Exodus 36

1 So Bezalel and Oholiab and every skilled person to whom Yahweh has given skill and ability to know how to do any work in the construction of the holy place are to do the work according to all that Yahweh has commanded.”

Na ka mahi a Petareere raua ko Ahoriapa, ratou ko nga tangata ngakau mohio katoa, i homai nei e Ihowa he ngakau tupato ki a ratou, me te whakaaro e mohiotia ai te mahi i nga tini mahi, o nga mea o te wahi tapu, o te pera me nga mea katoa i whakah aua e Ihowa.

2 Moses summoned Bezalel, Oholiab, and every skillful person in whose mind Yahweh had given skill, and whose heart stirred within him to come and do the work.

A i karangatia e Mohi a Petareere raua ko Ahoriapa, me nga tangata ngakau mohio katoa; i homai nei e Ihowa he mahara ki o ratou ngakau, nga tangata katoa i toko ake o ratou ngakau kia haere ki te mahi mahi ai:

3 They received from Moses all the offerings that the Israelites had brought for constructing the holy place. The people were still bringing freewill offerings every morning to Moses.

Na ka tangohia e ratou i te aroaro o Mohi nga whakahere katoa i kawea e nga tama a Iharaira hei hanga i nga mea mo te wahi tapu, kia oti. I kawea ano e ratou he whakahere homai noa ki a ia i tenei ata, i tenei ata.

4 So all the skilled people working on the holy place came from the work that they had been doing.

Na ka haere mai nga tangata mohio katoa, nga kaimahi o nga mea katoa o te wahi tapu, tera, tera, i tana mahi i mahi ai;

5 The craftsmen told Moses, “The people are bringing much more than enough for doing the work that Yahweh has commanded us to do.”

A ka korero ki a Mohi, ka mea, He nui noa atu ta te iwi e kawe mai nei mo te mahinga o nga mea i whakahaua e Ihowa kia meatia.

6 So Moses instructed that no one in the camp should bring any more offerings for the construction of the holy place. Then the people stopped bringing these gifts.

Na ka whakahau a Mohi, a ka pa te karanga i te puni, ka mea, Kaua tetahi tane, wahine ranei e mahi i tetahi atu mahi hei whakahere mo te wahi tapu. Na ka whakamutua te kawe mai a te iwi.

7 They had more than enough materials for all the work.

He nui hoki, a toe ake, nga mea i a ratou mo te mahinga o nga mea katoa.

8 So all the craftsmen among them constructed the tabernacle with ten curtains made from fine linen and blue, purple, and scarlet wool with the designs of cherubim. This was the work of Bezalel, the very skilled craftsman.

Na nga tangata ngakau mohio katoa o nga kaimahi i hanga te tapenakara ki nga pihi kotahi tekau, ki te rinena miro pai, ki te puru, ki te papura, ki te ngangana: he tohunga rawa te mahinga o nga kerupima i whatua ki roto.

9 The length of each curtain was twenty-eight cubits, the width four cubits. All the curtains were of the same size.

E rua tekau ma waru whatianga te roa o te pihi kotahi, e wha whatianga te whanui o te pihi kotahi: rite tonu te nui o nga pihi katoa.

10 Bezalel joined five curtains to each other, and the other five curtains he also joined to each other.

I honoa e ia nga pihi e rima tetahi ki tetahi: me era atu pihi e rima hoki, i honoa e ia tetahi ki tetahi.

11 He made loops of blue along the outer edge of the end curtain of one set, and he did the same along the outer edge of the end curtain in the second set.

A i hanga ano e ia etahi koropiko puru ki te taha o tetahi pihi, ki te taha e honoa ana: i pera ano tana mahi ki te taha ki waho o tetahi pihi, ki te hononga mai o te rua.

12 He made fifty loops on the first curtain and fifty loops on the edge of the end curtain in the second set. So the loops were opposite to each another.

E rima tekau nga koropiko i hanga e ia ki tetahi pihi, e rima tekau hoki nga koropiko i hanga e ia ki te taha o te pihi i te hononga mai o te rua: a i mau nga koropiko tetahi ki tetahi.

13 He made fifty gold clasps and joined the curtains together with them so that the tabernacle became united.

I hanga ano hoki e ia etahi toromoka koura e rima tekau, a honoa ana nga pihi tetahi ki tetahi ki nga toromoka: a ka kotahi ano te tapenakara.

14 Bezalel made curtains of goat hair for a tent over the tabernacle; he made eleven of these curtains.

I hanga ano e ia etahi pihi ki te huruhuru koati, hei teneti mo runga i te tapenakara: kotahi tekau ma tahi nga pihi i hanga e ia.

15 The length of each curtain was thirty cubits, and the width of each curtain was four cubits. Each of the eleven curtains was of the same size.

E toru tekau whatianga te roa o te pihi kotahi, e wha hoki nga whatianga te whanui o te pihi kotahi, rite tonu te nui o nga pihi kotahi tekau ma tahi.

16 He joined five curtains to each other and the other six curtains to each other.

A i honoa e ia nga pihi e rima ki a ratou ano, me nga pihi e ono ki a ratou ano.

17 He made fifty loops on the edge of the end curtain of the first set, and fifty loops along the edge of the end curtain that joined the second set.

I hanga ano e ia nga koropiko e rima tekau ki te tapa ki waho o te pihi i te hononga, i hanga ano e ia nga koropiko e rima tekau ki te tapa o te pihi e honoa mai ai te rua.

