1 Tuʻi 7
1 Ka naʻe fai ʻe Solomone ʻae langa ʻo hono fale ʻoʻona ʻi he taʻu ʻe hongofulu ma tolu, pea naʻa ne fakaʻosi ʻa hono fale kotoa pē.
Solomon took thirteen years to build his own palace.
2 Naʻa ne langa foki ʻae fale ʻi he vao ʻakau ʻo Lepanoni; ko hono lōloa ʻo ia ko e hanga ʻe uangeau, pea ko hono māukupu ko e hanga ʻe teau, pea ko hono māʻolunga ko e hanga ʻe onongofulu, naʻe tuʻu ia ki he ʻotu pou sita ʻe fā, pea naʻe hilifaki ki he funga pou ʻae ngaahi lalanga sita.
He built the Palace of the Forest of Lebanon. Its length was one hundred cubits, its width was fifty cubits, and its height was thirty cubits. The palace was built with four rows of cedar pillars with cedar beams on the pillars.
3 Pea naʻe ʻufiʻufi ia ʻaki ʻae sita ki ʻolunga ʻi he ngaahi lalanga, ʻaia naʻe toka ki he pou ʻe fāngofulu ma nima, ʻaia naʻe taki hongofulu ma nima ʻi he ʻotu ʻe taha.
The house was roofed with cedar that rested on beams. Those beams were supported by pillars. There were forty-five beams, fifteen in a row.
4 Pea naʻe ai ʻae ngaahi kātupa naʻe fakaʻotu tolu, pea naʻe fehangaʻaki ia ʻi he ʻotu ʻe tolu.
There were beams in three rows, and each window was opposite another window in three sets.
5 Pea naʻe potupotu tatau pe ʻae ngaahi matapā mo e ngaahi pou kotoa pē, pea pehē mo e ngaahi kātupa: pea naʻe fehangaʻaki ʻae kātupa, ki he kātupa ʻi he ʻotu ʻe tolu.
All the doors and posts were made square with beams, and window was opposite window in three sets.
6 Pea naʻa ne ngaohi ʻae hūʻanga fale fakamalumalu ʻaki ʻae ngaahi pou; ko hono lōloa ko e hanga ʻe teau, pea ko hono māukupu ko e hanga ʻe onongofulu: pea naʻe ki muʻa ʻi ai ʻae hūʻanga fale fakamalumalu: pea ko e ngaahi pou pea mo e lalanga lahi naʻe ʻi muʻa ʻi ai.
There was a colonnade fifty cubits long and thirty cubits wide, with a portico in front and pillars and a roof.
7 Pea naʻa ne ngaohi foki ʻae fakamalumaluʻanga ki he nofoʻa fakaʻeiʻeiki ke ne fai mei ai ʻae fakamaau, ʻio, ʻae fale fakamalumalu ʻoe fakamaauʻanga: pea naʻe ʻufiʻufi ia ʻaki ʻae sita mei he potu faliki fale ʻe taha ki he taha kehe.
Solomon built the hall of the throne where he was to judge, the hall of justice. It was covered with cedar from floor to floor.
8 Pea ko hono fale ʻaia naʻa ne nofo ai naʻe ʻi ai ʻae loto ʻae taha ki loto ange ʻi he hūʻanga fale fakamalumalu, ʻaia naʻe tatau pe hono ngaohi. Naʻe ngaohi foki ʻe Solomone ha fale ki he ʻofefine ʻo Felo, ko hono uaifi, ʻo tatau mo e hūʻanga fale fakamalumalu ko eni.
Solomon's house in which he was to live, in another courtyard within the palace grounds, was similarly designed. He also built a house like this for Pharaoh's daughter, whom he had taken as a wife.
9 Naʻe mahuʻinga hono ngaahi maka kotoa pē, ʻo fakatatau mo e fuofua ʻoe ngaahi maka kuo tā, ka naʻe hele ʻaki ʻae kili, ʻi loto pea ʻi tuʻa, ʻio, mei he tuʻunga ʻo aʻu hake ki he tulutulu, pea naʻe pehē ia ʻi tuʻa ʻo hanga atu ki he lotoʻā lahi.
