Eksodosy 38
1 Rinanji’e ami’ty mendoraveñe i kitrelim-pisoroñañey: kiho lime ty andava’e; naho kiho lime ty ampohe’e, efa-mira; vaho telo kiho ty haabo’e.
Bezalel made the altar burnt offering from acacia wood. It was square and measured five cubits long by five cubits wide by three cubits high.
2 Tsinene’e ankotso’e efatse o tsifa’eo; raik’ ama’e i tsifa’e rey, le nipakora’e torisìke.
He made horns for each of its corners, all one piece with the altar, and covered the whole altar with bronze.
3 Tsinene’e iaby ty fana’ i kitreliy: o valàñe’eo naho o sadrò’eo naho o koveta’eo naho o firango’eo vaho o endraendra’eo; hene nanoeñe torisike o fana’eo.
He made all its utensils: buckets for removing ashes, shovels, sprinkling bowls, meat forks, and firepans. He made all its utensils of bronze.
4 Le nanoa’e tsikarakarake torisìke i kitreliy, mifototse ambane’ i soñi’ey miefetse ami’ty fivaki-mirà’ ty haabo’e.
He made a bronze mesh grate for the altar and placed it under the ledge of the altar, so that the mesh came halfway down the altar.
5 Nampitranaha’e ravake efatse ho an-kotso’e efa’ i tsikarakarake torisìkey hitañe o bao’eo.
He cast four bronze rings for the four corners of the grate as holders for the poles.
6 Le rinanji’e ami’ty mendoraveñe o bao’eo vaho nipakora’e torisìke.
He made poles of acacia wood for the altar and covered them with bronze.
7 Le nazili’e amo ravake añ’ ila’ i kitreliio o bao-pitakonaño. Nanoe’e koake am-barambañe.
He put the poles through the rings on either side of the altar so it could be carried. He made the altar hollow, using boards.
8 Tsinene’e an-torisìke i fanasàñey naho torisìke i foto’ey, boak’ amo hetsoro natolo’ o rakemba mpitoroñe an-dalan-kibohom-pamantañañeo.
He made the bronze basin with its stand with bronze from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Le nihajarie’e ty kiririsa; naradorado’e añ’ ila’e atimo ty lamba leny rinorotse marerarera; zato kiho.
Then he made a courtyard. For the south side of the courtyard he made curtains of finely-spun linen, a hundred cubits long on one side,
10 Roapolo ty anakòre’e naho roapolo ty foto’e torisìke. Volafoty ty porengo’ o ana-koreñeo naho o bandi’eo.
with twenty posts and twenty bronze stands, with silver hooks and bands on the posts.
11 Zato kiho ka ty avaratse; ty anakòre’e roapolo naho ty tombo’e torisìke roapolo vaho volafoty ty porengo’ o anakòreñeo naho o bandi’eo.
Similarly he made curtains placed on the north side in an identical arrangement.
12 Limampolo kiho ty firadoradoañe ahandrefañey; folo ty anakòre’e naho folo ty tombo’e. Volafoty ty porengo’ i anakòre’e rey naho o bandi’eo.
He made curtains for the west side of the courtyard fifty cubits wide, with ten posts and ten stands.
13 Le atiñana miatrek’ atiñanañe: limampolo kiho.
The east side of the courtyard that faces the sunrise was fifty cubits wide.
14 Folo lime-amby kiho ty andava’ ty firadoradoañe etoa, telo ty anakòre’e naho telo ty foto’e.
He made the curtains on one side fifteen cubits long, with three posts and three stands,
15 Añ’ila’ i lalan-kiririsay eroa ty firadoradoañe folo lime amby kiho, etoa naho eroa naho ty anakore’e telo naho tombo’e telo.
and the curtains on the other side just the same.
16 Sindre aman-deny rinorotse matify o firadoradoan-dambalava nañarikatoke i kiririsaio.
All the curtains around the courtyard were of finely-woven linen.
17 An-torisìke ty vave’ o anakòre’eo; volafoty ty porengo’ o anakòreñeo naho o bande’eo, pinakotse volafoty ka o honko’eo; songa amam-bandy volafoty o anakòre’ i kiririsaio.
The stands for the posts were bronze, the hooks and bands were silver, and the tops of the posts were covered with silver. All the posts around the courtyard had silver bands.
18 Satam-pamahotse i lambalamba fañefetse an-dalambein-kiririsay: am-pole manga naho malòmavo naho mena mañabarà vaho leny rinorotse marerarera; roapolo kiho ty andava’e naho lime kiho ty haabo’e manahake ty am-pohe’ o firadoradoañe an-kiririsao.
