Ekisodho 38
1 Vakavaka aritari yezvipiriso zvinopiswa yamatanda omuunga, yakakwirira makubhiti matatu; yakanga yakaenzana mativi ayo mana ina makubhiti mashanu pakureba uye namakubhiti mashanu paupamhi hwayo.
Bezalel made the altar burnt offering from acacia wood. It was square and measured five cubits long by five cubits wide by three cubits high.
2 Vakagadzira runyanga pamakona mana ose zvokuti nyanga nearitari zvakanga zvava chinhu chimwe chete, uye vakafukidza aritari nendarira.
He made horns for each of its corners, all one piece with the altar, and covered the whole altar with bronze.
3 Vakaita midziyo yayo yose nendarira, hari dzayo, foshoro dzayo, midziyo yokusasa zvibayiso zvenyama uye namakango apamoto.
He made all its utensils: buckets for removing ashes, shovels, sprinkling bowls, meat forks, and firepans. He made all its utensils of bronze.
4 Vakaitira aritari chiparo, mumbure wendarira, kuti chive pasi pechitsiko chayo, pakati napakati pokukwirira kwearitari.
He made a bronze mesh grate for the altar and placed it under the ledge of the altar, so that the mesh came halfway down the altar.
5 Vakaumba mhete dzendarira kuti dzibate mapango amakona mana echiparo chendarira.
He cast four bronze rings for the four corners of the grate as holders for the poles.
6 Vakaita mapango omuti womuunga vakaafukidza nendarira.
He made poles of acacia wood for the altar and covered them with bronze.
7 Vakapinza mapango mukati memhete kuitira kuti agova pamativi earitari, kuti vaitakure nawo. Vakaiita namapuranga, isina chinhu mukati.
He put the poles through the rings on either side of the altar so it could be carried. He made the altar hollow, using boards.
8 Vakagadzira mudziyo wokushambira wendarira uye nezvigadziko zvawo zvendarira kubva pazvionioni zvamadzimai aishumira pamukova wokupinda muTende Rokusangana.
He made the bronze basin with its stand with bronze from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Pashure vakaita ruvazhe. Rutivi rwezasi rwakanga rwakareba makubhiti zana uye rwaiva nezvidzitiro zvomucheka wakarukwa zvakaisvonaka,
Then he made a courtyard. For the south side of the courtyard he made curtains of finely-spun linen, a hundred cubits long on one side,
10 namatanda makumi maviri uye nezvigadziko zvendarira makumi maviri, nezvikorekedzo zvesirivha uye nezvisungo pamusoro pamatanda.
with twenty posts and twenty bronze stands, with silver hooks and bands on the posts.
11 Rutivi rwokumusorowo rwakanga runa makubhiti zana pakureba uye rwakanga rune matanda makumi maviri nezvigadziko zvendarira, ine zvikorekedzo zvesirivha nezvisungo pamusoro pamatanda.
Similarly he made curtains placed on the north side in an identical arrangement.
12 Mucheto wokumavirira wakanga una makubhiti makumi mashanu paupamhi, uye kwaiva nezvidzitiro, namatanda gumi uye nezvigadziko gumi, nezvikorekedzo zvesirivha nezvisungo pamusoro pamatanda.
He made curtains for the west side of the courtyard fifty cubits wide, with ten posts and ten stands.
13 Kumucheto wokumabvazuva, wakananga kunobuda nezuva, kwaivawo noupamhi hwamakubhiti makumi mashanu.
The east side of the courtyard that faces the sunrise was fifty cubits wide.
14 Zvidzitiro zvakareba makubhiti gumi namashanu zvaiva kurutivi rumwe chete rwomukova, namatanda matatu ezvigadziko zvitatu,
He made the curtains on one side fifteen cubits long, with three posts and three stands,
15 uye zvidzitiro zvakareba makubhiti gumi namashanu zvaiva kuno rumwe rutivi rwokupinda muruvazhe, namatanda matatu uye nezvigadziko zvitatu.
and the curtains on the other side just the same.
16 Zvidzitiro zvose zvaipoteredza ruvazhe zvaiva zvomucheka wakarukwa zvakaisvonaka.
All the curtains around the courtyard were of finely-woven linen.
17 Zvigadziko zvamatanda zvakanga zviri zvendarira. Zvikorekedzo nezvisungo zvaiva pamatanda zvaiva zvesirivha, uye misoro yawo yakanga yakafukidzwa nesirivha; saka matanda ose oruvazhe akanga ane zvisungo zvesirivha.
The stands for the posts were bronze, the hooks and bands were silver, and the tops of the posts were covered with silver. All the posts around the courtyard had silver bands.
