< Eksodosy 36 >
1 Aa le nitoloñe amo he’e linili’ Iehovào t’i Betsalale naho i Oholiabe naho ze ondaty nahihi-troke tinolo’ Iehovà hilala naho faharendrehañe hahafitoloña’e ze fonga karaza fitseneañe am-pitoroñañe amy toe-miavakeiy.
So Bezalel, Oholiab, and all the other craftsmen with the necessary expertise and given the skill and ability by the Lord, are to work out how to accomplish all the work of constructing the sanctuary as commanded by the Lord.”
2 Aa le kinai’ i Mosè t’i Betsalale naho i Oholiabe naho ze ondaty mahihits’ arofo nitolora’ Iehovà hilala naho ze nentoe’e añ’arofo’e ty homb’eo hifanehake,
Moses summoned Bezalel, Oholiab, and all the skilled people who had been given special abilities by the Lord, everyone willing to come and do the work.
3 vaho rinambe’ iareo añatrefa’ i Mosè ze fonga raha binanabana’ o ana’ Israeleo hitoloña’ iareo ami’ty fandranjiañe i toe-miavakey. Mbe nitolom-panese banabana ama’e boa-maraiñe ondatio.
Moses gave them everything the Israelites had contributed to carry out the work of constructing the sanctuary. In the meantime the people went on bringing freewill offerings every morning,
4 Aa akore ty hamaro’e kanao nijohañe hey o mahihitse nifanehak’ amo tolon-draha’ i toe-miavake nitoloñe’e iabiio,
so much so that all the craftsmen who were working on the sanctuary stopped what they were doing
5 le ninday o saontsy zao amy Mosè, Fa ninday loho mandikoatse ze hahatsake i fitoloñañe o tolon-draha’ linili’ Iehovà anay hanoeñeoy ondatio.
and went and told Moses, “The people have already brought enough to complete the work the Lord has ordered us to do.”
6 Aa le nandily t’i Mosè naho nikoiheñe amy tobey ty hoe, Ehe te tsy hitsene raha hengaeñe amy toe-miavakey ka t’indaty ndra rakemba. Aa le nisebañeñe ondatio tsy hanese ka;
Moses gave the order, and an announcement was made throughout the camp: “Men and women, don't bring anything more as an offering for the sanctuary.” So the people were stopped from bringing anything more,
7 fa nahaheneke vaho nandikoatse ty hahafonirañe ze hene fitoloñañe o raha tam’ iereoo.
since there was already more than enough to do all the work necessary.
8 Ie amy zao, tsinene’ o mahihitse amo mpifanehak’ amy kivohoioo i lamba folo fañefetse am-pole leny rinorotse matify rey ami’ty manga naho malòmavo naho mena mañabarà, vinahotse an-tsare kerobe;
The skilled craftsmen among the workers made the ten curtains for the Tabernacle. They were made of finely-spun linen together with blue, purple, and crimson thread, embroidered with cherubim.
9 songa kiho roapolo-valo’ amby ty andava’ i lamba rey, sindre kiho efatse ty ampohe’e, mira habey i lamba rey.
Each curtain was twenty-eight cubits long by four cubits wide, and they were all the same size.
10 Nifampivitrañe’e ho raike ty lamba lime le nifampivitrañe’e i lime ila’e rey.
They joined together five of the curtains as one set, and the other five he joined as a second set.
11 Nitsene’e ravake manga añ’ indra’ ty lamba fañefetse añ’ila’ i tolà’e valoha’ey; mindray amy zay ty nitsene’e añ’indra’ i lamba añ’ila’ i tolà’e faharoey;
They used blue material to make loops on the edge of the last curtain of both sets.
12 ravake limampolo ty nanoe’e amy lamba fañefetse raikey, le ravake limampolo ty nanoe’e añ’ indra’ i lamba fañefetse añ’ila’ i tolà’e faharoey; nifañatreke i ravake rey.
They made fifty loops on one curtain and fifty loops on the last curtain of the second set, lining up the loops with each another.
13 Tsinene’e ty fikavitse volamena limampolo, le nampirekete’e amy fikavitse rey i lamba fañefetse rey, hampikatohañe i kivohoy ho raike.
They also made fifty gold clips and joined the curtains together with the clips, so that the Tabernacle was a single structure.
14 Nitsenè’e lamba-lava ambolon’ ose ho fandombohañe i kivohoy; folo-raik’amby ty lamba-lava nanoe’e.
They made eleven curtains of goat hair as a tent to cover the Tabernacle.
15 Kiho telo-polo ty andava’ i lambalava rey, kiho efatse ty ampohe’e; le mira i lambalava folo-raik’ amby rey.
Each of the eleven curtains was the same size—thirty cubits long by four cubits wide.
16 Navitra’e ho raike ty lambalava lime naho ho raike ty lambalava eneñe.
They joined five of the curtains together as one set and the other six as another set.
17 Nitsene’e ravake limampolo ho añ’indra’ ty lamba-lava añ’ ila’ i valoha’ey; le ravake limam-polo añ’indra’ i lambalava añ’ila’ i tolà’e faharoey.