These buildings were adorned with costly hewn stones, precisely measured and cut with a saw and smoothed on all sides. These stones were used from the foundation to the stones on top, and also on the outside to the great court.
10 Pea ko hono tuʻunga naʻe ʻoe ngaahi maka mahuʻinga, ʻio, ʻae ngaahi maka lalahi, ko e ngaahi maka naʻe uofulu malie ʻa hono hanga, mo e ngaahi maka naʻe hanga ʻe hongofulu ma ono.
The foundation was constructed with very large, costly stones of eight and ten cubits in length.
11 Pea naʻe ʻi ʻolunga ʻae ngaahi maka mahuʻinga, ʻo tatau mo e fuofua ʻoe ngaahi maka kuo tā, pea mo e ngaahi sita.
Above were costly hewn stones precisely cut to size, and cedar beams.
12 Pea ko e lotoʻā lahi ʻaia naʻe takatakai ai naʻe ʻotu tolu ʻae ngaahi maka tātā, pea mo e ʻotu ʻe taha ʻoe ngaahi lalanga sita, ki he lotoʻā ki loto ʻi he fale ʻo Sihova, pea ki he hūʻanga fale fakamalumalu ʻoe fale.
The great courtyard surrounding the palace had three rows of cut stone and a row of cedar beams like the courtyard of the temple of Yahweh and the temple portico.
13 Pea naʻe fekau atu ʻe Solomone ʻo ne ʻomi ʻa Helami mei Taia.
King Solomon sent for Huram and brought him from Tyre.
14 Ko e tama ia ʻoe fefine naʻe pekia hono husepāniti ʻoe faʻahinga ʻo Nafitali, pea ko ʻene tamai ko e tangata Taia, ko e tufunga ʻi he palasa: pea naʻe fonu ia ʻi he poto, mo e faʻa fakakaukau, mo nimameaʻa ke ngaohi ʻae ngaahi meʻa ʻi he palasa.
Huram was the son of a widow of the tribe of Naphtali; his father was a man of Tyre, a craftsman in bronze. Huram was filled with wisdom and understanding and skill to do great work with bronze. He came to King Solomon to work with bronze for the king.
15 He naʻa ne ngaohi ʻae ongo pou palasa, naʻe taki taha ʻae hanga ʻe tolungofulu hona māʻolunga: pea ko hono fua takatakai ʻaki ʻae afo ko e taki taha ʻae hanga ʻe uofulu ma fā.
Huram fashioned the two pillars of bronze, each eighteen cubits high and twelve cubits in circumference.
16 Pea naʻa ne ngaohi ʻae ʻulu pou ʻe ua ʻaki ʻae palasa naʻe haka, koeʻuhi ke ʻai ʻi he ongo ʻulu pou: ko e māʻolunga ʻoe ʻulu pou ʻe taha ko e hanga ʻe hongofulu, pea ko e māʻolunga ʻoe ʻulu pou ʻe taha ko e hanga ʻe hongofulu:
He made two capitals of polished bronze to set on the tops of the pillars. The height of each capital was five cubits.
17 Pea ko e teunga fakavangavanga, mo e kahoa ʻoe ngāue naʻe fakafihifihi ki he ʻuluʻi pou ʻaia naʻe ʻi ʻolunga ʻi he ngaahi pou; ko e fitu ki he ʻuluʻi pou ʻe taha, pea fitu ki he ʻuluʻi pou kehe ʻe taha.
Checker latticework and wreaths of chain work for the capitals decorated the top of the pillars, seven for each capital.
18 Pea naʻa ne ngaohi ʻae ngaahi pou, pea mo e ʻotu ʻe ua naʻe ʻi he teunga fakavangavanga pe taha, ke ʻufiʻufi ʻae ʻuluʻi pou ʻaia naʻe ʻi ʻolunga ʻaki ʻae pomikanite; pea naʻe pehē foki ʻa ʻene ngaohi ʻae ʻuluʻi pou ʻe taha.
