< 1 Athamaki 7 >

1 No rĩrĩ, Solomoni aambĩrĩria gwaka nyũmba yake ya ũthamaki-rĩ, aaniinire mĩaka ikũmi na ĩtatũ kũrĩĩkia kũmĩaka.
Solomon, however, took thirteen years to complete the construction of his entire palace.
2 Nĩaakire nyũmba ĩngĩ ya ũthamaki yetagwo Nyũmba ya Ũthamaki ya Mũtitũ wa Lebanoni, na yarĩ ya mĩkono igana kũraiha, na mĩkono mĩrongo ĩtano kwarama, na mĩkono mĩrongo ĩtatũ kũraiha na igũrũ. Ningĩ yarĩ na mĩhari ĩna ya itugĩ cia mĩtarakwa iria cianyiitĩrĩire mĩgamba ya mĩtarakwa.
He built the House of the Forest of Lebanon a hundred cubits long, fifty cubits wide, and thirty cubits high, with four rows of cedar pillars supporting the cedar beams.
3 Nyũmba ĩyo yagitirwo na mbaũ cia mĩtarakwa iria ciarĩ igũrũ wa mĩgamba ĩrĩa yaigĩrĩirwo igũrũ wa itugĩ, mĩgamba yothe yarĩ mĩrongo ĩna na ĩtano, o mũhari warĩ na mĩgamba ikũmi na ĩtano.
The house was roofed with cedar above the beams that rested on the pillars—forty-five beams, fifteen per row.
4 Ndirica ciayo ciekĩrĩtwo igũrũ, igagĩĩkĩrwo ithatũ ithatũ, ingʼethanĩire.
There were three rows of high windows facing one another in three tiers.
5 Mĩrango yothe yarĩ na buremu cia mĩena ĩna; yekĩrĩtwo mwena wa na mbere ĩtatũ ĩtatũ, ĩngʼethanĩire.
All the doorways had rectangular frames, with the openings facing one another in three tiers.
6 Nĩathondekire gĩthaku kĩa mũhari wa itugĩ, kĩa ũraihu wa mĩkono mĩrongo ĩtano, na wariĩ wa mĩkono mĩrongo ĩtatũ. Mbere yakĩo haarĩ na gĩthaku kĩngĩ, na mbere ya gĩthaku kĩu gĩa keerĩ haarĩ na itugĩ, na hakagitwo igũrũ.
Solomon made his colonnade fifty cubits long and thirty cubits wide, with a portico in front of it and a canopy with pillars in front of the portico.
7 Nĩaakire nyũmba ya gĩtĩ kĩa ũnene, na Nyũmba ya Gũciirĩra, kũrĩa aatuithanagĩria ciira. Nake akĩmĩĩkĩra mbaũ cia mĩtarakwa kuuma thĩ nginya igũrũ.
In addition, he built a hall for the throne, the Hall of Justice, where he was to judge. It was paneled with cedar from floor to ceiling.
8 Nayo nyũmba yake ya gũikara ya ũthamaki, yaakĩtwo mwena wa na thuutha, na yaakĩtwo o ta ĩyo ĩngĩ. Ningĩ Solomoni nĩaakire nyũmba ĩngĩ ta ĩyo ya ũthamaki, akĩmĩakĩra mwarĩ wa Firaũni ũrĩa aahikĩtie.
And the palace where Solomon would live, set further back, was of similar construction. He also made a palace like this hall for Pharaoh’s daughter, whom he had married.
9 Mĩako ĩyo yothe, kuuma mwena wa nja nginya nja ĩrĩa nene, na kuuma mũthingi nginya rwembeya-inĩ, yaakĩtwo na mahiga marĩa mega mũno matinĩtio na gĩthimo, na makarengererwo na mũthumeno mwena wa na thĩinĩ na wa na nja.
All these buildings were constructed with costly stones, cut to size and trimmed with saws inside and out from the foundation to the eaves, and from the outside to the great courtyard.
10 Mĩthingi yaakĩtwo na mahiga manene ma mũthemba mwega, mamwe ma mĩkono ikũmi, na mamwe ma mĩkono ĩnana.
The foundations were laid with large, costly stones, some ten cubits long and some eight cubits long.
11 Igũrũ gwakĩtwo na mahiga marĩa mega mũno matinĩtio na gĩthimo, na mbaũ cia mĩtarakwa.
Above these were high-grade stones, cut to size, and cedar beams.
