Kobima 38
1 Betisaleyeli asalaki na mabaya ya nzete ya akasia etumbelo ya bambeka ya kotumba; ezalaki ndenge moko na molayi mpe na mokuse, bametele mibale na basantimetele tuku mitano; bongo bosanda na yango ezalaki ya metele moko na basantimetele tuku mitano.
He also made the altar of holocaust from setim wood: five cubits square, and three in height,
2 Asalaki maseke minei na basonge nyonso minei ya etumbelo, mpo ete maseke mpe etumbelo esala eloko moko; mpe abambaki bronze na etumbelo.
the horns of which proceeded from the corners. And he covered it with layers of brass.
3 Asalaki na bronze banzungu ya mike mpo na kolongola putulu ya moto, bapawu, basani ya minene, bakanya mpe basani mpo na komema makala ya moto.
And for its uses, he prepared diverse vessels out of brass: kettles, forceps, little hooks, larger hooks, and receptacles for the fire.
4 Asalaki motalaka ya bronze mpo na etumbelo; akangisaki bapete minei ya bronze na basonge nyonso minei ya motalaka.
And he made its grating of brass, in the manner of a net, and under it, in the midst of the altar, its base,
5 Asalaki na bronze bapete minei oyo atiaki na basonge nyonso minei ya motalaka mpo na koyamba mabaya.
casting four rings at the four ends of the net in order to set the bars, so as to carry it.
6 Asalaki na nzete ya akasia, mabaya mpo na etumbelo mpe abambaki yango bronze.
These bars he also made of setim wood, and he covered them with layers of brass.
7 Boye, mpo na komema etumbelo, bakotisaki mabaya yango na bapete oyo ezali na basonge mibale ya etumbelo. Bongo etumbelo yango ezalaki polele kati na yango.
And he drew them through the rings, which projected from the sides of the altar. But the altar itself was not solid, but hollow, made from panels and empty inside.
8 Asalaki lisusu na bronze ya bitalatala ya basi oyo bazalaki kosangana na ekuke ya Ndako ya kapo ya Bokutani: sani monene mpo na komipetola mpe evandelo na yango.
He also made the washtub of brass, with its base made from the mirrors of the women who kept watch at the door of the tabernacle.
9 Tala ndenge atongaki lopango ya Mongombo: ngambo ya sude oyo ezalaki ya bametele pene tuku mitano na molayi, ezipamaki na rido ya lino oyo basali bilamba basalaki.
He also made the atrium, at the south side of which were hangings of fine twisted linen of one hundred cubits and
10 Makonzi na yango tuku mibale mpe bivandelo tuku mibale esalemaki na bronze; bongo bibende ya makonzi elongo na biloko na yango ya kosimbela ezalaki ya palata.
twenty columns of brass with their bases. The heads of the columns and all of the engraving work were of silver.
11 Ngambo ya nor ezalaki na bametele pene tuku mitano na molayi, na makonzi tuku mibale mpe na makolo tuku mibale, oyo esalema na bronze. Makonzi yango ezalaki na bibende ya palata egumbama lokola ndobo elongo na biloko na yango ya kosimbela, oyo ezalaki ya palata.
Equally, at the northern area, the hangings, the columns, and the bases and heads of the columns were of the same measure and work and metal.
12 Ngambo ya weste ezalaki na bametele pene tuku mibale na mitano na mokuse mpe barido elongo na makonzi zomi, makolo zomi, bibende ya palata egumbama lokola ndobo mpe biloko na yango ya kosimbela.
Yet truly, on that side which looks out toward the west, there were hangings of fifty cubits, and ten columns with their bases of brass. And the heads of the columns and all of the engraving work were of silver.
13 Ngambo ya este ya lopango ya Mongombo, epai wapi moyi ebimelaka, ezalaki na bametele pene tuku mibale na mitano na mokuse.
Furthermore, toward the east, he prepared hangings of fifty cubits:
14 Ngambo moko ya ekuke ezalaki na barido ya bametele pene sambo na basantimetele tuku mitano, elongo na makonzi misato mpe makolo misato.
of which, there were fifteen cubits, among three columns with their bases, holding up one side,
15 Ngambo mosusu ya ekuke ezalaki mpe na barido ya bametele pene sambo na basantimetele tuku mitano, elongo na makonzi misato mpe makolo misato.
and on the other side, (for between the two he made the entrance of the tabernacle) there were equally hangings of fifteen cubits, and three pillars, and the same number of bases.
16 Barido nyonso zingazinga ya lopango ezalaki ya lino ya kitoko oyo batongaki bililingi na likolo na yango.
All the hangings of the atrium were woven from fine twisted linen.
17 Makolo ya makonzi ezalaki ya bronze; bibende egumbama lokola ndobo mpe biloko na yango ya kosimbela ezalaki ya palata, mpe balatisaki basonge na yango palata. Makonzi nyonso ya lopango ezalaki na biloko ya palata ya kosimbela.
The bases of the columns were of brass, but their heads with all of their engravings were of silver. Now he also overlaid the columns of the atrium themselves with silver.
18 Rido ya ekuke ya lopango ezalaki ya langi ya ble, ya motane ya pete, ya motane makasi mpe ya lino ya kitoko oyo batongaki bililingi na likolo na yango; ezalaki mosala ya bato oyo batongaka bililingi na bilamba. Molayi na yango ezalaki na bametele pene zomi, mpe bosanda na yango, bametele pene mibale na basantimetele pene tuku mitano, ndenge barido nyonso ya lopango ezalaki.
