Eksodosy 37
1 Rinanji’ i Betsalale ami’ty mendoraveñe i vatam-pañinay: kiho roe naho tampa’e ty andava’e le kiho raike naho tampa’e ty ampohe’e vaho kiho raike naho tampa’e ty haabo’e.
Bezalel went on to construct the ark of acacia wood, two and a half cubits long, a cubit and a half wide, and a cubit and a half high.
2 Pinako’e volamena ki’e, añate’e naho alafe’e vaho nitsenea’e soñy volamena nañarikatok’ aze.
He overlaid it with pure gold, both inside and out, and made a gold molding around it.
3 Nampitranaha’e ravake volamena efatse, harekets’ an-kotso’e efatse: ravake roe etoa vaho ravake roe eroa.
And he cast four gold rings for its four feet, two rings on one side and two on the other.
4 Nandranjia’e bao-pitakonañe ami’ty mendoraveñe vaho pinako’e volamena,
Then he made poles of acacia wood and overlaid them with gold.
5 le natsorofo’e amo ravake añ’ ila’ i vatam-pañinaio i baoñe rey hitakonañe i vatam-pañinay.
He inserted the poles into the rings on the sides of the ark in order to carry it.
6 Tsinene’e volamena ki’e i toem-pijebañañey; kiho roe naho tampa’e ty andava’e naho kiho raike naho tampa’e ty ampohe’e.
He constructed a mercy seat of pure gold, two and a half cubits long and a cubit and a half wide.
7 Niranjie’e kerobe volamena roe; pinepè’e ami’ty vonga’e raike, ho añ’ ila roe’ i toem-pijebañañeio:
He made two cherubim of hammered gold at the ends of the mercy seat,
8 ty kerobe etoa, le ty kerobe eroa; rinanji’e ho raik’ amy toem-pijebañañey i kerobe rey songa añ’ila’e.
one cherub on one end and one on the other, all made from one piece of gold.
9 Navela’ i kerobe rey mañambone o ela’eo; nañaloke i toem-pijebañañey o ela’eo; nifañatre-daharañe iereo, nitolike mb’ amy toem-pijebañañey ty tarehe’ i kerobe rey.
And the cherubim had wings that spread upward, overshadowing the mercy seat. The cherubim faced each other, looking toward the mercy seat.
10 Rinanji’e ami’ty mendoraveñe i rairaiy: kiho roe ty andava’e, kiho raike ty ampohe’e naho kiho raike naho tampa’e ty haabo’e.
He also made the table of acacia wood two cubits long, a cubit wide, and a cubit and a half high.
11 Nipakora’e volamena ki’e vaho nandrafeta’e fiètse vola-mena hañarikoboñe aze.
He overlaid it with pure gold and made a gold molding around it.
12 Mbore nitsenea’e rira ampohe-pitàñe hañarikatok’ aze vaho nanoa’e indram-bolamena añ’olo’e hañariary aze.
And he made a rim around it a handbreadth wide and put a gold molding on the rim.
13 Le nampitranaha’e ravake volamena efatse vaho nampirekete’e ankotso’e efatse tandrife i tombo’e efatse rey.
He cast four gold rings for the table and fastened them to the four corners at its four legs.
14 Nanoeñe marine i rira’ey i ravake rey hitàñe i bao-pitakonan-drairay rey.
The rings were placed close to the rim, to serve as holders for the poles used to carry the table.
15 Rinanji’e ami’ty mendoraveñe i bao-pitakonan-drairay rey le pinako’e volamena.
He made the poles of acacia wood for carrying the table and overlaid them with gold.
16 Volamena ki’e ty nitsenea’e o fanak’ ambone’ i rairaiio: o fingao, o fitovio, o soakazoo vaho o tako’eo hanakonañe irezay.
He also made the utensils for the table out of pure gold: its plates and dishes, as well as its bowls and pitchers for pouring drink offerings.
17 Le tsinene’e i fitàn-jiro volamena ki’ey; am-pipepehañe ty nanoa’e i fitàn-jiroy. Songa nanoen-ko raik’ ama’e ty taho’e, o tsampa’eo, o vatavo’eo, o rava-drave’eo naho o voñe’eo.
Then he made the lampstand out of pure hammered gold, all of one piece: its base and shaft, its cups, and its buds and petals.
18 Eneñe ty tsampa’e niakatse amo ila’eo: tsampa’e telo ty niakatse am-pitàn-jiro etia naho tsampa’e telo ty niakatse am-pitàn-jiro atia.
Six branches extended from the sides, three on one side and three on the other.
19 Le an-tsampa’e etia ty vatavo telo sarem-boti-mahabibo, ty rava-draveñe naho ty ravem-boñe vaho an-tsampa’e tandrife atia ty vatavo telo sarem-boti-mahabibo sindre aman-drava-draveñe naho ravem-boñe’e; irezay ty ho a’ i tsampa’e eneñe miakatse ty taho’ i fitàn-jiroy rey.
There were three cups shaped like almond blossoms on the first branch, each with buds and petals, three on the next branch, and the same for all six branches that extended from the lampstand.
20 Le nanoeñe vatavo efatse misare boti-mahabibo, sindre reketse rava-draveñe naho ravam-boti’e, an-taho’ i fitàn-jiroy;
And on the lampstand were four cups shaped like almond blossoms with buds and petals.
21 le ty rava-draveñe miray ami’ty fireketa’ ty tsempa’e roe amy tahoy, ie ho amy tsampa’e eneñe miakatse ama’e rey.
A bud was under the first pair of branches that extended from the lampstand, a bud under the second pair, and a bud under the third pair.
22 Raik’ amy taho’ey o rava-drave’eo naho o tsampa’eo, hene pinepèke am-bongam-bolamena ki’e raike.
The buds and branches were all of one piece with the lampstand, hammered out of pure gold.
23 Le tsinene’e volamena ki’e ty jiro’e fito naho o fiharatan-tsokotsoko’eo vaho o sadròm-baen’ afo’eo.
He also made its seven lamps, its wick trimmers, and trays of pure gold.
24 Nanoe’e am-bongam-bolamena ki’e talenta raike, ie naho o fana’e iabio.
He made the lampstand and all its utensils from a talent of pure gold.
25 Rinanji’e ami’ty mendoraveñe ty kitrelim-pañembohañe: kiho raike ty andava’e, kiho raike ty ampohe’e, efa-mira, vaho kiho roe ty haabo’e. Raik’ ama’e o tsifa’eo.
He made the altar of incense out of acacia wood. It was square, a cubit long, a cubit wide, and two cubits high. Its horns were of one piece.
26 Nipakora’e volamena ki’e, ty tako’e naho o ila’e niarifehe azeo vaho o tsifa’e miariary azeo. Le nitsenea’e soñy volamena nañarikatok’ aze.
And he overlaid with pure gold the top and all the sides and horns. Then he made a molding of gold around it.
27 Nitsene’e ravake volamena roe ho ambane’ i soñi’ey, an-kotso’e roe atoy naho ami’ty roe aroy, hitañe o bao-pitakonañ’azeo.
He made two gold rings below the molding on opposite sides to hold the poles used to carry it.
28 Rinanji’e ami’ty mendoraveñe o bao’eo le nipakora’e volamena.
And he made the poles of acacia wood and overlaid them with gold.
29 Nanoe’e i mena-pañorizañe miavakey naho i emboke ki’e marifondrifoñe an-kafiriañe an-tsatam-panao embokey.
He also made the sacred anointing oil and the pure, fragrant incense, the work of a perfumer.