12 Nayo nja ĩrĩa nene yathiũrũrũkĩirio na rũthingo rwa mĩhari ĩtatũ ya mahiga maicũhie, na mũhari ũmwe wa mĩgamba mĩrengerere ya mĩtarakwa, o ta ũrĩa nja ya hekarũ ya Jehova yatariĩ, na gĩthaku kĩayo.
The great courtyard was surrounded by three rows of dressed stone and a row of trimmed cedar beams, as were the inner courtyard and portico of the house of the LORD.
13 Mũthamaki Solomoni nĩatũmanire Turo nĩgeetha areherwo Huramu,
Now King Solomon sent to bring Huram from Tyre.
14 ũrĩa nyina aarĩ mũtumia wa ndigwa wa mũhĩrĩga wa Nafitali, nake ithe aarĩ wa Turo, nake aarĩ mũturi wa icango. Nake Huramu aarĩ mũũgĩ mũno, na akamenya maũndũ mothe ma ũthondeki wa indo cia gĩcango. Nĩookire kũrĩ Mũthamaki Solomoni, na akĩruta mawĩra mothe marĩa aaheirwo.
He was the son of a widow from the tribe of Naphtali, and his father was a man of Tyre, a craftsman in bronze. Huram had great skill, understanding, and knowledge for every kind of bronze work. So he came to King Solomon and carried out all his work.
15 Nĩathondekire itugĩ igĩrĩ cia gĩcango, o kĩmwe kĩarĩ na ũraihu wa mĩkono ikũmi na ĩnana, na rũrigi rũrĩa rũngĩathiũrũrũkĩirie gĩtugĩ kĩmwe rwarĩ rwa mĩkono ikũmi na ĩĩrĩ.
He cast two pillars of bronze, each eighteen cubits high and twelve cubits in circumference.
16 Ningĩ nĩathondekire ciongo cia gĩcango gĩtwekie cia kũigĩrĩra igũrũ rĩa itugĩ icio, o kĩongo kĩmwe kĩarĩ na ũraihu wa mĩkono ĩtano.
He also made two capitals of cast bronze to set on top of the pillars, each capital five cubits high.
17 Irengeeri igathĩkanĩtio ta mĩnyororo igĩcuurio nĩguo igemie ciongo cia itugĩ icio, irengeeri mũgwanja igekĩrwo kĩongo-inĩ kĩmwe.
For the capitals on top of the pillars he made a network of lattice, with wreaths of chainwork, seven for each capital.
18 Nĩathondekire makomamanga mĩhari ĩĩrĩ ĩkĩrigiicĩria irengeeri icio ciagathĩkanĩtio ta mĩnyororo cia kũgemia ciongo iria ciarĩ igũrũ rĩa itugĩ. O kĩongo agĩgĩĩka o ũguo.
Likewise, he made the pillars with two rows of pomegranates around each grating to cover each capital atop the pillars.
19 Ciongo iria ciarĩ igũrũ wa itugĩ cia gĩthaku ciathondeketwo na mũhianĩre wa mahũa ma itoka, na ciarĩ na ũraihu wa mĩkono ĩna.
And the capitals atop the pillars in the portico were shaped like lilies, four cubits high.
20 Ciongo cia itugĩ icio cierĩ, igũrũ rĩa harĩa hahaanaga ta mbakũri harĩa haariganĩtie na irengeeri iria ciagathĩkanĩtio ta mĩnyororo, haarĩ na makomamanga magana meerĩ mekĩrĩtwo mĩhari mĩhari magathiũrũrũkĩria ciongo icio.
On the capitals of both pillars, just above the rounded projection next to the network, were the two hundred pomegranates in rows encircling each capital.
21 Nĩahaandire itugĩ icio gĩthaku-inĩ kĩa hekarũ. Gĩtugĩ kĩa mwena wa gũthini agĩgĩĩta Jakini, nakĩo kĩa mwena wa gathigathini agĩgĩĩta Boazu.
Thus he set up the pillars at the portico of the temple. The pillar to the south he named Jachin, and the pillar to the north he named Boaz.
22 Ciongo iria ciarĩ igũrũ wa itugĩ icio ciathondeketwo na mũhianĩre wa mahũa ma itoka. Nĩ ũndũ ũcio wĩra wa itugĩ ũkĩrĩka.
