Zmavarene 36

1 Hagi Bezaleli'ene Oholiapu ene mago'a naga'enema Ra Anumzamo'ma antahintahima zamige'za seli mono noma ki' eri'zama antahi ankere'naza vahe'mo'za, Ra Anumzamo'ma hihoma huno hu'nea kante ante'za ana maka zana tro hugahaze.

So Bezalel and Oholiab and every skilled person to whom Yahweh has given skill and ability to know how to do any work in the construction of the holy place are to do the work according to all that Yahweh has commanded.”

2 Anante Mosese'a Bezaleline Oholiapune Ra Anumzamo'ma antahintahima zamige'za eri'zama antahi ankere'ne'za eri'zama eriku zame'nesia vahe'mokizmia zamagi huno eri'za erigafa hiho hu'ne.

Moses summoned Bezalel, Oholiab, and every skillful person in whose mind Yahweh had given skill, and whose heart stirred within him to come and do the work.

3 Israeli vahe'mo'za Anumzamofo seli mono noma kisnazegu'ma eri'za eme ami'naza muse zantamina, Mosese'a ana maka'zana erino eri'zama eri vahera zami'ne. Hagi maka nanterana Israeli vahe'mo'za zmagu'amo'ma otimo'za zamesi zante musezana eri'za eme amitere hu'naze.

They received from Moses all the offerings that the Israelites had brought for constructing the holy place. The people were still bringing freewill offerings every morning to Moses.

4 Anumzamofo seli mono noma ki eri'zama antahi ankere'naza vahe'mo'za mono noma ki eri'za zamia atre'za,

So all the skilled people working on the holy place came from the work that they had been doing.

5 Mosesena eme asami'za, Ra Anumzamo'ma erita ehoma hu'nea avamena rugatere'za Israeli vahe'mo'za rama'aza eri'za azageno eri'zana eri vagarega hu'nege'za, ete mago'ane rama'a eri'za neaze.

The craftsmen told Moses, “The people are bringing much more than enough for doing the work that Yahweh has commanded us to do.”

6 Mosese'a amanage huno kea Israeli vahetega atre'ne, mago a'mo'o vemo'o Anumzamofo seli mono no ki'zane huno mago'ane musezana erino eme otreno, hige'za anankea Israeli vahe'mokizmi amu'nompi hugantigama hazage'za, mago'anena Israeli vahe'mo'za mono noma ki zantamina eri'za ome'naze.

So Moses instructed that no one in the camp should bring any more offerings for the construction of the holy place. Then the people stopped bringing these gifts.

7 Na'ankure, ko'ma Israeli vahe'mo'zama eri'za emetre emetre hu'naza zantamimo'a Anumzamofo seli mono noma ki' avamentera ko agateregeno, mago'a zantamina amne mega hu'ne.

They had more than enough materials for all the work.

8 Tavravema hane antahi'zama antahi'naza vahe'mo'za 10ni'a tavrave hati'naze. Ana tavrave nofi'nu avonkreno hati antahi'za eri'nea ne' Bezaleli'a ana tavraveramintera hokonke nofiki, fitunke nofiki, koranke nofinu'ene hatino seravimie nehaza ankeromokizmi zmema'a tro hunte'ne.

So all the craftsmen among them constructed the tabernacle with ten curtains made from fine linen and blue, purple, and scarlet wool with the designs of cherubim. This was the work of Bezalel, the very skilled craftsman.

9 Ana maka tavravemofo zaza'amo'a 12 mita higeno, atupa'amo'a 2 mita higeno urefa erefa'amo'a mago zanke hu'naze.

The length of each curtain was twenty-eight cubits, the width four cubits. All the curtains were of the same size.

10 Hagi 5fu'a atupa'aramina rehatigeno, magoke za'za tavrave fore higeno, anahukna huno ru 5fu'a tavravemofo atupa'aramina rehatigeno, magoke za'za tavrave fore hu'ne.

Bezalel joined five curtains to each other, and the other five curtains he also joined to each other.

11 Anante ana za'za tavravereremofo tupa'arera tare tavravere'ma eri hagerafi atupa'ama tro'ma hu'neana hokonke tavravenuti tro hu'ne.

He made loops of blue along the outer edge of the end curtain of one set, and he did the same along the outer edge of the end curtain in the second set.

