ́wẹ́ tí a fi iṣẹ́ abẹ́rẹ́ ṣe; ogún ìgbọ̀nwọ́ sì ni gígùn rẹ̀, àti gíga rẹ̀ ní ìbò rẹ̀ jẹ ìgbọ̀nwọ́ márùn-ún, ó bá aṣọ títa àgbàlá wọ̀n-ọn-nì ṣe déédé,
The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,
19 pẹ̀lú òpó mẹ́rin àti ihò ìtẹ̀bọ̀ idẹ mẹ́rin. Ìkọ́ àti ìgbànú wọn jẹ́ fàdákà, a sì bo orí wọn pẹ̀lú fàdákà.
with four posts and four bronze bases. Their hooks were silver, as well as the bands and the plating of their tops.
20 Gbogbo èèkàn àgọ́ tabanaku náà àti ti àyíká àgbàlá náà jẹ́ idẹ.
All the tent pegs for the tabernacle and for the surrounding courtyard were bronze.
21 Wọ̀nyí ni iye ohun èlò tí a lò fún tabanaku náà, tabanaku ẹ̀rí, èyí ti a kọ bí òfin Mose nípa àwọn ọmọ Lefi ní abẹ́ àkóso Itamari ọmọ Aaroni àlùfáà.
This is the inventory for the tabernacle, the tabernacle of the Testimony, as recorded at Moses’ command by the Levites under the direction of Ithamar son of Aaron the priest.
22 (Besaleli ọmọ Uri, ọmọ Huri, ti ẹ̀yà Juda, ṣe ohun gbogbo ti Olúwa pàṣẹ fún Mose.
Bezalel son of Uri, the son of Hur, of the tribe of Judah, made everything that the LORD had commanded Moses.
23 Pẹ̀lú rẹ̀ ni Oholiabu ọmọ Ahisamaki, ti ẹ̀yà Dani: alágbẹ̀dẹ, àti oníṣẹ́-ọnà àti oníṣọ̀nà tí a fi iṣẹ́ abẹ́rẹ́ ṣe ní aṣọ aláró àti elése àlùkò àti òdòdó àti ọ̀gbọ̀ dáradára.)
With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.
24 Àròpọ̀ iye wúrà lára wúrà ọrẹ tí a lò fún gbogbo iṣẹ́ ibi mímọ́ náà jẹ́ tálẹ́ǹtì mọ́kàndínlọ́gbọ̀n àti òjìlélẹ́ẹ̀gbẹ́rín ó dín mẹ́wàá ṣékélì gẹ́gẹ́ bí i ṣékélì ibi mímọ́.
All the gold from the wave offering used for the work on the sanctuary totaled 29 talents and 730 shekels, according to the sanctuary shekel.
25 Fàdákà tí a rí nínú ìjọ, ẹni tí a kà nínú ìkànìyàn jẹ́ ọgọ́rùn-ún tálẹ́ǹtì àti òjìdínlẹ́gbẹ̀san ó lé mẹ́ẹ̀ẹ́dógún ṣékélì, gẹ́gẹ́ bí ìwọ̀n ṣékélì ibi mímọ́,
The silver from those numbered among the congregation totaled 100 talents and 1,775 shekels, according to the sanctuary shekel—
26 ààbọ̀ ṣékélì kan ní orí ẹnìkọ̀ọ̀kan, gẹ́gẹ́ bí ìwọ̀n ṣékélì ibi mímọ́, lórí olúkúlùkù ẹni tí ó ti kọjá tí a ti kà, láti ẹni ogún ọdún tàbí jù bẹ́ẹ̀ lọ, àròpọ̀ wọ́n jẹ́ ọgbọ̀n ọ̀kẹ́ lé ẹgbẹ̀tadínlógún ó lé àádọ́jọ ọkùnrin.
a beka per person, that is, half a shekel, according to the sanctuary shekel, from everyone twenty years of age or older who had crossed over to be numbered, a total of 603,550 men.
27 Ọgọ́rùn-ún tálẹ́ǹtì fàdákà ní a lò láti fi dá ihò ìtẹ̀bọ̀ fún ibi mímọ́ àti fún aṣọ títa ọgọ́rùn-ún ihò ìtẹ̀bọ̀ nínú ọgọ́rùn-ún tálẹ́ǹtì náà tálẹ́ǹtì kan fún ihò ìtẹ̀bọ̀ kọ̀ọ̀kan.
The hundred talents of silver were used to cast the bases of the sanctuary and the bases of the veil—100 bases from the 100 talents, one talent per base.
28 Ó lo òjìdínlẹ́gbẹ̀san ó lé mẹ́ẹ̀ẹ́dógún ṣékélì ni ó fi ṣe ìkọ́ fún òpó náà, láti fi bo orí òpó náà àti láti fi ṣe ọ̀já wọn.
With the 1,775 shekels of silver he made the hooks for the posts, overlaid their tops, and supplied bands for them.
29 Idẹ ara ọrẹ náà jẹ́ àádọ́rin tálẹ́ǹtì àti egbèjìlá ṣékélì.
The bronze from the wave offering totaled 70 talents and 2,400 shekels.
30 Ó lò ó láti fi ṣe ihò ìtẹ̀bọ̀ fún ẹnu-ọ̀nà àgọ́ àjọ, pẹpẹ idẹ náà pẹ̀lú ààrò idẹ rẹ̀ àti gbogbo ohun èlò rẹ̀,
He used it to make the bases for the entrance to the Tent of Meeting, the bronze altar and its bronze grating, all the utensils for the altar,
31 ihò ìtẹ̀bọ̀ àgbàlá náà àyíká àti ihò ìtẹ̀bọ̀ ẹnu-ọ̀nà àgbàlá àti gbogbo èèkàn àgọ́ náà, àti gbogbo èèkàn àgbàlá náà yíká.
the bases for the surrounding courtyard and its gate, and all the tent pegs for the tabernacle and its surrounding courtyard.
