Egzòd 38
1 Alò, li te fè lotèl ofrann brile a avèk bwa akasya, senk koude nan longè, senk koude nan lajè, kare, ak twa koude nan wotè.
Bezalel made the altar burnt offering from acacia wood. It was square and measured five cubits long by five cubits wide by three cubits high.
2 Li te fè kòn li sou kat kwen yo. Kòn li yo te yon sèl pyès avèk li, e li te kouvri li avèk bwonz.
He made horns for each of its corners, all one piece with the altar, and covered the whole altar with bronze.
3 Li te fè tout bagay itil yo pou lotèl la, bokit yo avèk pèl yo, basen yo, kwòk vyann yo, ak plato pou resevwa sann yo. Li te fè tout bagay itil yo an bwonz.
He made all its utensils: buckets for removing ashes, shovels, sprinkling bowls, meat forks, and firepans. He made all its utensils of bronze.
4 Li te fè pou lotèl la yon sistèm griyaj an bwonz, anba rebò nan distans pou rive mwatye de wotè l.
He made a bronze mesh grate for the altar and placed it under the ledge of the altar, so that the mesh came halfway down the altar.
5 Li te fonde kat wondèl yo sou kat kote nan griyaj an bwonz yo kòm soutyen pou poto yo.
He cast four bronze rings for the four corners of the grate as holders for the poles.
6 Li te fè poto yo avèk bwa akasya, e li te kouvri yo avèk yon kouch an bwonz.
He made poles of acacia wood for the altar and covered them with bronze.
7 Li te antre poto yo nan wondèl sou kote lotèl la. Se avèk yo li te pote l. Fòm li te vid, fòme avèk planch yo.
He put the poles through the rings on either side of the altar so it could be carried. He made the altar hollow, using boards.
8 Anplis, li te fè basen lave a avèk bwonz avèk yon baz an bwonz, ki te sòti nan miwa fanm sèvant yo ki t ap sèvi nan pòtay tant reyinyon an.
He made the bronze basin with its stand with bronze from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Alò li te fè galeri a: pou kote sid la, afè pandye yo te fèt avèk twal fen blan byen tòde, san koude nan longè,
Then he made a courtyard. For the south side of the courtyard he made curtains of finely-spun linen, a hundred cubits long on one side,
10 avèk ven pilye li yo, ak baz reseptikal fèt an bwonz yo, avèk ven kwòk pilye yo avèk bann seraj an ajan yo.
with twenty posts and twenty bronze stands, with silver hooks and bands on the posts.
11 Pou kote nò a te gen san koude yo; ven pilye li yo avèk ven baz reseptikal an bwonz yo, epi kwòk pou pilye yo avèk bann seraj pa yo te an ajan.
Similarly he made curtains placed on the north side in an identical arrangement.
12 Pou kote lwès la te gen afè pandye pou senkant koude yo avèk dis pilye pa yo e bann seraj yo te an ajan.
He made curtains for the west side of the courtyard fifty cubits wide, with ten posts and ten stands.
13 Pou kote lès la, senkant koude yo.
The east side of the courtyard that faces the sunrise was fifty cubits wide.
14 Afè pandye yo pou yon kote pòtay la te kenz koude, avèk twa pilye pa yo e twa baz reseptikal pa yo;
He made the curtains on one side fifteen cubits long, with three posts and three stands,
15 epi menm jan an pou lòt kote a. Sou toude kote pòtay yo te gen afè pandye de kenz koude, avèk twa pilye pa yo ak twa baz reseptikal pa yo.
and the curtains on the other side just the same.
16 Tout afè pandye nan galeri yo toutotou te avèk twal fen blan byen tòde.
All the curtains around the courtyard were of finely-woven linen.
17 Baz reseptikal pou pilye ki te an bwonz yo, kwòk pou pilye yo ak bann seraj an ajan yo; epi yon kouch lò ki te kouvri pwent tèt yo. Tout pilye galeri yo te founi avèk bann seraj an ajan yo.
The stands for the posts were bronze, the hooks and bands were silver, and the tops of the posts were covered with silver. All the posts around the courtyard had silver bands.