And the tops of the pillars were shaped like lilies. So the work of the pillars was completed.
23 Ningĩ agĩaka itangi rĩa gĩthiũrũrĩ rĩa kĩgera gĩtwekie inene mũno rĩrĩa rĩetagwo Karia, rĩarĩ rĩa mĩkono ikũmi kuuma mwena ũmwe wa rũtiriho nginya ũrĩa ũngĩ, na mĩkono ĩtano kũraiha na igũrũ. Itangi rĩu rĩathimwo na rũrigi gĩthiũrũrĩ kĩarĩo kĩarĩ kĩa mĩkono mĩrongo ĩtatũ.
He also made the Sea of cast metal. It was circular in shape, measuring ten cubits from rim to rim, five cubits in height, and thirty cubits in circumference.
24 Mũhuro wa rũtiriho nĩrĩathiũrũrũkĩirio na magemio maahaanaine na tũbũũthũ, o mũkono ũmwe tũbũũthũ ikũmi. Tũbũũthũ tũu twaigĩtwo mĩhari ĩĩrĩ tũgĩtwekanĩrio na Karia kau, tũgĩtuĩka kĩndũ kĩmwe nako.
Below the rim, ornamental buds encircled it, ten per cubit all the way around the Sea, cast in two rows as a part of the Sea.
25 Nako Karia kau kaigĩrĩirwo igũrũ rĩa mĩhiano ya ndegwa ikũmi na igĩrĩ; ithatũ ciacio ciarorete mwena wa gathigathini, na ithatũ ikarora mwena wa ithũĩro, na ithatũ ikarora mwena wa gũthini, na ithatũ ikarora mwena wa irathĩro. Karia kau kaigĩrĩirwo igũrũ rĩacio, nacio ciĩga cia na thuutha cia ndegwa icio nĩcio ciarorete na kũu thĩinĩ.
The Sea stood on twelve oxen, three facing north, three facing west, three facing south, and three facing east. The Sea rested on them, with all their hindquarters toward the center.
26 Ũtungu wa Karia kau waiganaine na wariĩ wa rũhĩ. Rũtiriho rwako rwatariĩ ta rũtiriho rwa gĩkombe, kana ta gĩtoka gĩcanũku. Karia kau kaiganagĩra maaĩ mbathi ngiri igĩrĩ.
It was a handbreadth thick, and its rim was fashioned like the brim of a cup, like a lily blossom. It could hold two thousand baths.
27 Ningĩ agĩaka makaari ikũmi ma gĩcango mangĩaguucirio; o gĩkaari kĩmwe kĩarĩ kĩa ũraihu wa mĩkono ĩna, na wariĩ wa mĩkono ĩna, na ũraihu wa na igũrũ wa mĩkono ĩtatũ.
In addition, he made ten movable stands of bronze, each four cubits long, four cubits wide, and three cubits high.
28 Makaari macio maakĩtwo ta ũũ: maarĩ na icunjĩ cia mĩena inyiitithanĩtio na buremu.
This was the design of the stands: They had side panels attached to uprights,
29 Icunjĩ iria ciarĩ gatagatĩ ka buremu, o na buremu cio nyene, ciarĩ na mĩhiano ya mĩrũũthi, na ya ndegwa, na ya makerubi. Mwena wa igũrũ na wa mũhuro wa mĩhiano ya mĩrũũthi na ya ndegwa nĩ gwekĩrĩtwo magemio ma mahũa mature.
and on the panels between the uprights were lions, oxen, and cherubim. On the uprights was a pedestal above, and below the lions and oxen were wreaths of beveled work.
30 O gĩkaari kĩarĩ na magũrũ mana ma gĩcango, maarĩ na igera cia gĩcango cia kũgathĩkania kũgũrũ na kũgũrũ kũrĩa kũngĩ, na o kĩmwe kĩarĩ na kĩraĩ kĩanyiitĩrĩirwo nĩ itugĩ inya iria ciatwekanĩirio na mahũa mature mwena o mwena.
Each stand had four bronze wheels with bronze axles and a basin resting on four supports, with wreaths at each side.
