Loyembo ya Salomo 6
1 Oh mwasi oyo aleki basi nyonso na kitoko, mobali na yo akei wapi? Akoti nzela nini mpo ete tosunga yo mpo na koluka ye?
You who are the most beautiful of all the women, where has the one who loves you gone? [If you tell us] which [RHQ] direction he went, we will go with you to search for him.
2 Mobali na ngai akei na elanga na ye, na mikala ya banzete ya solo kitoko mpo na koleisa bibwele na ye mpe kobuka fololo oyo babengaka lisi.
The one who loves me has now come [to me, who am like] [MET, EUP] his garden, He has come to [enjoy my (charms/physical attractions) which are like] [MET, EUP] spices, to enjoy cuddling up to me [EUP, MET], and [kissing my lips, which are like] [MET] lilies.
3 Nazali mpo na mobali na ngai, mpe mobali na ngai azali mpo ngai. Azali koleisa bibwele na ye na bilanga ya bafololo oyo babengaka lisi.
I belong to the one who loves me, and the one who loves me belongs to me; he [enjoys kissing] my lips like [MET] [a shepherd enjoys] taking care of [his sheep].
4 Oh mwasi na ngai ya motema, ozali kitoko lokola engumba ya Tiritsa; elongi na yo ezali kitoko lokola engumba Yelusalemi; obangisaka lokola mampinga ya basoda na se ya bendele na bango.
My darling, you are beautiful, like [SIM] Tirzah [the capital city of Israel] and Jerusalem [the capital city of Judah are beautiful]; you are as exciting [MET] as a [group/battalion of] troops holding up their banners.
5 Tika kotala ngai, pamba te miso na yo ezali kokweyisa ngai mayanga. Suki na yo ezali lokola etonga ya bantaba ya basi oyo ewutaka na Galadi.
Quit looking at me like that, because your eyes excite me very much. Your [long black] hair [moves from side to side] like [SIM] a flock of [black] goats [moving down the slopes] of Gilead [Mountain].
6 Minu na yo ezali lokola etonga ya bameme oyo bawuti kosukola. Meme moko na moko ezali na lipasa na yango, moko te ezangi mwana.
Your teeth are [very white] like [SIM] a flock of sheep [whose wool] has just been shorn and that have come up from being washed [in a stream]. You have all of your teeth; none of them is missing.
7 Matama na yo, na se ya vwale, ezali lokola liboke ya bambuma ya grenade.
Beneath your veil, your cheeks are like [SIM] the halves of a pomegranate.
8 Mokonzi akoki kozala na basi tuku motoba, bamakangu tuku mwambe mpe bilenge basi ebele penza.
Even if a king had 60 queens and 80 (concubines/slave wives) and more young women than anyone can count,
9 Kasi ebenga na ngai, mwasi na ngai oyo akoka na nyonso, azali kaka ye moko; azali kaka ye moko mwana mwasi ya mama na ye, oyo aleki kitoko na libumu ya mama oyo abota ye. Tango bilenge basi bamonaka ye, balulaka ye mpe batatolaka ete azali mwasi na esengo. Basi ya bakonzi mpe bamakangu bakumisaka ye soki bamoni ye.
[none of them would be like] my dove, who is perfect, you who are your mother’s only daughter, whom your mother considers to be very precious. [Other] young women who see you say that you are fortunate, and the queens and concubines recognize that you [are very beautiful].
10 Nani oyo azali komonana lokola moyi ya tongo, kitoko lokola sanza, azali kongenga lokola moyi, abangisaka lokola mampinga ya basoda na se ya bendele na bango?
Who is [RHQ] this woman who is [as delightful] as [SIM] the dawn, as fair/delightful [to look at] as [the light of] the moon, as exciting as a [group/battalion of] troops holding up their banners?
11 Nakendeki na elanga ya bakokoti mpo na koluka milona kati na lubwaku, mpo na kotala soki banzete ya vino ebandi kobimisa mito to banzete ya grenade ebandi kobimisa bafololo.
I went down to some walnut trees to look at the new plants that were growing in the valley. I wanted to see if the grapevines had budded or if the pomegranate trees were blooming.
12 Nasosolaki te ndenge nini molimo na ngai ememaki ngai kino na bashar ya mokonzi ya bato na ngai.
[But] before I realized it, my desire [to make love caused me to be as excited as] a prince riding in a chariot.
13 Zonga, zonga, oh mwasi ya Sulami! Zonga, zonga mpo ete tokoka kotala yo malamu! Mpo na nini bolingi kotala malamu mwasi ya Sulami ndenge batalaka mabina ya mindule ya masanga mibale?
You who are the perfect one, come back [to us], in order that we may see you! Why do you want to look at this woman who is perfect, like [SIM] you like to watch two rows/lines of people dancing?