18 Bezalel made fifty bronze clasps to join the tent together so that it might be one piece.

I hanga ano e ia nga toromoka parahi e rima tekau, hei hono i te teneti kia kotahi.

19 He made for the tabernacle a covering of ram skins dyed red, another covering of fine leather to go above that.

I hanga ano hoki e ia etahi hiako hipi he mea whakawhero, hei uhi mo te teneti, me etahi hiako pateri hei uhi mo waho atu.

20 Bezalel made vertical frames out of acacia wood for the tabernacle.

I hanga ano hoki e ia etahi papa mo te tapenakara, he hitimi te rakau, he mea tu ki runga.

21 The length of each frame was ten cubits, and the width of each frame was one and a half cubits.

Kotahi tekau whatianga te roa o te papa kotahi, kotahi whatianga me te hawhe te whanui o te papa kotahi.

22 Each frame had two wooden pegs for joining the frames together. He did this for all the frames of the tabernacle.

E rua nga arero o te papa kotahi, he mea hono ki a raua: he pera tonu tana i mea ai ki nga papa katoa o te tapenakara.

23 He made the frames for the tabernacle in this way: twenty frames for the south side.

I hanga ano e ia nga papa mo te tapenakara: e rua tekau nga papa mo te taha ki te tonga whaka te tonga:

24 Bezalel made forty silver bases to go under the twenty frames. There were two bases under one frame to join the frames together, and also two bases under each of the other frames to join frames together.

E wha tekau hoki nga turanga hiriwa i hanga e ia mo nga papa e rua tekau; e rua nga turanga i raro i tetahi papa mo ona arero e rua, e rua hoki nga turanga i raro i tetahi atu papa mo ona arero e rua.

25 For the second side of the tabernacle, on the north side, he made twenty frames

A e rua tekau nga papa i hanga e ia mo tera taha o te tapenakara, mo te taha ki te raki.

26 and their forty silver bases. There were two bases under the first frame, two bases under the next frame, and so on.

Me nga turanga hiriwa e wha tekau; nga turanga e rua mo raro iho i tetahi papa, me nga turanga e rua mo raro i tetahi atu papa.

27 For the back of the tabernacle on the west, Bezalel made six frames.

A mo te tuarongo o te tapenakara whaka te hauauru, e ono nga papa i hanga e ia.

28 He made two frames for the back corners of the tabernacle.

E rua hoki nga papa i hanga e ia mo nga koki o te tapenakara i te tuarongo.

29 These frames were separate at the bottom, but joined at the top in one ring. He made two of them in this way for the two corners.

A i honoa aua papa i raro, i honoa ano i runga ki te mowhiti kotahi: i peratia e ia aua papa e rua i nga koki e rua.

30 There were eight frames, together with their silver bases. There were sixteen bases in all, two bases under the first frame, two bases under the next frame, and so on.

Na ka waru aua papa; me nga turanga hiriwa, kotahi tekau ma ono nga turanga; e rua nga turanga i raro i tetahi papa, i tetahi papa.

31 Bezalel made crossbars of acacia wood—five for the frames of the one side of the tabernacle,

I hanga ano e ia etahi kaho, he hitimi te rakau: e rima mo nga papa o tetahi taha o te tapenakara,

32 five crossbars for the frames of the other side of the tabernacle, and five crossbars for the frames for the back side of the tabernacle to the west.

E rima hoki nga kaho mo nga papa o tetahi taha o te tapenakara, a e rima nga kaho mo nga papa o te tapenakara, mo te tuarongo ki te hauauru.

33 He made the crossbar in the center of the frames, that is, halfway up, to reach from end to end.

A ko to waenga kaho i meinga e ia kia rere na waenganui o nga papa i tetahi pito ki tetahi pito.

34 He covered the frames with gold. He made their rings of gold, for them to serve as holders for the crossbars, and he covered the bars with gold.

I whakakikoruatia ano e ia nga papa ki te koura, a ka hanga nga mowhiti o aua papa ki te koura hei kuhunga mo nga kaho; i whakakikoruatia ano e ia nga kaho ki te koura.

35 Bezalel made the curtain of blue, purple, and scarlet wool, and of fine linen, with designs of cherubim, the work of a skillful workman.

I hanga ano e ia he arai ki te puru, ki te papura, ki te ngangana, ki te rinena miro pai; he tohunga rawa te mahinga o nga kerupima i whatua e ia ki roto.

36 He made for the curtain four pillars of acacia wood, and he covered them with gold. He also made gold hooks for the pillars, and he cast for them four silver bases.

I hanga ano e ia ona pou e wha ki te hitimi, a whakakikoruatia iho e ia ki te koura; he koura nga matau: i whakarewaina ano e ia nga turanga hiriwa e wha mo aua mea.

37 He made a hanging for the tent entrance. It was made of blue, purple, and scarlet wool, using fine linen, the work of an embroiderer.

I hanga ano he pa mo te whatitoka o te teneti ki te puru, ki te papura, ki te ngangana, ki te rinena miro pai hoki, he mea mahi ki te ngira;

38 He also made the hanging's five pillars with hooks. He covered their tops and their rods with gold. Their five bases were made of bronze.

Me ona pou e rima, me nga matau a aua pou: a i whakakikoruatia e ia nga pito ki runga o aua pou me nga awhi ki te koura: ko nga turanga e rima ia he parahi.