12 Mago za'za tavravemofo atupa'arera tavravereti tro hu'neana 50'a hagerafi atupa'ama tro'ma hu'neana, anakinte anakinte huno evu'ne. Ete mago zaza tavravemofo atupa'are enena ana zanke huno ru 50'a eri hagerfi atupa'ama tro hunte'nea anakinteno evigeno eri hagerafi atupa'aramina, rugaraga mago trente metere hu'ne.

He made fifty loops on the first curtain and fifty loops on the edge of the end curtain in the second set. So the loops were opposite to each another.

13 Anantera tare tavravere'ma 50'a eri hagerafi atupa'ama tro'ma huntenefina, eri hagerafino eri ruhamprigeno, golireti eri korave huno 50'a rini kana tro huteno, ana tare tavravea eri rusi higeno, ana tavraveraremokea erimago huke me'na'e.

He made fifty gold clasps and joined the curtains together with them so that the tabernacle became united.

14 Anante seli mono nomofo agofetu'ma refitesia zana, meme afu'mofo azokateti 11ni'a tavraverami tro hu'ne.

Bezalel made curtains of goat hair for a tent over the tabernacle; he made eleven of these curtains.

15 Ana 11ni'a tavraveramimofo zaza'amo'a 13 mita hazageno, atupa kizaga'amo'a 2 mita hu'za mago zanke hu'naze.

The length of each curtain was thirty cubits, and the width of each curtain was four cubits. Each of the eleven curtains was of the same size.

16 Ana 11ni'a tavravefintira 5fu'a tavraveramina erinte mago huno hatigeno magoke za'za tavrave fore higeno, ana zanke huno 6si'a tavraveramina erinte mago huno hatigeno magoke za'za tavrave fore hu'ne.

He joined five curtains to each other and the other six curtains to each other.

17 Anante mago za'za tavravemofo atupa'arega eri hagerafi atumpa'a 50'a tavravereti trohu nenteno, ete mago za'za tavravemofo atumparega ana zanke hu'ne.

He made fifty loops on the edge of the end curtain of the first set, and fifty loops along the edge of the end curtain that joined the second set.

18 Anante 50'a eri hagerafino eri ruhampri'zana bronsireti eri korave huno 50'a rini kana tro huteno, ana tare tavravea eri rusi higeno ana tavraveraremokea erimago huke me'na'e.

Bezalel made fifty bronze clasps to join the tent together so that it might be one piece.

19 Anante seli mono no refite tavravemofo agofetu mago'ane refite'zana ve sipisipi afutamimofo akrutami eri koranke hu'nea akru'anu refite'ne. Mago'ane ete ana agofetu'ma refite'neana hagerimpi bulimakao afutamimofo akruteti tro hu'nea zanu refite'ne.

He made for the tabernacle a covering of ram skins dyed red, another covering of fine leather to go above that.

20 Hagi seli mono nomofo retrure zafama tro'ma hu'neana, akasia zafareti tro hu'ne.

Bezalel made vertical frames out of acacia wood for the tabernacle.

21 Ana seli noma eri otino ki'nea zafaramimofo zaza'amo'a, 4'a mita higeno, kahesa'amo'a 66si'a sentimita hutere hu'ne.

The length of each frame was ten cubits, and the width of each frame was one and a half cubits.

22 Ana seli mono noma vazisgama hania zafarera, tare rusima hu'zana taga huno tro huntegeno, tra'afina ome regrino rusi huno tragoteno me'ne.

Each frame had two wooden pegs for joining the frames together. He did this for all the frames of the tabernacle.

23 E'i anama huno'ma tro'ma huteno'a 20'a zafaramina seli nomofona sauti kaziga retrure'ne.

He made the frames for the tabernacle in this way: twenty frames for the south side.

24 Ana zafarmimofo tra'azmia silvareti 40'a tro hu'ne. E'i tare tra'mokea tare zafa znazeri tragotesakeno mago nozaferina fore hutere hu'na'e.

Bezalel made forty silver bases to go under the twenty frames. There were two bases under one frame to join the frames together, and also two bases under each of the other frames to join frames together.

