Fitowa 37
1 Bezalel ya yi akwatin alkawari da itacen ƙirya, tsawonsa kamu biyu da rabi, fāɗinsa kamu ɗaya da rabi, tsayinsa kamu ɗaya da rabi.
Then Bezalel made the [sacred] chest from acacia wood. It was (45 in./110 cm.) long, (27 in./66 cm.) wide, and (27 in./66 cm.) high.
2 Ya dalaye shi da zinariya zalla, ciki da waje, ya kuma yi zubin zinariya kewaye da shi.
He covered it with pure gold inside and outside the chest, and he made a gold border around the top of it.
3 Ya yi masa zubi huɗu na zoban zinariya, ya kuma ɗaura su a ƙafafunsa huɗu, zobai biyu a wannan gefe da kuma biyu a wancan.
He made/cast four rings from gold [and fastened them] to the legs of the chest. He put two rings on each side of the chest.
4 Sa’an nan ya yi sanduna na itacen ƙirya, ya dalaye shi da zinariya.
He made [two] poles from acacia wood, and covered them with gold.
5 Sai ya sa sandunan a cikin rammukan da suke gefen Akwatin don ɗaukarsa.
He put the poles into the rings on the sides of the chest, in order that the chest could be carried [by means of the poles].
6 Ya yi murfin jinƙai da zinariya zalla, wato, tsawonsa ƙafa biyu, fāɗinsa kuma ƙafa ɗaya da rabi.
He made a lid for the chest. That was [the place where Yahweh would] forgive people’s sins. It [also] was (45 in./110 cm.) long and (27 in./66 cm.) wide.
7 Sa’an nan ya yi kerubobi biyu da ƙeraren zinariya a ƙarshen murfin jinƙan.
He made two winged creatures from hammered gold.
8 Ya yi kerub a iyakar gefe ɗaya, ya yi ɗayan kuma a wancan gefe; a iyakan nan biyu, ya yi su a haɗe da murfin.
One of these was put at each end of the chest. The gold [with which they were made] was joined to the gold from which the lid [was made].
9 Kerubobin suka buɗe fikafikansu sama, suka inuwatar da murfin da fikafikansu. Kerubobin suna fuskantar juna, suna kuma kallon murfin.
[He placed] the winged creatures facing each other so that their wings touched each other and spread out over the lid.
10 Suka yi tebur da itacen ƙirya, tsawonsa ƙafa biyu, fāɗinsa ƙafa ɗaya, tsayinsa kuma ƙafa ɗaya da rabi.
Bezalel made a table from acacia wood. It was (36 in./88 cm.) long, (18 in./44 cm.) wide, and (27 in./66 cm.) high.
11 Sa’an nan suka dalaye shi da zinariya zalla, suka kuma yi zubi na zinariya kewaye da shi.
He covered it with pure gold, and he put a gold border around it.
12 Suka kuma yi masa baki mai fāɗin tafi hannu, suka yi zubin zinariya a bisa bakin.
He made a rim all around it, (3 in./7 cm.) wide. He put a gold border around the rim.
13 Suka yi zubin zobai huɗu na zinariya don tebur ɗin, sai suka ɗaura su a kusurwoyi huɗu inda ƙafafu huɗun suke.
He made/cast four rings from gold and fastened the rings to the four corners of the table, one ring close to each leg [of the table].
14 Sa’an nan aka sa zoban kurkusa da bakin don riƙe sandunan da ake amfani da su wurin ɗaukan teburin.
The rings were fastened to the table near the rim.
15 An yi sandunan da ake ɗaukan tebur da itacen ƙirya, aka kuma dalaye su da zinariya.
He made two poles from acacia wood and covered them with gold. These poles for carrying the table were then inserted into the rings.
16 Suka kuma yi duk kayayyakin teburin da zinariya zalla, farantansa, kwanonin tuya, kwanoninsa, da kuma butoci domin hadaya ta sha.
He also made from pure gold all the things to be put on the table. He made the plates, the cups, and the jars and bowls to be used [when the priests] poured out wine [as an offering to Yahweh].
