Zmavarene 37
1 Hagi Bezaleli'a akasia zafareti kasegema ante bokisia tro hu'ne. Ana bokisimofo zaza'amo'a 110ni'a sentimita higeno, atupa kaziga'amo'a 66si'a sentimita higeno, anagamuma mareri'amo'a 66si'a sentimita hu'ne.
Bezalel made the Ark of acacia wood measuring two and a half cubits long by a cubit and a half wide by one and a half cubits high.
2 Fegi'ane agu'afinena goliretike eri anovaziteno anagama avazarera goliretike avazareno kagi'ne.
He covered it with pure gold on the inside and the outside, and made a gold trim to go around it.
3 Hanki 4'a golire rini tro huno fenkami kaziga agente agentera tare tare huno ome arekamarente eme arekamarente hunte'ne.
He cast four gold rings and attached them to its four feet, two on one side and two on the other.
4 Ana huteno akasia zafa antreno tare zota trohuteno golinuti eri ano vazinte'ne.
He made poles of acacia wood and covered them with gold.
5 E'i ana tare zafararena, ana vogisima erisga huno vu'zana 4'a rinima rekamarente'nefinka rugaraga vazinte'ne.
He placed the poles into the rings on the sides of the Ark, so it could be carried.
6 Hagi ana vogisimofona, asunku zamofo trare huno avaza'a goliretike tro huntegeno, zaza'amo'a 110ni'a sentemita higeno, atupa kaziga'amo'a 66si'a sentemita hu'ne.
He made the atonement cover of pure gold, two and a half cubits long by a cubit and a half wide.
7 Anante ana avaza'arera hamanu golia ruguta huno tare serabimie nehaza ankerontre rugaraga atupa'ararentera tro huzanante'ne.
He made two cherubim of hammered gold for the ends of the atonement cover,
8 Serabimie nehaza ankerontre'ma tro'ma hu'neana, ana asunku tra'ma tro'ma hu'nea golinutike, rugaraga agentera ana ankerontrena magoke golinutike tro huntegeno eri mago hu'ne.
and put one cherub on each end. All of this was made from one piece of gold.
9 Ana Serabimi ankeroraremokea zanavugosa ohumi ahumi nehuke, kepri hu'ne asunku tra'mofo negakeno zanageko'namo'a rufanara huno ana vogisia refite'ne.
The cherubim were designed with spread wings pointing upward, covering the atonement cover. The cherubim were placed facing each another, looking down towards the atonement cover.
10 Anantera Bezaleli'a akasia zafareti mago tra tro hu'ne. Ana tra'mofona zaza'amo'a 88'a sentimita higeno, atupa'amo'a 44'a sentimita higeno, mareri'amo'a 66si'a sentimita hu'ne.
Then he made the table of acacia wood two cubits long by a cubit wide by a cubit and a half high.
11 Ana tra'mofona golinutike eri ano nevazino, agema'aramintera ana golinutike eri avozaze huno eri pehe huno ava regagi'ne.
He covered it with pure gold and made a gold trim to go around it.
12 Hagi ana tra'mofo atumpa'arema eri agu'a huno rugagi'neana 8'a sentimita higeno, golinutike eri avozaze huno eri pehe huno avarente'ne.
He made a border around it the width of a hand and put a gold trim on the border.
13 Ana huteno 4'a golire rini tro huno 4'a agamofo tavaonte agente agentera rekamarente'ne.
He cast four gold rings for the table and attached them to the four corners of the table by the legs.
14 Ana 4'a rinima rekamarente'neana ana tramofo anagami rugaraga agentega rekamrente'neankino ana riniramimpi erisga huno vu'zana tare zota vazinte'ne.
The rings were close to the border to hold the poles used to carry the table.
15 Ana tra'ma erisga huno vu'zana, akasia zafa antreno tare azota tro huteno, ana azotararena golireti eri anovazi'ne.
He made the poles of acacia wood for carrying the table and covered them with gold.
16 Hanki tima taginte zuomparamine waini tima tagi'zama ofa hu'zane tintafene kapunena golinutike'za tro huntegeno ana tratera me'ne.