So Huram made two rows of pomegranates around the top of each pillar to decorate their capitals.
19 Pea ko e ʻuluʻi pou ʻaia naʻe ʻi he ʻulu pou ʻi he hūʻanga fale fakamalumalu naʻe fakasanisani ʻaki ʻae lili, ko e hanga ʻe valu.
The capitals on the tops of the portico pillars were decorated with lilies, four cubits high.
20 Pea naʻe ʻi ʻolunga foki, ʻi he ʻuluʻi pou naʻe ʻi he ongo pou, ʻae pomikanite, ʻo feʻunga atu mo e potu pupula naʻe ofi ki he teunga fakavangavanga: pea naʻe uangeau ʻae pomikanite naʻe fakaʻotu takatakai ʻi he ʻuluʻi pou ʻe taha.
The capitals on these two pillars also included, close to their very top, two hundred pomegranates in rows all around.
21 Pea naʻa ne fokotuʻu ʻae ongo pou ʻi he tūʻanga fale fakamalumalu ʻoe falelotu pea naʻa ne fokotuʻu ʻae pou fakatoʻomataʻu, ʻo ne ui hono hingoa ko Sakini: pea naʻa ne fokotuʻu hake ʻae pou fakatoʻohema, ʻo ne ui hono hingoa ʻoʻona ko Poasi.
He raised up the pillars at the temple portico. The pillar on the right was named Jakin, and the pillar on the left was named Boaz.
22 Pea naʻe ʻi he ngaahi ʻuluʻi pou ʻae [fakatātā ki he ]lili: naʻe pehē ʻae teuteu ʻo ʻosi ʻae ngāue ʻoe ngaahi pou.
On the top of the pillars were decorations like lilies. The fashioning of the pillars was done in this way.
23 Pea naʻa ne ngaohi ʻae tukunga vai lahi ʻaki ʻae ukamea haka, ko e fuofua ʻae ʻataʻatā ʻo hono ngutu, ko e hanga ʻe uofulu, naʻe fuopotopoto ia ʻo takatakai hake, pea ko hono māʻolunga ko e hanga ʻe hongofulu: pea ko e afo naʻe fua ʻaki ʻa hono takatakai ko e hanga ia ʻe onongofulu.
Huram made the round sea of cast metal, ten cubits from brim to brim. Its height was five cubits, and the sea was thirty cubits in circumference.
24 Pea ki lalo ʻi hono ngutu ʻo takatakai hake naʻe ʻai ʻae teunga fuopotopoto, ko e taki hongofulu ʻi he hanga ʻe ua, naʻe takatakai ia ʻi he vai: naʻe teuteu ʻae teunga fuopotopoto ʻi he ʻotu ʻe ua fakataha mo e fakafuofua ia ʻi hono haka ʻo ia.
Under the brim encircling the sea were gourds, ten in each cubit, cast in one piece with “The Sea,” when that basin was cast.
25 Naʻe tuʻu ia ki he fanga pulu ʻe hongofulu ma ua, naʻe hanga ʻae tolu ki he feituʻu tokelau, pea hanga ʻae tolu ki he feituʻu lulunga, pea hanga ʻae tolu ki he feituʻu tonga, pea mo e tolu naʻe hanga ki he feituʻu hahake: pea naʻe tuku ʻae tukunga vai lahi ki ʻolunga ʻi ai, pea naʻe hanga ʻa honau tuʻungaiku kotoa pē ki loto.
“The Sea” stood on twelve oxen, three looking toward the north, three looking toward the west, three looking toward the south, and three looking toward the east. “The Sea” was set on top of them, and all their hindquarters were toward the inside.
26 Pea ko hono matolu ko e nima ʻe taha, pea naʻe ngaohi ʻa hono ngutu ʻo hangē ko e ngutu ʻo ha ipu, ʻaki ʻae fisiʻiʻakau ʻoe fili: pea ko hono fonu ʻo ia ko e kaloni ʻe taha mano mo e ono afe.