17 Suka yi wurin ajiye fitila da zinariya zalla, suka yi gindinsa da kuma gorar jikinsa, da ƙerarriyar zinariya. Kwaf wurin ajiye fitila da mahaɗansa, da furanninsa, a haɗe aka yi su da wurin ajiye fitilan.
[He] made the lampstand from pure gold. Its base and its shaft were hammered from [one large lump of] gold. [The branches of the lampstand], the cups for holding the oil, the flower buds and the petals [that decorated the branches of the lamp, the base, and the shaft were all hammered from] one [big] lump of gold.
18 Akwai rassa guda shida da suka miƙe daga gefe wurin ajiyar fitilar, uku a wannan gefe, uku kuma a wancan.
There were six branches on the lampstand, three on each side [of the shaft].
19 A reshe guda na wurin ajiye fitilan, akwai kwaf uku masu kama da tohon almon, akwai kuma uku a reshe na biye, haka kuma suke a dukan rassa shida da suke daga wurin ajiye fitilan.
Each of the branches had on it three [gold decorations that looked like] almond blossoms. These decorations also had flower buds and [flower] petals.
20 A bisa wurin ajiye fitilan kuma akwai kwaf huɗu da aka yi su kamar furannin almon da toho da kuma mahaɗai.
On the [shaft of the] lampstand there were four [gold decorations that also looked like] almond blossoms, each one with flower buds and [flower] petals.
21 Toho ɗaya yana a ƙarƙashin rassa biyu waɗanda suke daga wurin ajiye fitilan, toho na biyu yana a ƙarƙashin rassa biyu na biye, toho na uku kuma yana a ƙarƙashin rassa biyu na uku, duka-duka rassa shida ne.
On each side, beneath and extending from each of the branches, there was one [flower] bud.
22 An ƙera mahaɗai da rassa wurin ajiye fitila a haɗe. Da ƙerarriyar zinariya aka yi wurin ajiye fitilar da dukan komensa a haɗe.
All these [flower] buds and branches, along with the shaft, were hammered from one large lump of pure gold.
23 Da zinariya zalla suka yi fitilu bakwai, da hantsuka da farantansa.
Bezalel also made seven small cups [for holding oil. He put one cup on top of the shaft and he put the others on top of the branches]. He made from pure gold the tongs [for removing the burned wicks] and the trays [in which to put the burned wicks].
24 Daga talenti ɗaya na zinariya zalla suka yi wurin ajiye fitila da dukan kayayyakinsa.
He used (75 pounds/35 kg.) of pure gold to make the lampstand and all the things that were used to take care of it.
25 Suka yi bagaden ƙona turare da itacen ƙirya. Shi bagaden, murabba’i ne, tsawonsa kamu ɗaya, fāɗinsa kamu ɗaya, tsayinsa kuma kamu biyu, ƙahoninsa kuwa a haɗe suke da shi.
From acacia wood, Bezalel made the altar [for burning] incense. It was square, (18 in./45 cm.) on each side. It was (3 ft./90 cm.) high. He made [a projection that looked like] a horn on each of the top corners. The projections were carved from the same block of wood that the altar was made of.
26 Suka dalaye saman da dukan gefe-gefen da kuma ƙahonin da zinariya zalla, suka kuma yi zubin zinariya kewaye da shi.
He covered the top and the four sides, including the projections, with pure gold. He put a gold border around the altar, [near the top].
27 Suka yi zobai biyu na zinariya a ƙarƙashin zubin, biyu-biyu ɗaura da juna, don su riƙe sandunan da za a ɗauka shi.
He made two gold rings for carrying the altar. Then he attached them to the altar below the border, one on each side of the altar. The poles by means of which the altar was to be carried were to be inserted into those rings.
28 Suka yi sandunan da itacen ƙirya, suka kuma dalaye su da zinariya.
He made those [two] poles from acacia wood and covered them with gold.
29 Suka kuma yi tsattsarkan mai na shafewa da kuma zalla turare mai ƙanshi, yadda mai yin turare yakan yi.
He also made the sacred oil for anointing and the pure sweet-smelling incense. He mixed the incense together as a skilled perfumer would.