31 Mwena wa thĩinĩ wa gĩkaari kĩu kwarĩ na mũromo warĩ na buremu ya gĩthiũrũrĩ ya mũkono ũmwe kũrika. Mũromo ũcio warĩ wa gĩthiũrũrĩ, na hamwe na njikarĩro yaguo yarĩ ya mũkono ũmwe na nuthu. Gũthiũrũrũkĩria mũromo wakĩo nĩ ha kururĩtwo magemio. Icunjĩ cia mĩena ya gĩkaari kĩu nĩciaiganaine mĩena yothe ĩna, na itiarĩ cia gĩthiũrũrĩ.
The opening to each stand inside the crown at the top was one cubit deep, with a round opening like the design of a pedestal, a cubit and a half wide. And around its opening were engravings, but the panels of the stands were square, not round.
32 Magũrũ macio mana meekĩrĩtwo rungu rwa icunjĩ cia mĩena, nacio igera cia kũgathĩkania magũrũ cianyiitithanĩtio na gĩkaari kĩu. Naguo wariĩ wa o kũgũrũ warĩ wa mũkono ũmwe na nuthu.
There were four wheels under the panels, and the axles of the wheels were attached to the stand; each wheel was a cubit and a half in diameter.
33 Magũrũ macio maathondeketwo ta magũrũ ma ngaari ya ita, nacio igera cia kũgathĩkania kũgũrũ na kũgũrũ kũrĩa kũngĩ, na mĩbara, na mĩrĩnga ya kũgũrũ, na tũgera twa gĩthiũrũrĩ tũrĩa tũkoragwo gatagatĩ ga kũgũrũ, ciothe ciathondeketwo na kĩgera gĩtwekie.
The wheels were made like chariot wheels; their axles, rims, spokes, and hubs were all of cast metal.
34 O gĩkaari nĩ kĩarĩ na nyiitĩro inya, o koine-inĩ nyiitĩro ĩmwe, icomokete kuuma gĩkaari-inĩ. nĩgũkorwo
Each stand had four handles, one for each corner, projecting from the stand.
35 Mwena wa na igũrũ wa gĩkaari kĩu wathiũrũrũkĩirio na mũcibi wa wariĩ wa nuthu ya mũkono kũrika. Itugĩ na icunjĩ cia mĩena nĩcianyiitithanĩtio na mwena wa na igũrũ wa gĩkaari kĩu.
At the top of each stand was a circular band half a cubit high. The supports and panels were cast as a unit with the top of the stand.
36 Nake Huramu agĩkurura mĩhiano ya makerubi, na ya mĩrũũthi, na ya mĩtĩ ya mĩkĩndũ mĩena-inĩ ya itugĩ, na icunjĩ-inĩ cia mĩena harĩa hothe hangĩonekire, na hagathiũrũrũkĩrio na mahũa mĩena yothe.
He engraved cherubim, lions, and palm trees on the surfaces of the supports and panels, wherever each had space, with wreaths all around.
37 Ũguo nĩguo aathondekire makaari macio ikũmi. Mothe maatwekeirio handũ hamwe, na makahaanana biũ na makaiganana.
In this way he made the ten stands, each with the same casting, dimensions, and shape.
38 Ningĩ nĩathondekire iraĩ ikũmi cia gĩcango, o kĩmwe kĩaiganagĩra maaĩ mbathi mĩrongo ĩna, na kĩarĩ kĩa mĩkono ĩna kwarama, o kĩraĩ kĩmwe gĩkaigĩrĩrwo gĩkaari-inĩ kĩmwe gĩa icio ikũmi.
He also made ten bronze basins, each holding forty baths and measuring four cubits across, one basin for each of the ten stands.
39 Nĩaigire ikaari ithano ciacio mwena wa gũthini wa hekarũ, na ikaari ithano mwena wa gathigathini. Nĩaigĩrĩire Karia mwena wa gũthini, agĩkaiga koine-inĩ ya gũthini ya mwena wa irathĩro wa hekarũ.
He set five stands on the south side of the temple and five on the north, and he put the Sea on the south side, at the southeast corner of the temple.
