Song of Solomon 6
1 You who are the most beautiful of all the women, where has the one who loves you gone? [If you tell us] which [RHQ] direction he went, we will go with you to search for him.
“Saga! Baligili noga: i ba: su uda! Dia sasagesu da habidili asibala: ? Ninia di fidili hogole ba: musa: , ea asi logo ninima adoma.” Uda da amane sia: i,
2 The one who loves me has now come [to me, who am like] [MET, EUP] his garden, He has come to [enjoy my (charms/physical attractions) which are like] [MET, EUP] spices, to enjoy cuddling up to me [EUP, MET], and [kissing my lips, which are like] [MET] lilies.
“Na sasagesu dunu da ea ifabia (amogawi ‘bolosame’ ifa da heda: la) amoga asi dagoi. E da amogawi ea sibi wa: i amoma ha: i manu iana amola ‘lili’ mosoi gagadolala.
3 I belong to the one who loves me, and the one who loves me belongs to me; he [enjoys kissing] my lips like [MET] [a shepherd enjoys] taking care of [his sheep].
Na sasagesu dunu da na: Amola na da ea: E da ‘lili’ bugi amo ganodini ea sibi wa: i amoma ha: i manu iana.” Dunu da amane sia: i,
4 My darling, you are beautiful, like [SIM] Tirzah [the capital city of Israel] and Jerusalem [the capital city of Judah are beautiful]; you are as exciting [MET] as a [group/battalion of] troops holding up their banners.
“Na dogolegei! Di da Yelusaleme moilai bai bagade amola Disa moilai bai bagade defele, noga: idafa ba: sa. Dunu da amo moilai bai bagade ela hahalogoboi ba: sea, fofogadigiba: le, habe ha: sa. Amola dia isisima: goi ba: sea, agoaiwane hamosa.
5 Quit looking at me like that, because your eyes excite me very much. Your [long black] hair [moves from side to side] like [SIM] a flock of [black] goats [moving down the slopes] of Gilead [Mountain].
Dia si hamega ba: legama! Dia si da na gagulaligisa! Dia dialuma hinabo da goudi wa: i amo da Gilia: de agologa soagagala: ahoa agoane giginisa dabe ba: sa.
6 Your teeth are [very white] like [SIM] a flock of sheep [whose wool] has just been shorn and that have come up from being washed [in a stream]. You have all of your teeth; none of them is missing.
Dia bese da sibi amo da hinabo waha dodofei agoane ba: sa. Afae da hame gumi ba: sa. Ilia huluane da defele dadalei ba: sa.
7 Beneath your veil, your cheeks are like [SIM] the halves of a pomegranate.
Dia ba: da dia odagi dedebosu abula baligiadili da nenemegisa.
8 Even if a king had 60 queens and 80 (concubines/slave wives) and more young women than anyone can count,
Defea! Hina bagade da uda 60 lamu da defea. Amola gidisedagi uda 80 amola uda afini idimu hamedei lamu da defea.
9 [none of them would be like] my dove, who is perfect, you who are your mother’s only daughter, whom your mother considers to be very precious. [Other] young women who see you say that you are fortunate, and the queens and concubines recognize that you [are very beautiful].
Be na da afae fawane ni dogolegesa. Amola amo da ‘dafe’ sio defele, isisima: goi ba: sa. E da ea: me ea dogolegei uda mano afae fawane gala. Uda huluane ema ba: le nodone sia: sa. Hina bagade uda ilia, amola gidi sedagi uda ilia da e nodoma: ne gesami hea: sa.
10 Who is [RHQ] this woman who is [as delightful] as [SIM] the dawn, as fair/delightful [to look at] as [the light of] the moon, as exciting as a [group/battalion of] troops holding up their banners?
Amo da nowala: ? Ea ba: la ahoabe da eso mabe agoai ba: sa. E da isisima: goi amola hadigi. E da eso amola oubi agoai, si nenemegini, ba: mu gogolei.
11 I went down to some walnut trees to look at the new plants that were growing in the valley. I wanted to see if the grapevines had budded or if the pomegranate trees were blooming.
Na da ‘amode’ ifa bugi bobodole ganodini amo nono heda: i amola lubi gaheabolo efega lai amola ‘bomigala: nidi’ ifa amo ea mosoi ba: la misi dagoi.
12 [But] before I realized it, my desire [to make love caused me to be as excited as] a prince riding in a chariot.
Na da yagugubi. Sa: liode genonesisu dunu da gegemusa: hanai gala, amo defele na da dima sasagesu hou hamomu hanai.” Yelusaleme uda ilia da amane sia: i,
13 You who are the perfect one, come back [to us], in order that we may see you! Why do you want to look at this woman who is perfect, like [SIM] you like to watch two rows/lines of people dancing?
“Siogoma! Siulame uda a: fini! Di siogoma! Ninia ba: musa: , dia siogoma!” Uda da amane sia: i, “Na da la: idi amola la: idi dadalele lefulubi dunu dogoa siogosea, dilia abuliba: le na ba: musa: hanabela: ?”
