Kutoka 38
1 Akatengeneza madhabahu ya sadaka ya kuteketezwa kwa mbao za mti wa mshita, kimo chake dhiraa tatu; nayo ilikuwa mraba, urefu wake dhiraa tano, na upana wa dhiraa tano
Bezalel made the altar burnt offering from acacia wood. It was square and measured five cubits long by five cubits wide by three cubits high.
2 Akatengeneza upembe kwenye kila pembe ya hizo pembe nne, ili zile pembe na madhabahu zikawa zimeungana, akafunika madhabahu kwa shaba.
He made horns for each of its corners, all one piece with the altar, and covered the whole altar with bronze.
3 Akatengeneza vyombo vyake vyote kwa shaba: vyungu vyake vya kuondolea majivu, masepetu, mabakuli ya kunyunyizia, uma za nyama na vyombo vya kuchukulia moto.
He made all its utensils: buckets for removing ashes, shovels, sprinkling bowls, meat forks, and firepans. He made all its utensils of bronze.
4 Akatengeneza wavu wa shaba chini ya ukingo wa madhabahu ili ufikie nusu ya kimo cha madhabahu.
He made a bronze mesh grate for the altar and placed it under the ledge of the altar, so that the mesh came halfway down the altar.
5 Akasubu pete za shaba za kushikilia ile mipiko kwa ajili ya zile pembe nne za huo wavu wa shaba.
He cast four bronze rings for the four corners of the grate as holders for the poles.
6 Akatengeneza mipiko ya mti wa mshita na kuifunika kwa shaba.
He made poles of acacia wood for the altar and covered them with bronze.
7 Akaiingiza ile mipiko kwenye zile pete, ili iwe pande mbili za madhabahu kwa ajili ya kuibeba. Akaitengeneza madhabahu yenye uvungu ndani yake akitumia mbao.
He put the poles through the rings on either side of the altar so it could be carried. He made the altar hollow, using boards.
8 Akatengeneza sinia la shaba lenye kitako cha shaba kutoka kwa vioo vya shaba vilivyotolewa na wanawake waliohudumu pale ingilio la Hema la Kukutania.
He made the bronze basin with its stand with bronze from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Kisha akatengeneza ua. Upande wa kusini ulikuwa na urefu wa dhiraa mia moja, na ulikuwa na mapazia ya kitani iliyosokotwa vizuri,
Then he made a courtyard. For the south side of the courtyard he made curtains of finely-spun linen, a hundred cubits long on one side,
10 pamoja na nguzo ishirini na vitako vya shaba ishirini, na kulabu na tepe za fedha juu ya hizo nguzo.
with twenty posts and twenty bronze stands, with silver hooks and bands on the posts.
11 Upande wa kaskazini ulikuwa na urefu wa dhiraa mia moja, pamoja na nguzo ishirini na vitako vya shaba ishirini, pamoja na kulabu na tepe za fedha juu ya hizo nguzo.
Similarly he made curtains placed on the north side in an identical arrangement.
12 Upande wa mwisho wa magharibi ulikuwa na upana wa dhiraa hamsini na ulikuwa na mapazia, na nguzo kumi na vitako vyake kumi, pamoja na kulabu na tepe za fedha juu ya hizo nguzo.
He made curtains for the west side of the courtyard fifty cubits wide, with ten posts and ten stands.
13 Upande wa mwisho wa mashariki jua linakochomoza, pia ulikuwa na upana wa dhiraa hamsini.
The east side of the courtyard that faces the sunrise was fifty cubits wide.
14 Mapazia yenye urefu wa dhiraa kumi na tano yalikuwa upande mmoja wa ingilio, pamoja na nguzo tatu na vitako vitatu.
He made the curtains on one side fifteen cubits long, with three posts and three stands,
15 Mapazia yenye urefu wa dhiraa kumi na tano yalikuwa upande mwingine wa ingilio la ua, pamoja na nguzo tatu na vitako vitatu.
and the curtains on the other side just the same.
16 Mapazia yote yaliyozunguka ua yalikuwa ya kitani iliyosokotwa vizuri.
All the curtains around the courtyard were of finely-woven linen.
17 Vitako vya nguzo vilikuwa vya shaba. Kulabu na tepe juu ya nguzo zilikuwa za fedha, na ncha zake zilifunikwa kwa fedha. Kwa hiyo nguzo zote za ua zilikuwa na tepe za fedha.
The stands for the posts were bronze, the hooks and bands were silver, and the tops of the posts were covered with silver. All the posts around the courtyard had silver bands.
