Egzòd 36
1 Bezaleyèl, Owoliyab ansanm ak tout moun ki gen konprann, tout moun Seyè a te bay ladrès ak konesans pou yo ka fè tou sa ki nesesè pou kay Bondye a, se pou yo fè tout bagay jan Seyè a te bay lòd la.
“So Bezalel, Oholiab, and every skilled person are to carry out everything commanded by the LORD, who has given them skill and ability to know how to perform all the work of constructing the sanctuary.”
2 Moyiz fè rele Bezaleyèl, Owoliyab ansanm ak tout lòt bòs atizan Bondye te bay ladrès ak konesans. Li fè rele tout moun ki te vle pou yo mete men nan travay la ak tout kè yo.
Then Moses summoned Bezalel, Oholiab, and every skilled person whom the LORD had gifted—everyone whose heart stirred him to come and do the work.
3 Yo resevwa nan men Moyiz tout ofrann moun pèp Izrayèl yo te pote pou fè tou sa ki nesesè pou kay Bondye a. Y al travay. Moun Izrayèl yo menm te toujou ap pote ofrann yo bay Moyiz chak maten, san pesonn pa t' fòse yo.
They received from Moses all the contributions that the Israelites had brought to carry out the service of constructing the sanctuary. Meanwhile, the people continued to bring freewill offerings morning after morning,
4 Lè sa a, tout bòs atizan ki t'ap travay pou kay Bondye a kite travay yo t'ap fè a, yo vin jwenn Moyiz.
so that all the skilled craftsmen who were doing all the work on the sanctuary left their work
5 Yo di l' konsa: -Pèp la pote depase sa nou bezwen pou nou fini ak travay Seyè a te bay lòd fè a.
and said to Moses, “The people are bringing more than enough for doing the work the LORD has commanded us to do.”
6 Lè sa a, Moyiz fè pibliye lòd sa a nan tout kan an: -Pesonn, ni gason ni fanm, pa bezwen pote ankenn ofrann pou kay Bondye a ankò. Se konsa, yo te fè moun yo sispann pote lòt ofrann.
After Moses had given an order, they sent a proclamation throughout the camp: “No man or woman should make anything else as an offering for the sanctuary.” So the people were restrained from bringing more,
7 Sa yo te pote deja a te menm twòp pou travay ki te gen pou fèt la.
since what they already had was more than enough to perform all the work.
8 Yo pran ouvriye ki te pi abil nan travay la pou fè tant lan. Yo fè l' ak dis lèz twal fen blan tise byen sere, twal lenn koulè ble, violèt, wouj, avèk pòtre zanj cheriben bwode byen bèl sou tout kò l'.
All the skilled craftsmen among the workmen made the ten curtains for the tabernacle. They were made of finely spun linen, as well as blue, purple, and scarlet yarn, with cherubim skillfully worked into them.
9 Chak lèz te mezire katòz mèt longè, de mèt lajè. Tout lèz yo te menm gwosè.
Each curtain was twenty-eight cubits long and four cubits wide; all the curtains were the same size.
10 Yo pran senk lèz, yo koud yo ansanm. Apre sa, yo fè menm bagay la tou ak senk lòt lèz yo.
And he joined five of the curtains together, and the other five he joined as well.
11 Yo pran kòdon fèt ak twal ble, yo fè pasan, yo moute yo sou rebò dènye lèz nan chak gwoup.
He made loops of blue material on the edge of the end curtain in the first set, and also on the end curtain in the second set.
12 Yo mete senkant pasan nan premye lèz premye gwoup la ak senkant pasan nan dènye lèz dezyèm gwoup la yon jan pou yo koresponn de pa de.
He made fifty loops on one curtain and fifty loops on the end curtain of the second set, so that the loops lined up opposite one another.
13 Yo te fè senkant ti kwòk an lò. Yo pase kwòk yo nan pasan yo pou kenbe de gwoup rido yo ansanm. Se konsa, yo te fè yon sèl tant pou sèvi kay kote pou Bondye rete a.
He also made fifty gold clasps to join the curtains together, so that the tabernacle was a unit.
14 Apre sa, yo fè onz lèz twal ak pwal kabrit pou kouvri tant kote Bondye rete a.
He then made curtains of goat hair for the tent over the tabernacle—eleven curtains in all.
15 Tout onz lèz yo te menm gwosè, chak te mezire kenz mèt longè ak de mèt lajè.
Each of the eleven curtains was the same size—thirty cubits long and four cubits wide.
16 Yo pran senk lèz, yo koud yo ansanm sou yon bò. Apre sa, yo fè menm bagay la ak sis lòt lèz yo apa.
He joined five of the curtains into one set and the other six into another.