And he made, at its entrance, a hanging, wrought with embroidery, of hyacinth, purple, vermillion, and fine twisted linen, which held twenty cubits in length, yet truly it was five cubits in height, as with the measure of all the hangings of the atrium.
19 Ezalaki mpe na makonzi minei mpe bivandelo minei ya bronze. Bibende na yango oyo egumbama lokola ndobo mpe biloko na yango ya kosimbela rido ezalaki ya palata, mpe balatisaki basonge na yango palata.
Now the columns at the entrance were four, with bases of brass, and their heads and engravings were of silver.
20 Bapike nyonso ya Mongombo mpe ya lopango ezalaki ya bronze.
Likewise, the tent pegs of the tabernacle and the atrium all around he made of brass.
21 Tala motuya ya biloko oyo basalelaki Mongombo oyo, kati na yango, ezalaki na buku ya Boyokani, ndenge kaka Moyize atindaki. Balevi batongaki yango na bokambami ya Itamari, mwana mobali ya Nganga-Nzambe Aron.
These are the instruments of the tabernacle of the testimony, which were enumerated according to the instruction of Moses, with the ceremonies of the Levites, by the hand of Ithamar, the son of Aaron the priest,
22 Betisaleyeli, mwana mobali ya Uri, mwana mobali ya Wuri, ya libota ya Yuda, asalaki nyonso oyo Yawe atindaki Moyize.
which Bezalel, the son of Uri, the son of Hur from the tribe of Judah, had completed, just as the Lord decreed through Moses.
23 Asungamaki na Oliabi, mwana mobali ya Ayisamaki, moto ya libota ya Dani, mosali mpe motongi bililingi na maboko, oyo azalaki kobimisa makanisi mpe kotonga bililingi na bilamba ya langi ya ble, ya motane ya pete, ya motane makasi mpe na lino ya kitoko.
He was joined by his associate, Oholiab, the son of Ahisamach, from the tribe of Dan, who himself was also an exceptional artisan of wood, and of weaving, as well as of embroidery, with hyacinth, purple, vermillion, and fine linen.
24 Wolo nyonso oyo basalelaki mpo na kotonga mpe mpo na misala nyonso ya Mongombo, wolo oyo babonzelaki Yawe, ezalaki bakilo nkoto moko mpe bagrame nkama moko na tuku mibale, kolanda ndenge bamekaka kilo kati na Mongombo. Wolo nyonso wana ewutaki na makabo ya kotombola.
All of the gold that was expended in the work of the Sanctuary, and that was offered in donation, was twenty-nine talents and seven hundred thirty shekels, according to the measure of the Sanctuary.
25 Palata oyo bazwaki na maboko ya bato oyo batangamaki na lisanga, ezalaki bakilo nkoto misato mpe bagrame nkama minei na tuku minei, kolanda ndenge bamekaka kilo kati na Mongombo.
Now it was offered by those who were past the numbering of twenty years and above: from six hundred and three thousand, five hundred and fifty men able to bear arms.
26 Elingi koloba ete moto nyonso oyo batangaki amemaki bagrame mitano na badesigrame sambo, kolanda ndenge bamekaka kilo kati na Mongombo. Bato nyonso oyo batangamaki, oyo bazalaki na mibu ya mbotama tuku mibale mpe koleka, bazalaki nkoto nkama motoba na misato na nkama mitano na tuku mitano.
There were, beyond that, one hundred talents of silver, from which were cast the bases for the Sanctuary and for the entrance where the veil hangs.
27 Basalelaki bakilo ya palata nkoto misato na nkama minei na tuku mibale mpo na kosala bivandelo nkama moko ya Mongombo mpe barido nkama moko: elingi koloba ete basalelaki bakilo pene tuku misato na minei mpe bagrame pene nkama mibale mpo na evandelo moko.
One hundred bases were made from one hundred talents, a single talent being counted for each base.
28 Shekeli nkoto moko na nkama sambo na tuku sambo na mitano oyo etikalaki, basalelaki yango bibende oyo egumbama lokola ndobo, biloko ya kosimbela rido mpe balatiselaki yango basonge ya makonzi.
But from one thousand seven hundred and seventy-five, he made the heads of the columns, which he also clothed with silver.
29 Bronze oyo ewutaki na makabo ya kotombola ezalaki bakilo pene nkoto mibale na nkama minei na tuku mibale na moko.
Likewise, of brass, there was offered seventy-two thousand talents, and four hundred more shekels,
30 Bazwaki yango mpo na kosala bivandelo ya ekuke ya Ndako ya kapo ya Bokutani, etumbelo ya bronze elongo na motalaka na yango mpe bisalelo na yango nyonso.
from which were cast the bases at the entrance of the tabernacle of the testimony, and the altar of brass with its grating, and the vessels which pertain to its use,
31 Basalelaki yango lisusu bivandelo nyonso oyo ezalaki pembeni-pembeni ya lopango ya Mongombo, bivandelo ya ekotelo na yango, bapike nyonso ya Mongombo mpe bapike oyo ezingelaki lopango.
and the bases of the atrium, as much at the circumference as at its entrance, and the tent pegs of the tabernacle and of the atrium all round.