They made fifty loops on the edge of the last curtain in the first set, and fifty loops along the edge of the last curtain in the second set.
18 Nitsenè’e fikavitse torisìke limampolo hifampireketañe i kibohotsey ho raike.
They made fifty bronze clips to join the tent together as a single cover.
19 Le nitsenea’e rakoke an-kolin’ añondrilahy linoko mena i kibohotsey vaho holin-trozofisoitse ty ambone’e.
They made a covering for the goat hair tent from tanned ram skins, and placed an extra covering of fine leather over that.
20 Nandranjia’e rafi-tolàñe i kivohoy, varambañe mendoraveñe mitroatse.
They made an upright framework of acacia wood for the Tabernacle.
21 Folo kiho ty andava’ o varambañeo naho kiho raike naho tampa’e ty ampohe’e.
Each frame was ten cubits long by one and a half cubits wide.
22 Songa aman-dahi’e roe o varambañeo hifamitrañe. Hene nanoe’e hoe izay ty rafi’ i kivohoy.
Each frame had two pegs so the frames could be connected to each other. They made all the frames of the Tabernacle like this.
23 Le nitsenea’e rafi-tolàñ’ i kivohoy: roapolo ty varambañe atimo, miatrek’ atimo,
They made twenty frames for the south side of the Tabernacle.
24 le nitsene’e vave’e volafoty efapolo ho ambane’ i varambañe roapolo rey; vave’e roe ambane’ ty varambañe raike ho ami’ty lahi’e roe vaho vave’e roe ambane’ ty varambañe raike ka ho a ty lahi’e roe.
They made forty silver stands as supports for the twenty frames using two stands per frame, one under every frame peg.
25 Nandranjia’e rafi-tolàñe roapolo añ’ila’ i kivohoy avaratse.
Similarly for the north side of the Tabernacle, they made twenty frames
26 naho ty vave’e volafoty efa-polo: vave’e roe ambane’ ty varambañe le vave’e roe ami’ty varambañe ila’e.
and forty silver stands, two stands per frame.
27 Niranjie’e varambañe eneñe ho añ’ila’ i kivohoy ahandrefañe.
They made six frames for the back (west side) of the Tabernacle,
28 Nandranjia’e varambañe roe an-kotsoke roe amboho’ i kivohoy,
along with two frames for its two back corners.
29 le nifampireketse pak’ ambone iereo vaho nampivitrañe’ ty ravake raike; izay ty nanoe’e ty roe amy hotso’e roe rey.
They joined these corner frames at the bottom and at the top near to the first ring. This is how they made the two corner frames.
30 Nivalo ty varambañe, naho folo-eneñ’amby ty vave’e volafoty— sindre amam-bave’e roe ambane’e ty varambañe.
In total there were eight frames and sixteen silver stands, two under each frame.
31 Niranjie’e saka ami’ty mendoraveñe: lime ho amo varambañe añ’ila’ i kivohoy etoa,
They made five crossbars of acacia wood to hold together the frames on the south side of the Tabernacle,
32 naho saka lime ho amo varambañe añ’ ila’ i kivohoy eroa vaho saka lime ho amo varambañe amboho ahandrefa’ i kivohoio.
five for those on the north, and five for those at the back of the Tabernacle, to the west.
33 Nanoe’e saka raike hitsorofotse añivo’ o varambañeo boak’ añ’ ila’e pak’ añ’ ila’e.
They made the central crossbar which was placed halfway up the frames and ran from one end to the other.
34 Le nipakora’e volamena o varambañeo, naho nitsene’e ravake volamena hitañe o sakao vaho nipakora’e volamena o saka’eo.
They covered the frames with gold, and made gold rings to hold the crossbars in place. They covered the crossbars with gold too.
35 Le manga naho malòmavo naho mena mañabarà vaho leny rinorotse matify ty nanoe’e i lamba-lavay; naho nanoa’e sare kerobe an-tsatam-pamahotse;
They made a veil out of blue, purple, and crimson thread, and finely-spun linen, embroidered with cherubim by someone who was skilled.
36 le nandranjie’e anakòreñe efatse ami’ty mendoraveñe naho nipakora’e volamena; le volamena o porengo’eo; vaho nampitranaha’e fototse volafoty efatse.
They made four posts of acacia wood for it and covered them with gold. They made gold hooks for the posts and cast their four silver stands.
37 Mbore fole manga naho malòmavo naho mena mañabarà naho leny rinorotse matify, an-tsatam-panenoñe mahay, maro-volo ty nanoe’e ty lamba fañefe’ i lalam-bein-kibohotsey,
They made a screen for the entrance to the tent using blue, purple, and crimson thread, and finely-spun linen, and had it embroidered.
38 miharo ami’ty anakòre’e lime rekets’ o porengo’eo. Nipakora’e volamena o tokona’e ambone naho o ana-tolà’eo le nanoeñe torisìke i vave’e lime rey.
They also made five posts of acacia wood with hooks to hang the screen. They covered the tops of the posts and their bands with gold, and their five stands were made of bronze.