The sea was as thick as the width of a hand, and its brim was forged like the brim of a cup, like a lily blossom. The sea held two thousand baths of water.
27 Pea naʻa ne ngaohi ʻae tuʻunga ʻe hongofulu ʻaki ʻae palasa; ko e lōloa ʻoe tuʻunga ʻe taha ko e hanga ʻe valu, pea ko e hanga ʻe valu ʻa hono māukupu, pea ko hono māʻolunga ko e hanga ʻe ono.
Huram made the ten stands of bronze. Each stand was four cubits long and four cubits wide, and the height was three cubits.
28 Pea naʻe pehē ni ʻa hono ngaohi ʻoe ngaahi tuʻunga: naʻe ai honau ngaahi tapa, pea naʻe tuʻu ʻa honau ngaahi tapa ʻi he vahaʻa ʻoe potu pupula:
The work of the stands was like this. They had panels that stood between frames,
29 Pea ʻi he ngaahi tapa naʻe ʻi he vahaʻa ʻoe potu pupula naʻe ʻi ai ʻae ngaahi laione, mo e fanga pulu mo e selupimi: pea naʻe tuʻu ha tuʻunga ki ʻolunga ʻi he ngaahi potu pupula: pea ki lalo ʻi he ngaahi laione mo e fanga pulu naʻe ʻai ʻae teunga naʻe ngaohi fakamanifinifi.
and on the panels and on the frames were lions, oxen, and cherubim. Above and below the lions and oxen were wreaths of hammered work.
30 Pea ki he tuʻunga taki taha naʻe ʻai hono meʻa teka palasa ʻe fā, mo hono takaiʻanga palasa: pea naʻe ʻai hono tokotoʻanga ʻi hono tuliki ʻe fā: ʻi he lalo ʻaiʻanga vai naʻe ʻai hono tokotoʻanga, ko e ukamea haka, ʻi he potu kehekehe kotoa pē.
Every stand had four bronze wheels and axles, and its four corners had supports beneath for the basin. The supports were cast with wreaths on the side of each one.
31 Pea ko e ʻataʻatā ʻo hono ngutu ki ʻolunga pea ki loto ʻi he ʻuluʻi pou ko e hanga ʻe ua: ka naʻe fuopotopoto ʻa hono ngutu, ʻo hangē ko hono ngaohi ʻoe tuʻunga, [pea ko hono fua ]ko e hanga ʻe tolu: pea naʻe tuʻu ʻae ngaahi meʻa tongitongi ki hono ngutu mo honau ngaahi tapa, naʻe potupotu tatau ka naʻe ʻikai ke fuopotopoto.
The opening was round like a pedestal, a cubit and a half wide, and was within a crown that rose up a cubit. On the opening were engravings, and their panels were square, not round.
32 Pea ʻi lalo ʻi he ngaahi tapa naʻe ʻai ʻae meʻa teka ʻe fā; pea naʻe fakamaʻu ki he tuʻunga ʻae takaiʻanga ʻoe ngaahi meʻa teka: pea ko e māʻolunga ʻoe meʻateka ko e hanga ʻe tolu.
The four wheels were underneath the panels, and the axles of the wheels and their housings were in the stand. The height of a wheel was a cubit and a half.
33 Pea naʻe tatau ʻae ngaohi ʻoe ngaahi meʻateka mo e ngaohi ʻoe vaʻe ʻoe saliote: ko e ukamea haka pe kotoa pē, ʻa honau takaiʻanga, mo e veloʻanga ʻoe takaiʻanga, mo e meʻa takai kituʻa, pea mo hono ngaahi meʻa fakapasanga.
The wheels were forged like chariot wheels. Their housings, rims, spokes, and hubs were all cast metal.
34 Pea naʻe ʻai ʻae tokotoʻanga ʻe fā ki he tuliki ʻe fā ʻoe tuʻunga ʻe taha: pea naʻe ʻai ke fakataha ʻaupito ʻae ngaahi tokotoʻanga pea mo e tuʻunga ʻi ai.
There were four handles at the four corners of each stand, forged into the stand itself.