40 Ningĩ Huramu nĩathondekire iraĩ, na icakũri, na mbakũri cia kũminjaminjĩria. Nĩ ũndũ ũcio Huramu akĩrĩkia wĩra wothe ũrĩa aaheetwo arute nĩ Mũthamaki Solomoni thĩinĩ wa hekarũ ya Jehova:
Additionally, Huram made the pots, shovels, and sprinkling bowls. So Huram finished all the work that he had undertaken for King Solomon in the house of the LORD:
41 itugĩ icio igĩrĩ; na ciongo icio igĩrĩ ciahaanaga ta mbakũri irĩ igũrũ wa itugĩ icio; na irengeeri iria igĩrĩ ciagathĩkanĩtio ta mĩnyororo iria ciagemetie ciongo icio ciarĩ igũrũ wa itugĩ;
the two pillars; the two bowl-shaped capitals atop the pillars; the two sets of network covering both bowls of the capitals atop the pillars;
42 na makomamanga 400 ma irengeeri iria igĩrĩ ciagathĩkanĩtio ta mĩnyororo (mĩhari ĩĩrĩ ya makomamanga o harĩ kĩrengeeri kĩmwe ĩkagemia ciongo icio ciahanaga ta mbakũri iria ciarĩ igũrũ wa itugĩ);
the four hundred pomegranates for the two sets of network (two rows of pomegranates for each network covering both the bowl-shaped capitals atop the pillars);
43 na makaari ikũmi na iraĩ ciamo ikũmi;
the ten stands; the ten basins on the stands;
44 na Karia na mĩhiano ya ndegwa ikũmi na igĩrĩ rungu rwako;
the Sea; the twelve oxen underneath the Sea;
45 o na nyũngũ, na icakũri, na mbakũri cia kũminjaminjĩria. Indo icio ciothe Huramu aathondekeire Mũthamaki Solomoni cia hekarũ ya Jehova ciarĩ cia gĩcango gĩkumuthe gĩkahenia.
and the pots, shovels, and sprinkling bowls. All the articles that Huram made for King Solomon in the house of the LORD were made of burnished bronze.
46 Mũthamaki aatwekithagĩria indo icio kũrĩa gwathondekagĩrwo indo cia rĩũmba kũu werũ-inĩ wa Jorodani gatagatĩ ga Sukothu na Zarethani.
The king had them cast in clay molds in the plain of the Jordan between Succoth and Zarethan.
47 Solomoni ndaathimire indo icio tondũ ciarĩ nyingĩ mũno; ũritũ wa gĩcango ndwamenyekanire ũrĩa waiganaga.
Solomon left all these articles unweighed, because there were so many. The weight of the bronze could not be determined.
48 Ningĩ Solomoni nĩathondekithirie indo ciothe iria ciarĩ thĩinĩ wa hekarũ ya Jehova: Aathondekire kĩgongona gĩa thahabu; na metha ya thahabu ya kũigĩrĩra mĩgate ĩrĩa yaigagwo mbere ya Jehova;
Solomon also made all the furnishings for the house of the LORD: the golden altar; the golden table on which was placed the Bread of the Presence;
49 na mĩtĩ ya kũigĩrĩrwo matawa ya thahabu therie (ĩtano ĩkaigwo mwena wa ũrĩo, na ĩtano ĩkaigwo mwena wa ũmotho, mwena wa mbere wa nyũmba ya na thĩinĩ); na wĩra wa magemio wa mahũa ma thahabu, na matawa, na mĩĩhato;
the lampstands of pure gold in front of the inner sanctuary, five on the right side and five on the left; the gold flowers, lamps, and tongs;
50 na iraĩ cia thahabu therie, na magathĩ ma kũrenga ndaambĩ, na mbakũri cia kũminjaminjĩria, na thaani, na ngĩo cia mwaki; na icũhĩ cia thahabu cia mĩrango ya kanyũmba karĩa kaarĩ thĩinĩ mũno, Handũ-harĩa-Hatheru-Mũno, o na icũhĩ cia thahabu cia mĩrango ya nyũmba ĩrĩa nene ya hekarũ.
the pure gold basins, wick trimmers, sprinkling bowls, ladles, and censers; and the gold hinges for the doors of the inner temple (that is, the Most Holy Place ) as well as for the doors of the main hall of the temple.
51 Rĩrĩa wĩra wothe ũrĩa Mũthamaki Solomoni aarutaga wa gwaka hekarũ ya Jehova wathirire-rĩ, akĩrehithia indo iria ithe Daudi aamũrĩte, nĩcio betha, na thahabu, na indo cia nyũmba, agĩciiga harĩa haigagwo igĩĩna cia hekarũ ya Jehova.
So all the work that King Solomon had performed for the house of the LORD was completed. Then Solomon brought in the items his father David had dedicated—the silver, the gold, and the furnishings—and he placed them in the treasuries of the house of the LORD.

< 1 Athamaki 7 >