Egzòd 38
1 Bezaleyèl fè lòtèl pou boule ofrann yo an bwa zakasya. Li fè l' kare kare: Li te mezire sèt pye sis pous longè, sèt pye sis pous lajè, kat pye sis pous wotè.
Bezalel constructed the altar of burnt offering from acacia wood. It was square, five cubits long, five cubits wide, and three cubits high.
2 Li travay kat kòn sou kat kwen lòtèl la. Kòn yo te fè yon sèl pyès ak lòtèl la. Apre sa, li kouvri tout ak kwiv.
He made a horn at each of its four corners, so that the horns and altar were of one piece, and he overlaid the altar with bronze.
3 Li fè tout bagay ki pou mache ak lòtèl la: recho, pèl, fouchèt, plato pou resevwa sann, kivèt. Li fè tout bagay sa yo an kwiv.
He made all the altar’s utensils of bronze—its pots, shovels, sprinkling bowls, meat forks, and firepans.
4 Li fè yon griyaj an kwiv pou lòtèl la, tankou griy pou griye vyann. Li mete griyaj la anba rebò lòtèl la, li fè l' soti anba rive mwatye wotè lòtèl la.
He made a grate of bronze mesh for the altar under its ledge, halfway up from the bottom.
5 Li fè kat gwo bag tou won an kwiv, li mete yo nan kat pwent griyaj la. Se nan bag sa yo pou yo pase poto ki sèvi manch pou pote lòtèl la.
At the four corners of the bronze grate he cast four rings as holders for the poles.
6 Apre sa, li fè manch an bwa zakasya, li kouvri yo an kwiv nèt.
And he made the poles of acacia wood and overlaid them with bronze.
7 Li pase manch yo nan bag won yo sou chak bò lòtèl la, pou yo ka pote lòtèl la. Li fè lòtèl la an planch. Tout anndan lòtèl la te rete vid.
Then he inserted the poles into the rings on the sides of the altar for carrying it. He made the altar with boards so that it was hollow.
8 Bezaleyel pran moso kwiv poli ki te sèvi glas pou medam k'ap sèvi nan pòt antre Tant Randevou a, li fè yon gwo basen an kwiv avèk yon pye an kwiv tou pou mete l' chita.
Next he made the bronze basin and its stand from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Li fè galeri a. Sou bò sid la, li moute yon seri rido fèt ak lèz twal fen blan tise byen sere, sou senkant mèt longè.
Then he constructed the courtyard. The south side of the courtyard was a hundred cubits long and had curtains of finely spun linen,
10 Ven ankadreman yo ak ven sipò yo te fèt an kwiv. Kwòk poto yo ak trenng yo te an ajan.
with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.
11 Menm jan an tou, sou bò nò a, li moute yon seri rido ki gen senkant mèt longè avèk ven poto sou ven sipò an kwiv. Kwòk poto yo ak trenng yo te an ajan.
The north side was also a hundred cubits long, with twenty posts and twenty bronze bases. The hooks and bands of the posts were silver.
12 Sou bò lwès la, li moute yon seri rido fèt ak lèz twal ki mezire ven mèt longè, avèk dis poto chita sou dis sipò avèk kwòk poto yo ak trenng yo an ajan.
The west side was fifty cubits long and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver.
13 Sou bò lès la, galeri a te gen swasannkenz pye lajè.
And the east side, toward the sunrise, was also fifty cubits long.
14 Sou bò gòch espas kote yo antre a, li moute rido sou yon longè vennde pye sis pous avèk twa poto chita sou twa sipò.
The curtains on one side of the entrance were fifteen cubits long, with three posts and three bases.
15 Sou bò dwat la, li moute rido sou yon longè vennde pye sis pous avèk twa poto chita sou twa sipò. Se konsa sa te fèt chak bò pòt kote yo antre a.
And the curtains on the other side were also fifteen cubits long, with three posts and three bases as well.
16 Tout rido yo te fèt ak twal fen blan tise byen sere.
All the curtains around the courtyard were made of finely spun linen.
17 Sipò poto yo te fèt an kwiv. Kwòk poto yo ak trenng yo, te fèt an ajan. Tèt poto yo te kouvri an ajan. Tout poto galeri a te mare yonn ak lòt ak trenng an ajan.
The bases for the posts were bronze, the hooks and bands were silver, and the plating for the tops of the posts was silver. So all the posts of the courtyard were banded with silver.
