Ekisodho 38
1 Vakavaka aritari yezvipiriso zvinopiswa yamatanda omuunga, yakakwirira makubhiti matatu; yakanga yakaenzana mativi ayo mana ina makubhiti mashanu pakureba uye namakubhiti mashanu paupamhi hwayo.
Bezalel constructed the altar of burnt offering from acacia wood. It was square, five cubits long, five cubits wide, and three cubits high.
2 Vakagadzira runyanga pamakona mana ose zvokuti nyanga nearitari zvakanga zvava chinhu chimwe chete, uye vakafukidza aritari nendarira.
He made a horn at each of its four corners, so that the horns and altar were of one piece, and he overlaid the altar with bronze.
3 Vakaita midziyo yayo yose nendarira, hari dzayo, foshoro dzayo, midziyo yokusasa zvibayiso zvenyama uye namakango apamoto.
He made all the altar’s utensils of bronze—its pots, shovels, sprinkling bowls, meat forks, and firepans.
4 Vakaitira aritari chiparo, mumbure wendarira, kuti chive pasi pechitsiko chayo, pakati napakati pokukwirira kwearitari.
He made a grate of bronze mesh for the altar under its ledge, halfway up from the bottom.
5 Vakaumba mhete dzendarira kuti dzibate mapango amakona mana echiparo chendarira.
At the four corners of the bronze grate he cast four rings as holders for the poles.
6 Vakaita mapango omuti womuunga vakaafukidza nendarira.
And he made the poles of acacia wood and overlaid them with bronze.
7 Vakapinza mapango mukati memhete kuitira kuti agova pamativi earitari, kuti vaitakure nawo. Vakaiita namapuranga, isina chinhu mukati.
Then he inserted the poles into the rings on the sides of the altar for carrying it. He made the altar with boards so that it was hollow.
8 Vakagadzira mudziyo wokushambira wendarira uye nezvigadziko zvawo zvendarira kubva pazvionioni zvamadzimai aishumira pamukova wokupinda muTende Rokusangana.
Next he made the bronze basin and its stand from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Pashure vakaita ruvazhe. Rutivi rwezasi rwakanga rwakareba makubhiti zana uye rwaiva nezvidzitiro zvomucheka wakarukwa zvakaisvonaka,
Then he constructed the courtyard. The south side of the courtyard was a hundred cubits long and had curtains of finely spun linen,
10 namatanda makumi maviri uye nezvigadziko zvendarira makumi maviri, nezvikorekedzo zvesirivha uye nezvisungo pamusoro pamatanda.
with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.
11 Rutivi rwokumusorowo rwakanga runa makubhiti zana pakureba uye rwakanga rune matanda makumi maviri nezvigadziko zvendarira, ine zvikorekedzo zvesirivha nezvisungo pamusoro pamatanda.
The north side was also a hundred cubits long, with twenty posts and twenty bronze bases. The hooks and bands of the posts were silver.
12 Mucheto wokumavirira wakanga una makubhiti makumi mashanu paupamhi, uye kwaiva nezvidzitiro, namatanda gumi uye nezvigadziko gumi, nezvikorekedzo zvesirivha nezvisungo pamusoro pamatanda.
The west side was fifty cubits long and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver.
13 Kumucheto wokumabvazuva, wakananga kunobuda nezuva, kwaivawo noupamhi hwamakubhiti makumi mashanu.
And the east side, toward the sunrise, was also fifty cubits long.
14 Zvidzitiro zvakareba makubhiti gumi namashanu zvaiva kurutivi rumwe chete rwomukova, namatanda matatu ezvigadziko zvitatu,
The curtains on one side of the entrance were fifteen cubits long, with three posts and three bases.
15 uye zvidzitiro zvakareba makubhiti gumi namashanu zvaiva kuno rumwe rutivi rwokupinda muruvazhe, namatanda matatu uye nezvigadziko zvitatu.
And the curtains on the other side were also fifteen cubits long, with three posts and three bases as well.
16 Zvidzitiro zvose zvaipoteredza ruvazhe zvaiva zvomucheka wakarukwa zvakaisvonaka.
All the curtains around the courtyard were made of finely spun linen.
17 Zvigadziko zvamatanda zvakanga zviri zvendarira. Zvikorekedzo nezvisungo zvaiva pamatanda zvaiva zvesirivha, uye misoro yawo yakanga yakafukidzwa nesirivha; saka matanda ose oruvazhe akanga ane zvisungo zvesirivha.
The bases for the posts were bronze, the hooks and bands were silver, and the plating for the tops of the posts was silver. So all the posts of the courtyard were banded with silver.