35 Pea ʻi he potu ki ʻolunga ʻoe tuʻunga naʻe ʻai hono meʻa ki ʻolunga hake ko e hanga ʻe taha ʻa hono māʻolunga: pea ʻi ʻolunga ʻi he tuʻunga naʻe tatau pe mo ia ʻae ngaohi ʻo hono ngaahi potu pupula pea mo hono ngaahi tapa.
In the top of the stands there was a round band half a cubit deep, and on the top of the stand its supports and panels were attached.
36 He naʻa ne tongitongi ʻi he ngaahi meʻa lafalafa ʻoe potu pupula pea ʻi hono ngaahi tapa, ʻae selupimi mo e laione, mo e ʻakau ko e ponga, ʻo fakatatau mo honau fuofua takitaha, mo e ngaahi meʻa kehekehe ʻo takatakai hake.
On the surfaces of the supports and on the panels Huram engraved cherubim, lions, and palm trees that covered the space available, and they were surrounded by wreaths.
37 Naʻe pehē ni ʻa ʻene ngaohi ʻae tuʻunga ʻe hongofulu: naʻe tatau pe ʻa honau haka, mo honau fakafuofua, pea mo honau lahi.
He made the ten stands in this manner. All of them were cast in the same molds, and they had one size, and the same shape.
38 Hili ia naʻa ne ngaohi ʻae ʻaiʻanga vai ʻe hongofulu ʻaki ʻae palasa: ko e pito ʻoe ʻaiʻanga vai takitaha ko e kaloni ʻe tolungeau tupu: pea naʻe valu ʻae hanga ʻoe ʻaiʻanga vai takitaha: pea ki he tuʻunga takitaha ʻi he hongofulu naʻe hili ai ʻae ʻaiʻanga vai ʻe taha.
Huram made ten basins of bronze. One basin could hold forty baths of water. Each basin was four cubits across and there was one basin on each of ten stands.
39 Pea naʻa ne tuku ʻae tuʻunga ʻe nima ki he potu toʻomataʻu ʻoe fale, pea nima ki he potu fale fakatoʻohema: pea naʻa ne tuku ʻae fuʻu tukunga vai lahi ki he potu toʻomataʻu fakahahake ʻoe fale ʻo hanga tonu atu ki he feituʻu tonga.
He made five stands on the south-facing side of the temple and five on the north-facing side of the temple. He set “The Sea” on the east corner, facing toward the south of the temple.
40 Pea naʻe ngaohi ʻe Helami ʻae ngaahi ʻaiʻanga vai, mo e ngaahi huo, pea mo e ngaahi ipu luoluo. Naʻe pehē ʻae fakaʻosi ʻe Helami ʻa ʻene fai ʻae ngāue kotoa pē ʻaia naʻa ne teuteu kia Solomone maʻae fale ʻo Sihova:
Huram made the basins and the shovels and the sprinkling bowls. Then he finished all the work that he did for King Solomon in the temple of Yahweh:
41 Ko e ongo pou, mo e teunga fuopotopoto ʻoe ʻuluʻi pou ʻaia naʻe ʻi he ʻulu ʻoe ongo pou; pea mo e teunga fakavangavanga ʻe ua ke ʻufiʻufi ʻaki ʻae ongo meʻa fuopotopoto ʻaia naʻe ʻi he ʻuluʻi pou ki he tumuʻaki ʻoe ongo pou;
the two pillars, and the bowl-like capitals that were on top of the two pillars, and the two sets of decorative latticework to cover the two bowl like capitals that were on top of the pillars.
42 Pea mo e pomikanite ʻe fāngeau ke teunga ʻaki ʻae teunga fakavangavanga ʻe ua, ko e taki ua ʻae ʻotu pomikanite ki he teunga fakavangavanga ʻe taha, ke ʻufiʻufi ʻaki ʻae ongo teunga fuopotopoto ʻaia naʻe ʻi he ʻuluʻi pou ʻe ua;
He made the four hundred pomegranates for the two sets of decorative latticework (two rows of pomegranates for each set of latticework to cover the two bowl-like capitals that were on the pillars);
43 Mo e tuʻunga ʻe hongofulu, pea mo e ʻaiʻanga vai ʻe hongofulu naʻe hilifaki ki he ngaahi tuʻunga;
the ten stands, and the ten basins on the stands.