18 Rido ki te fèmen kote yo antre nan tant lan te bwode byen bèl sou tout kò l'. Li te fèt ak bon twal siperyè koulè ble, violèt ak wouj ansanm ak twal fen blan tise byen sere. Li te gen dis mèt longè, de mèt edmi wotè, tankou rido galeri a.
The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,
19 Kat poto kwen, chita sou kat sipò an kwiv tou, t'ap soutni rido pòt la. Kwòk yo ak trenng yo te fèt an ajan. Tèt poto yo te kouvri an ajan.
with four posts and four bronze bases. Their hooks were silver, as well as the bands and the plating of their tops.
20 Li fè tout pikèt pou tant lan ak pou galeri a an kwiv.
All the tent pegs for the tabernacle and for the surrounding courtyard were bronze.
21 Men kantite metal yo te sèvi pou fè tant kote yo mete Bwat Kontra a. Dapre lòd Moyiz te bay, se pitit Levi yo ki te fè lis metal yo, epi se Itama, pitit Arawon, prèt la, ki t'ap dirije yo nan travay sa a.
This is the inventory for the tabernacle, the tabernacle of the Testimony, as recorded at Moses’ command by the Levites under the direction of Ithamar son of Aaron the priest.
22 Bezaleyèl, pitit Ouri, pitit pitit Our, nan branch fanmi Jida a, te fè tou sa Seyè a te bay Moyiz lòd fè a.
Bezalel son of Uri, the son of Hur, of the tribe of Judah, made everything that the LORD had commanded Moses.
23 Se Owoliyab, pitit Ayisamak, nan branch fanmi Dann lan, ki te ede l'. Owoliyab sa a te yon bon bòs atizan ki te konn fè desen. Li te konn bwode lenn ble, violèt ak wouj ansanm ak twal fen blan.
With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.
24 Tout lò yo te sèvi pou fè travay nan kote ki apa pou Bondye a, se te lò moun yo te ofri bay Bondye. Lò a te peze demil nèfsantrant (2930) liv, dapre mezi yo sèvi nan kote ki apa pou Seyè a.
All the gold from the wave offering used for the work on the sanctuary totaled 29 talents and 730 shekels, according to the sanctuary shekel.
25 Ajan yo te ranmase pou resansman an te peze dimil swasanndis (10.070) liv, dapre mezi yo sèvi kote ki apa pou Seyè a.
The silver from those numbered among the congregation totaled 100 talents and 1,775 shekels, according to the sanctuary shekel—
26 Sa se kantite ajan yo ranmase antou nan men moun ki te vin bay non yo lè resansman an. Chak moun te bay kantite yo te mande yo, ki vle di yon pyès ajan ki peze yon ons, dapre mezi yo sèvi kote yo mete apa pou Seyè a. Te gen sisantwamil senksansenkant (603.550) gason ki te gen ventan pou pi piti, ki te enskri nan resansman an.
a beka per person, that is, half a shekel, according to the sanctuary shekel, from everyone twenty years of age or older who had crossed over to be numbered, a total of 603,550 men.
27 Nan dimil swasanndis (10.070) liv ajan yo, dimil (10.000) liv te sèvi pou fè sipò pou tant lan ansanm ak sipò pou rido yo. Chak sipò te pran san liv.
The hundred talents of silver were used to cast the bases of the sanctuary and the bases of the veil—100 bases from the 100 talents, one talent per base.
28 Avèk swasanndis liv ajan ki te rete a, yo fè kwòk ak trenng pou poto yo, epi yo kouvri tèt poto yo.
With the 1,775 shekels of silver he made the hooks for the posts, overlaid their tops, and supplied bands for them.
29 Yo te ofri bay Seyè a sètmil katrevendis (7.090) liv kwiv antou.
The bronze from the wave offering totaled 70 talents and 2,400 shekels.
30 Yo sèvi ak kwiv la pou fè sipò ki nan pòt antre tanp lan, lòtèl la ak griyaj kwiv la ansanm ak tout bagay y'ap bezwen pou sèvi ak lòtèl la.
He used it to make the bases for the entrance to the Tent of Meeting, the bronze altar and its bronze grating, all the utensils for the altar,
31 Yo fè sipò pou galeri toutotou a, sipò pou pòt kote ki apa pou Seyè a, ansanm ak tout pikèt pou tant lan ak pou galeri a.
the bases for the surrounding courtyard and its gate, and all the tent pegs for the tabernacle and its surrounding courtyard.