17 Yo mete senkant pasan sou rebò dènye lèz nan premye gwoup la ak senkant pasan sou rebò dènye lèz nan dezyèm gwoup la.
He made fifty loops along the edge of the end curtain in the first set, and fifty loops along the edge of the corresponding curtain in the second set.
18 Yo fè senkant ti kwòk an kwiv pou kenbe de gwoup lèz yo ansanm, pou yo ka fè yon sèl tant.
He also made fifty bronze clasps to join the tent together as a unit.
19 Yo fè yon kouvèti pou tant lan ak po belye tenn koulè wouj. Apre sa, yo fè yon lòt kouvèti ak po bazann pou ale anwo kouvèti ki fèt ak po belye a.
Additionally, he made for the tent a covering of ram skins dyed red, and over that a covering of fine leather.
20 Yo te fè ankadreman an bwa zakasya pou soutni tant Bondye a.
Next, he constructed upright frames of acacia wood for the tabernacle.
21 Chak ankadreman te mezire kenz pye longè sou vennsèt pous lajè.
Each frame was ten cubits long and a cubit and a half wide.
22 Yo chak te gen de bout ki depase ki te penmèt mare yo yonn ak lòt. Yo fè tout ankadreman kay la menm jan an tou.
Two tenons were connected to each other for each frame. He made all the frames of the tabernacle in this way.
23 Yo te fè ven ankadreman pou fasad sid la.
He constructed twenty frames for the south side of the tabernacle,
24 Yo fè karant sipò an ajan pou ale anba pye ankadreman yo, de sipò pou chak ankadreman.
with forty silver bases to put under the twenty frames—two bases for each frame, one under each tenon.
25 Yo fè ven ankadreman pou fasad nò a,
For the second side of the tabernacle, the north side, he made twenty frames
26 ak karant sipò an ajan, de pou chak ankadreman.
and forty silver bases—two bases under each frame.
27 Pou fasad lwès kay Bondye a, ki bay sou dèyè, yo fè sis ankadreman
He made six frames for the rear of the tabernacle, the west side,
28 ak de lòt ankadreman ki pou fè kwen ki sou deyè kay Bondye a.
and two frames for the two back corners of the tabernacle,
29 Kwen yo te mare yonn ak lòt pa anba, yo te bout-a-bout jouk anwo nan gwo bag la. Se konsa yo te moute de ankadreman ki te fè de kwen yo.
coupled together from bottom to top and fitted into a single ring. He made both corners in this way.
30 Konsa sa te fè wit ankadreman ak sèz sipò an ajan, de sipò pou chak ankadreman.
So there were eight frames and sixteen silver bases—two under each frame.
31 Apre sa, yo fè travès yo an bwa zakasya. Yo mete senk pou ankadreman sou yon bò kay Bondye a,
He also made five crossbars of acacia wood for the frames on one side of the tabernacle,
32 senk pou ankadreman sou lòt bò a ak senk pou ankadreman sou bò lwès la pa dèyè.
five for those on the other side, and five for those on the rear side of the tabernacle, to the west.
33 Yo fè travès mitan an yon jan pou l' pase nan ren ankadreman yo, depi yon bout rive nan lòt bout la.
He made the central crossbar to run through the center of the frames, from one end to the other.
34 Yo te kouvri ankadreman yo ak lò. Yo te fè bag an lò pou kenbe travès yo. Apre sa, yo kouvri tout travès yo ak lò tou.
And he overlaid the frames with gold and made gold rings to hold the crossbars. He also overlaid the crossbars with gold.
35 Yo fè rido a ak bon twal koulè ble, violèt epi wouj ansanm ak twal fen blan tise byen sere, avèk pòtre zanj cheriben bwode byen bèl sou tout kò l'.
Next, he made the veil of blue, purple, and scarlet yarn, and finely spun linen, with cherubim skillfully worked into it.
36 Yo fè kat poto an bwa zakasya pou rido a. Yo te kouvri yo ak lò, yo moute kwòk an lò sou yo. Yo travay kat sipò an ajan pou poto yo.
He also made four posts of acacia wood for it and overlaid them with gold, along with gold hooks; and he cast four silver bases for the posts.
37 Pou fèmen kote yo antre nan tant lan, yo fè yon rido ak bon twal ble, violèt ak wouj, ansanm ak twal fen blan tise byen sere, bwode sou tout kò l'.
For the entrance to the tent, he made a curtain embroidered with blue, purple, and scarlet yarn, and finely spun linen,
38 Yo fè senk poto avèk kwòk. Yo kouvri tèt poto yo ak trenng pou soutni rido yo ak lò. Epi yo fè senk sipò an kwiv pou poto yo.
together with five posts and their hooks. He overlaid the tops of the posts and their bands with gold, and their five bases were bronze.