The curtain for the entrance to the courtyard was embroidered with blue, purple, and crimson thread, and finely-spun linen. It was twenty cubits long by five cubits high, the same height as the courtyard curtains.
19 Efatse ty anakòre’e reketse ty vave’e torisìke efatse; volafoty o porengo’eo, naho nipakorañe volafoty o honko’eo naho o bandi’eo.
It was held up by four posts and four stands. The posts had silver hooks, tops, and bands.
20 Songa torisìke ty tsato’ i kivohoy naho i kiririsa mañarikatok’ azey.
All the tent pegs for the Tabernacle and for the surrounding courtyard were made of bronze.
21 Intoy ty famolilañe’ i kivohoy, i kivohom-pañinay, amy namantoha’ i Mosèy, nisokire o nte-Levio, ambanem-pità’ Itamare ana’ i Aharone mpisoroñe.
The following is what was used for the Tabernacle, the Tabernacle of the Testimony, recorded at Moses' direction by the Levites under the supervision of Ithamar, son of Aaron the priest.
22 Namboare’ i Betsalale ana’ i Ory, ana’ i Kore, fifokoa’ Iehodà, ze hene nandilia’ Iehovà amy Mosè hamboareñe.
Bezalel, son of Uri, son of Hur, from the tribe of Judah, made everything that the Lord had ordered Moses to make.
23 Nañolotse aze t’i Oholiabe ana’ i Ahisamake, fifokoa’ i Dane, mpandranjy naho mpanao sare naho mpanenoñe mahay volo: ami’ty manga naho ty malòmavo naho ty fole mena mañabarà vaho ty leny matify.
He was assisted by Oholiab, son of Ahisamach, from the tribe of Dan, an engraver, designer, and embroiderer using blue, purple, and crimson thread and finely-woven linen.
24 Nahatakatse talenta roapolo-sive’ amby naho sekele fitonjato-tsi-telopolo, toe sekele’ i toe-miavakey, ty volamena nitseneñe ze hene raha amy toe-miavakey, amy volamena binanabanay.
The total amount of gold from the offering that was used for the work on the sanctuary was 29 talents and 730 shekels, (using the sanctuary shekel standard).
25 Le talenta zato naho sekele arivo-tsi-fitonjato-tsi-fitompolo lime amby, toe sekele’ i toe-miavakey, ty volafoty amo niaheñe amy fivoribeiio;
The total amount of silver from those who had been counted in the census was 100 talents and 1,775 shekels (using the sanctuary shekel standard).
26 bèka raike ty vili-loha’ (toe vakin-tsekele’ i toe-miavakey raike), ze hene ondaty nitsake mb’amo niaheñeo amo niroapolo taoñe mañamboneo, aa le enen-ketse-tsi-telo-arivo-tsi-limanjato-tsi-limampolo.
This represents a beka per person, or half a shekel, (using the sanctuary shekel standard) from everyone twenty years of age or older who had been censused, a total of 603,550 men.
27 Volafoty zato talenta ty natranake ho a o vave’ i toe-miavakeio naho o vave’ i lamba fañefetse reio: talenta zato ty vave’e zato, talenta raike ty vave’e raike.
The hundred talents of silver were used to cast the sanctuary stands and the curtain stands, 100 bases from the 100 talents, or one talent per base.
28 Le amy sekele arivo-tsi-fiton-jato-tsi-fitompolo lime amby rey ty nitsenea’e ty porengo’ o anakòreñeo naho nipakora’e o honko’eo vaho nanoe’e o bandi’eo.
Bezalel used the 1,775 shekels of silver to make the hooks for the posts, cover their tops, and make bands for them.
29 Fitompolo talenta naho ro-arivo-tsi-efajato sekele ty torisìke nengaeñe;
The total amount of bronze from the offering was 70 talents and 2,400 shekels.
30 ama’e ty nitsenea’e o vave’ i lalan-kibohom-pamantañañeio, i kitrely torisìkey, i tsikarakara’e torisìkey naho o fana’ i kitreliy iabio,
Bezalel used it to make the stands for the entrance to the Tent of Meeting, the bronze altar and its bronze grate, all the utensils for the altar,
31 naho ty vave’ i kiririsa miarikatokey, o foto’ i lalambein-kiririsaio, ze hene tsato’ i kivohoy vaho ze fonga tsatoke amy kiririsa miarifehe azey.
the stands for the courtyard and its entrance, and all the tent pegs for the Tabernacle and the courtyard.