18 Rido pòtay la te èv a tiseran an, avèk materyo ble, mov, wouj, ak twal fen blan byen tòde. Epi longè a se te ven koude e wotè a te senk koude, ki te koresponn ak afè pandye nan galeri yo.
The curtain for the entrance to the courtyard was embroidered with blue, purple, and crimson thread, and finely-spun linen. It was twenty cubits long by five cubits high, the same height as the courtyard curtains.
19 Kat pilye pa yo avèk baz reseptikal pa yo a te an bwonz; kwòk pa yo a te an ajan.
It was held up by four posts and four stands. The posts had silver hooks, tops, and bands.
20 Tout pikèt yo pou tabènak la avèk galeri a toutotou a te an bwonz.
All the tent pegs for the Tabernacle and for the surrounding courtyard were made of bronze.
21 Sa se kantite a bagay ki te pou tabènak yo, tabènak temwayaj la, jan yo te nimewote selon lòd a Moïse, pou sèvis Levit yo, ekri pa men a Ithamar, fis Aaron an, prèt la.
The following is what was used for the Tabernacle, the Tabernacle of the Testimony, recorded at Moses' direction by the Levites under the supervision of Ithamar, son of Aaron the priest.
22 Alò, Betsaléel fis a Uri, fis a Hur, nan tribi Juda a, te fè tout sa ke SENYÈ a te kòmande Moïse yo.
Bezalel, son of Uri, son of Hur, from the tribe of Judah, made everything that the Lord had ordered Moses to make.
23 Avèk li te gen Oholiab, fis a Ahisamac la, nan tribi Dan nan, yon gravè, yon mèt ouvriye, yon tiseran an materyo ble, mov, wouj, ak osi an twal fen blan.
He was assisted by Oholiab, son of Ahisamach, from the tribe of Dan, an engraver, designer, and embroiderer using blue, purple, and crimson thread and finely-woven linen.
24 Epi tout lò ki te sèvi nan èv la, nan tout travay sanktyè a, menm lò pou ofrann balanse anlè a te ventnèf talan e sèt-san-trant sik selon sik sanktyè a.
The total amount of gold from the offering that was used for the work on the sanctuary was 29 talents and 730 shekels, (using the sanctuary shekel standard).
25 Ajan a sa yo ki te nan kongregasyon an te gen kantite san talan e mil sèt san swasann kenz sik selon sik sanktyè a;
The total amount of silver from those who had been counted in the census was 100 talents and 1,775 shekels (using the sanctuary shekel standard).
26 yon beka pa chak tèt (sa vle di, mwatye sik, selon sik sanktyè a), pou chak moun nan sa ki te gen nimewo yo, soti nan laj ventan, e plis pou sis-san-mil-senk-san-senkant mesye.
This represents a beka per person, or half a shekel, (using the sanctuary shekel standard) from everyone twenty years of age or older who had been censused, a total of 603,550 men.
27 San talan ajan yo te pou fonde baz reseptikal sanktyè yo, ak baz reseptikal pou vwal yo; san baz reseptikal yo pou san talan, yon talan pa baz reseptikal.
The hundred talents of silver were used to cast the sanctuary stands and the curtain stands, 100 bases from the 100 talents, or one talent per base.
28 Nan mil sèt san swasant kenz sik yo, li te fè kwòk pou pilye yo, li te kouvri tèt yo, e li te fè bann seraj pou yo.
Bezalel used the 1,775 shekels of silver to make the hooks for the posts, cover their tops, and make bands for them.
29 Bwonz pou ofrann balanse anlè a te swasann-dis talan e de-mil-senk-san sik.
The total amount of bronze from the offering was 70 talents and 2,400 shekels.
30 Avèk li, li te fè baz reseptikal yo pou pòtay tant reyinyon an, lotèl bwonz lan avèk griyaj an bwonz li, ak tout bagay itil pou lotèl yo,
Bezalel used it to make the stands for the entrance to the Tent of Meeting, the bronze altar and its bronze grate, all the utensils for the altar,
31 epi baz reseptikal yo pou galeri a, tout pikèt a tabènak yo ak tout pikèt pou galeri yo toutotou.
the stands for the courtyard and its entrance, and all the tent pegs for the Tabernacle and the courtyard.