18 Pazia la ingilio la ua lilikuwa la nyuzi za rangi ya buluu, za zambarau, na za rangi nyekundu pamoja na kitani iliyosokotwa vizuri, kazi ya mtarizi. Pazia hilo lilikuwa na urefu wa dhiraa ishirini kama zile za kwenye ua, na kimo chake kilikuwa dhiraa tano,
The curtain for the entrance to the courtyard was embroidered with blue, purple, and crimson thread, and finely-spun linen. It was twenty cubits long by five cubits high, the same height as the courtyard curtains.
19 likiwa na nguzo nne na vitako vinne vya shaba. Kulabu zake na tepe zake zilikuwa za fedha, na ncha zake zilikuwa zimefunikwa kwa fedha.
It was held up by four posts and four stands. The posts had silver hooks, tops, and bands.
20 Vigingi vyote vya maskani na vya ua ulioizunguka vilikuwa vya shaba.
All the tent pegs for the Tabernacle and for the surrounding courtyard were made of bronze.
21 Ifuatayo ni orodha ya vifaa vilivyotumika kwa ajili ya ujenzi wa maskani, maskani ya Ushuhuda, ambavyo vilitayarishwa na Walawi kama alivyoagiza Mose, chini ya usimamizi wa Ithamari, mwana wa kuhani Aroni.
The following is what was used for the Tabernacle, the Tabernacle of the Testimony, recorded at Moses' direction by the Levites under the supervision of Ithamar, son of Aaron the priest.
22 (Bezaleli mwana wa Uri, mwana wa Huri, wa kabila la Yuda, alifanya kila kitu Bwana alichomwamuru Mose,
Bezalel, son of Uri, son of Hur, from the tribe of Judah, made everything that the Lord had ordered Moses to make.
23 akiwa pamoja na Oholiabu mwana wa Ahisamaki, wa kabila la Dani, fundi stadi wa kutia nakshi, kubuni michoro, mtarizi kwa rangi ya buluu, ya zambarau, nyekundu na kitani safi.)
He was assisted by Oholiab, son of Ahisamach, from the tribe of Dan, an engraver, designer, and embroiderer using blue, purple, and crimson thread and finely-woven linen.
24 Jumla ya dhahabu iliyopatikana kutokana na sadaka ya kuinuliwa kwa ajili ya kazi ya mahali patakatifu ilikuwa na uzito wa talanta 29 na shekeli 730, kulingana na shekeli ya mahali patakatifu.
The total amount of gold from the offering that was used for the work on the sanctuary was 29 talents and 730 shekels, (using the sanctuary shekel standard).
25 Fedha iliyopatikana kutokana na jumuiya ya watu waliohesabiwa ilikuwa yenye uzito wa talanta mia moja na shekeli 1,775, kulingana na shekeli ya mahali patakatifu.
The total amount of silver from those who had been counted in the census was 100 talents and 1,775 shekels (using the sanctuary shekel standard).
26 Kila mtu alitoa beka moja, ambayo ni sawa na nusu shekeli ya fedha, kwa kazi ya mahali patakatifu, kutoka kwa kila mtu aliyekuwa amehesabiwa mwenye umri wa miaka ishirini au zaidi, ambao jumla yao walikuwa wanaume 603,550.
This represents a beka per person, or half a shekel, (using the sanctuary shekel standard) from everyone twenty years of age or older who had been censused, a total of 603,550 men.
27 Talanta hizo 100 za fedha zilitumika kusubu vile vitako mia moja kwa ajili ya mahali patakatifu na pazia: vitako mia moja kwa talanta mia, yaani, talanta moja kwa kila kitako.
The hundred talents of silver were used to cast the sanctuary stands and the curtain stands, 100 bases from the 100 talents, or one talent per base.
28 Akatumia zile shekeli hizo 1,775 kutengeneza kulabu za nguzo, kufunika ncha za nguzo na kutengeneza vitanzi vyake.
Bezalel used the 1,775 shekels of silver to make the hooks for the posts, cover their tops, and make bands for them.
29 Shaba iliyopatikana kutokana na sadaka ya kuinuliwa ilikuwa na uzito wa talanta 70 na shekeli 2,400.
The total amount of bronze from the offering was 70 talents and 2,400 shekels.
30 Akaitumia hiyo shaba kutengeneza vitako vya ingilio la Hema la Kukutania, madhabahu ya shaba pamoja na ule wavu wake na vyombo vyake vyote,
Bezalel used it to make the stands for the entrance to the Tent of Meeting, the bronze altar and its bronze grate, all the utensils for the altar,
31 vile vitako vya ule ua uliozunguka na vile vya ingilio, na vigingi vyote vya Maskani pamoja na ule ua uliozunguka.
the stands for the courtyard and its entrance, and all the tent pegs for the Tabernacle and the courtyard.