18 Chidzitiro chomukova wokupinda muruvazhe chaiva chewuru yebhuruu, nepepuru netsvuku uye nomucheka wakarukwa zvakaisvonaka, basa romuruki. Chakanga chakareba makubhiti makumi maviri, chakaita sechidzitiro chaparuvazhe, makubhiti mashanu kukwirira kwacho,
The curtain for the entrance to the courtyard was embroidered with blue, purple, and crimson thread, and finely-spun linen. It was twenty cubits long by five cubits high, the same height as the courtyard curtains.
19 namatanda mana uye nezvigadziko zvendarira zvina. Zvikorekedzo zvazvo nezvisungo zvazvo zvaiva zvesirivha, uye misoro yacho yakanga yakafukidzwa nesirivha.
It was held up by four posts and four stands. The posts had silver hooks, tops, and bands.
20 Mbambo dzose dzetende retabhenakeri nezvaipoteredza ruvazhe zvaiva zvendarira.
All the tent pegs for the Tabernacle and for the surrounding courtyard were made of bronze.
21 Uku ndiko kuwanda kwezvinhu zvakashandiswa patabhenakeri, iyo tabhenakeri yeChipupuriro, zvakanyorwa pakurayira kwaMozisi navaRevhi vari pasi paItamari mwanakomana waAroni, muprista.
The following is what was used for the Tabernacle, the Tabernacle of the Testimony, recorded at Moses' direction by the Levites under the supervision of Ithamar, son of Aaron the priest.
22 Bhezareri mwanakomana waUri, mwanakomana waHuri, worudzi rwaJudha, akagadzira zvose zvakarayirwa Mozisi naJehovha;
Bezalel, son of Uri, son of Hur, from the tribe of Judah, made everything that the Lord had ordered Moses to make.
23 aiva naDhoriabhu mwanakomana waAhisamaki, worudzi rwaDhani, mhizha nomusoni, uye musoni wewuru yebhuruu, pepuru netsvuku nomucheka wakaisvonaka.
He was assisted by Oholiab, son of Ahisamach, from the tribe of Dan, an engraver, designer, and embroiderer using blue, purple, and crimson thread and finely-woven linen.
24 Kuwanda kwegoridhe rose rakabva kuzvipiriso zvokuninira rakashandiswa pabasa rose rapaimba tsvene kwaiva matarenda makumi maviri namapfumbamwe namashekeri mazana manomwe ana makumi matatu, zvichienderana neshekeri renzvimbo tsvene.
The total amount of gold from the offering that was used for the work on the sanctuary was 29 talents and 730 shekels, (using the sanctuary shekel standard).
25 Sirivha yakawanikwa yakabva kuna avo veungano vakaverengwa pakunyorwa, yaiva matarenda zana, uye chiuru chimwe namazana manomwe namakumi manomwe namashanu amashekeri, zvichienderana neshekeri renzvimbo tsvene,
The total amount of silver from those who had been counted in the census was 100 talents and 1,775 shekels (using the sanctuary shekel standard).
26 bheka rimwe chete pamunhu, ndiyo hafu yeshekeri, zvichienderana neshekeri renzvimbo tsvene, kubva kumunhu wose akanga ayambukira kuna avo vakanga vatoverengwa, vana makore makumi maviri kana kupfuura, varume vakanga vari zviuru mazana matanhatu navatatu namazana mashanu ana makumi mashanu.
This represents a beka per person, or half a shekel, (using the sanctuary shekel standard) from everyone twenty years of age or older who had been censused, a total of 603,550 men.
27 Matarenda zana esirivha akashandiswa kugadzira zvigadziko zvenzvimbo tsvene pachidzitiro, zvigadziko zana zvaibva pamatarenda zana, tarenda rimwe chete pachigadziko chimwe nechimwe.
The hundred talents of silver were used to cast the sanctuary stands and the curtain stands, 100 bases from the 100 talents, or one talent per base.
28 Vakashandisa mashekeri chiuru chimwe chete namazana manomwe namakumi manomwe namashanu uye kuti vagadzire zvikorekedzo zvamatanda, kufukidza misoro yamatanda, uye vagadzire zvisungo zvawo.
Bezalel used the 1,775 shekels of silver to make the hooks for the posts, cover their tops, and make bands for them.
29 Ndarira yakabva kuzvipiriso zvokuninira yaiva matarenda makumi manomwe namashekeri zviuru zviviri namazana mana.
The total amount of bronze from the offering was 70 talents and 2,400 shekels.
30 Vakaishandisa kugadzira nheyo dzomukova weTende Rokusangana, aritari yendarira, chiparo chayo chendarira nemidziyo yayo yose,
Bezalel used it to make the stands for the entrance to the Tent of Meeting, the bronze altar and its bronze grate, all the utensils for the altar,
31 nheyo dzepakapoteredza ruvazhe nedzomukova warwo nembambo dzose dzetende retabhenakeri uye nezvose zvakapoteredza ruvazhe.
the stands for the courtyard and its entrance, and all the tent pegs for the Tabernacle and the courtyard.