He made utensils for the table from pure gold: plates and dishes, bowls and pitchers for pouring out drink offerings.
17 Hagi tavi'ma rekru hunte azotama Bezaleli'a tro'ma hu'neana, hamanteti aruguta huno magoke golinutike, retrure'agi, nenarampa'agi, azankuna'ane asi'na'anena tro hunenteno, amosre'agna huno tavi'ma rekruhunte'a tro hunte'ne.
He made the lampstand of pure, hammered gold. The whole of it was made of one piece—its base, shaft, cups, buds, and flowers.
18 Hagi ana tavi zotamofona 6si'a azankuna tro hunte'ne. Rugaraga 3'a azankunakna huno tro hunte'ne.
It had six branches coming out of the sides of the lampstand, three on each side. It had three cups shaped like almond flowers on the first branch, each with buds and petals, three on the next branch.
19 Hanki ana azotamofo 6si'a tavi'ma rekru hunte azankunatamimofo atuparega, almoni zafamofo anina'ane amosare'agna huno tavi'ma rekruhunte'a tro hunte'ne.
Each of six branches that came out had three cups shaped like almond flowers, all complete with buds and petals.
20 Hanki amu'nompima mareri'nea zotarera, almoni zafamofo amosare'agna huno 4'a tavi'ma rekruhunte'a trohunte'ne.
On the main shaft of the lampstand he made four cups shaped like almond flowers, complete with buds and petals.
21 Hanki ana zotamofoma rugaraga azankunatrema trohunteterema hu'nerera tare almoni zafamofo anina'a rugaraga trohuntetere hu'ne.
On the six branches that came out of it, he placed a bud under the first pair of branches, a bud under the second pair, and a bud under the third pair.
22 Ana tavi azotama, azankuna'aramima, ani'na'ama, amosare'anema tro'ma hu'neana magoke golinutike, arukuta huno tro hu'ne.
The buds and branches are to be made with the lampstand as one piece, hammered out of pure gold.
23 Ana 7ni'a zotarera lamu tavi tro huno nenteno, ana lamu tavimofo osama hampage tu'zane osama erinte tafenena maka golinutike tro hu'ne.
He made seven lamps, as well as wick tongs and their trays of pure gold.
24 E'i ana tavi zotamofoma mika zantamima'ama tro'ma hu'neana kna'amo'a 34'a kilo hu'nea golireti tro hu'ne.
The lampstand and all these utensils required a talent of pure gold.
25 Ana huteno'a mnama vu zantamima kre snageno'ma mnama vania ita, magoke akasia zafaretike'za tro hu'ne. Ana itamofo zaza'amo'a 45'a sentimita higeno, kahesa'amo'a 45'a sentimita higeno, mika asopa'amo'a mago avamenteke megeno, atrure'amo'a 90'a sentimita mrerigeno, ana itamofona 4'ama renagentetera pazive tro huntetere hu'ne.
He made the altar for burning incense from acacia wood. It was square, measuring a cubit by a cubit, by two cubits high, with horns on its corners that were all one piece with the altar.
26 Ana itamofona agofetu'agi, maka asopa'agi pazivetaminena goliretike erinovazinenteno, ana itamofo agema'aramintera goliretike avareno avasase'a hugagi'ne.
He covered its top, its side, and its horns with pure gold, and made a gold trim to go all around it.
27 Kolireti'ma avasasema hunte'nemofo henka kaziga, zotama vazino eri sgama huno'ma vu'zana golireti tare rinia ruga ruga asoparega tro hunte'ne.
He made two gold rings for the altar and attached them below the trim, two on both sides, to hold the poles to carry it.
28 Ana itama eri sgama huno vu'zana akasea zafareti tare azotarare tro huno golireti erinovazinte'ne.
He made the poles of acacia wood and covered them with gold.
29 Anantera ruotage masavena pristi vahete'ene mago'azante'ma tagi'za frenente'za huhampri nezmantaza masavene, mnanentake zama tro'mahu antahintahima erine'zama tro'ma nehazankna huno, mnanentake'zana tro hu'ne.
He made the holy anointing oil and the pure, aromatic incense like the product of an expert perfumer.