44 Mo e fuʻu tukunga vai ʻe taha, mo e fanga pulu ʻe hongofulu ma ua ki he lalo tukunga vai;
He made the large basin called “The Sea” with its twelve oxen under it;
45 Pea mo e ngaahi kulo, mo e ngaahi huo, pea mo e ngaahi ipu luoluo: pea ko e ngaahi nāunau ni kotoa pē ʻaia naʻe ngaohi ʻe Helami ki he tuʻi ko Solomone maʻae fale ʻo Sihova, naʻe ngaohi ʻaki ia ʻae palasa ngingila.
also the pots, shovels, basins, and all the other implements. Huram made them out of polished bronze, for King Solomon, for the temple of Yahweh.
46 Naʻe haka mo ngaohi eni kotoa pē ʻe he tuʻi ʻi he potu tokalelei ʻo Sioatani ʻi he potu ʻoku kelekele ʻumea, ʻi he vahaʻa ʻo Sukote mo Salitani.
The king had cast them in the plain of the Jordan, in the clay ground between Succoth and Zarethan.
47 Pea naʻe tuku [taʻefakamamafa ]ʻe Solomone ʻae ngaahi ipu, koeʻuhi naʻe lahi ʻaupito ia; pea naʻe ʻikai ke ʻilo ʻa hono mamafa ʻoe palasa.
Solomon did not weigh all the utensils because there were too many to weigh, because the weight of the bronze could not be measured.
48 Pea naʻe ngaohi ʻe Solomone ʻae ngaahi nāunau ʻoe fale ʻo Sihova: ko e feilaulauʻanga koula, mo e palepale ʻoe koula ʻaia naʻe hili ki ai ʻae ma ʻoe ʻao,
Solomon had made all the furnishings that were in the temple of Yahweh out of gold: the golden altar and the table on which the bread of the presence was to be placed;
49 Mo e tuʻungamaama ʻoe koula moʻoniia, ko e nima ki he toʻomataʻu, pea ko e nima ki he toʻohema, ʻi he ʻao ʻoe folofolaʻanga, pea mo e ngaahi fisiʻiʻakau, mo e ngaahi tuʻungamaama, pea mo e meʻa hikofi fakakoula,
the lampstands, five on the right side and five on the left, in front of the inner room, were of pure gold, and the flowers, the lamps, and the tongs were of gold.
50 Pea mo e ngaahi ipu, pea mo e helekosi maama, pea mo e ngaahi ipu luoluo, pea mo e ngaahi sēpuni, pea mo e ngaahi ʻaiʻangaafi ʻoe koula moʻoniia; mo e tautauʻanga matapā koula, ki he ngaahi matapā ʻoe fale ki loto, mo e potu toputapu lahi, pea mo e ngaahi matapā ʻoe fale, ʻio, ʻoe falelotu.
Solomon also had made the cups, lamp trimmers, basins, spoons, and incense burners, all of which were made of pure gold; he had sockets of gold made for the doors of the inner room (which was the most holy place), and for the doors of the main hall of the temple.
51 Naʻe pehē ʻae fakaʻosi ʻae ngāue kotoa pē ʻaia naʻe fai ʻe Solomone ko e tuʻi maʻae fale ʻo Sihova. Pea naʻe fetuku mai ʻe Solomone ʻae ngaahi meʻa ʻae fakatapui ʻe Tevita ko ʻene tamai; ʻio, ʻae siliva, mo e koula, mo e ngaahi ipu, naʻa ne ʻai fakataha ia mo e ngaahi koloa ʻoe fale ʻo Sihova.
In this way, all the work that King Solomon directed for the house of Yahweh was finished. So Solomon brought in the things that were set apart by David, his father, and the silver, the gold, and the furnishings, and put them into the storerooms of the house of Yahweh.