18 Chidzitiro chomukova wokupinda muruvazhe chaiva chewuru yebhuruu, nepepuru netsvuku uye nomucheka wakarukwa zvakaisvonaka, basa romuruki. Chakanga chakareba makubhiti makumi maviri, chakaita sechidzitiro chaparuvazhe, makubhiti mashanu kukwirira kwacho,
The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,
19 namatanda mana uye nezvigadziko zvendarira zvina. Zvikorekedzo zvazvo nezvisungo zvazvo zvaiva zvesirivha, uye misoro yacho yakanga yakafukidzwa nesirivha.
with four posts and four bronze bases. Their hooks were silver, as well as the bands and the plating of their tops.
20 Mbambo dzose dzetende retabhenakeri nezvaipoteredza ruvazhe zvaiva zvendarira.
All the tent pegs for the tabernacle and for the surrounding courtyard were bronze.
21 Uku ndiko kuwanda kwezvinhu zvakashandiswa patabhenakeri, iyo tabhenakeri yeChipupuriro, zvakanyorwa pakurayira kwaMozisi navaRevhi vari pasi paItamari mwanakomana waAroni, muprista.
This is the inventory for the tabernacle, the tabernacle of the Testimony, as recorded at Moses’ command by the Levites under the direction of Ithamar son of Aaron the priest.
22 Bhezareri mwanakomana waUri, mwanakomana waHuri, worudzi rwaJudha, akagadzira zvose zvakarayirwa Mozisi naJehovha;
Bezalel son of Uri, the son of Hur, of the tribe of Judah, made everything that the LORD had commanded Moses.
23 aiva naDhoriabhu mwanakomana waAhisamaki, worudzi rwaDhani, mhizha nomusoni, uye musoni wewuru yebhuruu, pepuru netsvuku nomucheka wakaisvonaka.
With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.
24 Kuwanda kwegoridhe rose rakabva kuzvipiriso zvokuninira rakashandiswa pabasa rose rapaimba tsvene kwaiva matarenda makumi maviri namapfumbamwe namashekeri mazana manomwe ana makumi matatu, zvichienderana neshekeri renzvimbo tsvene.
All the gold from the wave offering used for the work on the sanctuary totaled 29 talents and 730 shekels, according to the sanctuary shekel.
25 Sirivha yakawanikwa yakabva kuna avo veungano vakaverengwa pakunyorwa, yaiva matarenda zana, uye chiuru chimwe namazana manomwe namakumi manomwe namashanu amashekeri, zvichienderana neshekeri renzvimbo tsvene,
The silver from those numbered among the congregation totaled 100 talents and 1,775 shekels, according to the sanctuary shekel—
26 bheka rimwe chete pamunhu, ndiyo hafu yeshekeri, zvichienderana neshekeri renzvimbo tsvene, kubva kumunhu wose akanga ayambukira kuna avo vakanga vatoverengwa, vana makore makumi maviri kana kupfuura, varume vakanga vari zviuru mazana matanhatu navatatu namazana mashanu ana makumi mashanu.
a beka per person, that is, half a shekel, according to the sanctuary shekel, from everyone twenty years of age or older who had crossed over to be numbered, a total of 603,550 men.
27 Matarenda zana esirivha akashandiswa kugadzira zvigadziko zvenzvimbo tsvene pachidzitiro, zvigadziko zana zvaibva pamatarenda zana, tarenda rimwe chete pachigadziko chimwe nechimwe.
The hundred talents of silver were used to cast the bases of the sanctuary and the bases of the veil—100 bases from the 100 talents, one talent per base.
28 Vakashandisa mashekeri chiuru chimwe chete namazana manomwe namakumi manomwe namashanu uye kuti vagadzire zvikorekedzo zvamatanda, kufukidza misoro yamatanda, uye vagadzire zvisungo zvawo.
With the 1,775 shekels of silver he made the hooks for the posts, overlaid their tops, and supplied bands for them.
29 Ndarira yakabva kuzvipiriso zvokuninira yaiva matarenda makumi manomwe namashekeri zviuru zviviri namazana mana.
The bronze from the wave offering totaled 70 talents and 2,400 shekels.
30 Vakaishandisa kugadzira nheyo dzomukova weTende Rokusangana, aritari yendarira, chiparo chayo chendarira nemidziyo yayo yose,
He used it to make the bases for the entrance to the Tent of Meeting, the bronze altar and its bronze grating, all the utensils for the altar,
31 nheyo dzepakapoteredza ruvazhe nedzomukova warwo nembambo dzose dzetende retabhenakeri uye nezvose zvakapoteredza ruvazhe.
the bases for the surrounding courtyard and its gate, and all the tent pegs for the tabernacle and its surrounding courtyard.