25 Ana hukna huno mago kaziga asoparega noti kaziga noma reharere zafaramina 20'a tro nehuno,

For the second side of the tabernacle, on the north side, he made twenty frames

26 regri tra'zmia silvareti 40'a tro nehuno, mago zafamofona tare regri tra'a tro huntetere hu'ne.

and their forty silver bases. There were two bases under the first frame, two bases under the next frame, and so on.

27 Hagi ana seli mono nomofo amefi'a zage ufre kaziga reharere zafaramina 6si'a tro nehuno,

For the back of the tabernacle on the west, Bezalel made six frames.

28 ana seli mono nomofona rugaraga kazigati renagentetera tare reharere zafarere tro hu'ne.

He made two frames for the back corners of the tabernacle.

29 E'i ana renagente zafarerena, fenkama kaziga atupamokea magoke regri tra'afi regrike ruhamprikeno, anagamu kaziga atupa'araremokea magoke rini kampi ome rusihuke ruhaprike eri magoke hu'na'e. Anazanke huno mago kaziga renagetetera tro hu'ne.

These frames were separate at the bottom, but joined at the top in one ring. He made two of them in this way for the two corners.

30 E'inama higeno'a ana makara 8'a zafa megeno ana zafaramima regri trara silvareti mago'mago zafarera tare tra trohutere higeno, ana makara 16ni'a tra me'ne.

There were eight frames, together with their silver bases. There were sixteen bases in all, two bases under the first frame, two bases under the next frame, and so on.

31 Ana zanke huno seli mono nomofo rugekahu zafaramina, akasia zafareti 5fu'a tro hu'ne.

Bezalel made crossbars of acacia wood—five for the frames of the one side of the tabernacle,

32 Hagi ana zanke huno mago kaziga asopareganena (saut) rugeka zafa 5fu'a tro nehuno, seli mono nomofo atupa kaziga zage fre kaziganema (west) me'nea zafarera ana zanke huno 5fu'a rugeka zafa tro hu'ne.

five crossbars for the frames of the other side of the tabernacle, and five crossbars for the frames for the back side of the tabernacle to the west.

33 Ana 5fu'a rugeka zafaramimpintira amu'nompima rugeka'ma hu'nea zafamo'a, mago asopamofo atuparetira vuno, mago atupare uhanitine.

He made the crossbar in the center of the frames, that is, halfway up, to reach from end to end.

34 Ana zafaramimofona goliletike erino nevazino, goli rinima asopa zafafima tro'ma hunte'nenefi vazintegeno, mago atupareti mago atupare uhanatine.

He covered the frames with gold. He made their rings of gold, for them to serve as holders for the crossbars, and he covered the bars with gold.

35 Seri mono nona zamana zamana'ma hu'nea nofiki, hokonke nofiki, fitunke nofiki, koranke nofi avazu huno zagi'nea osi nofiteti tro hu'nea tavravereti hunaragi'ne. Serabimie nehaza ankeroramimofo zmema'a hentofaza huno tavravere'ma nofiteti'ma avoma kre antahi'zana eri'neankino ana tavraverera hatino tro hunte'ne.

Bezalel made the curtain of blue, purple, and scarlet wool, and of fine linen, with designs of cherubim, the work of a skillful workman.

36 Ana tavravema hanti'zana, 4'a akasia zafa golireti eri ano vaziteno, ana zafarera eri rusihu rini'a golireti tro huteno, retrure tra'a silvaleti 4'a tro hu'ne.

He made for the curtain four pillars of acacia wood, and he covered them with gold. He also made gold hooks for the pillars, and he cast for them four silver bases.

37 Mago rantavravea knare'zantfa hu'nea tavravereti seli mono nomofo kahana tro huteno sipisipi zokateti tro hu'nea koranke ene hokonke treti nofi'nuti ene ruzahu ruzahu knare treti nofi'nuti avasese zama'a tro hunte'ne.

He made a hanging for the tent entrance. It was made of blue, purple, and scarlet wool, using fine linen, the work of an embroiderer.

38 Ana 5fu'a retrure zafarera tavravema hanti'zana golireti eri fagigino tro hunenteno, ana zafaramimofo asenire ene rinire'enena golireti eri ano nevazino, retrure tra'zamia bronsireti 5fu'a tro hunte'ne.

He also made the hanging's five pillars with hooks. He covered their tops and their rods with gold. Their five bases were made of bronze.