Exodus 37
1 Then Bezalel made the [sacred] chest from acacia wood. It was (45 in./110 cm.) long, (27 in./66 cm.) wide, and (27 in./66 cm.) high.
Rinanji’ i Betsalale ami’ty mendoraveñe i vatam-pañinay: kiho roe naho tampa’e ty andava’e le kiho raike naho tampa’e ty ampohe’e vaho kiho raike naho tampa’e ty haabo’e.
2 He covered it with pure gold inside and outside the chest, and he made a gold border around the top of it.
Pinako’e volamena ki’e, añate’e naho alafe’e vaho nitsenea’e soñy volamena nañarikatok’ aze.
3 He made/cast four rings from gold [and fastened them] to the legs of the chest. He put two rings on each side of the chest.
Nampitranaha’e ravake volamena efatse, harekets’ an-kotso’e efatse: ravake roe etoa vaho ravake roe eroa.
4 He made [two] poles from acacia wood, and covered them with gold.
Nandranjia’e bao-pitakonañe ami’ty mendoraveñe vaho pinako’e volamena,
5 He put the poles into the rings on the sides of the chest, in order that the chest could be carried [by means of the poles].
le natsorofo’e amo ravake añ’ ila’ i vatam-pañinaio i baoñe rey hitakonañe i vatam-pañinay.
6 He made a lid for the chest. That was [the place where Yahweh would] forgive people’s sins. It [also] was (45 in./110 cm.) long and (27 in./66 cm.) wide.
Tsinene’e volamena ki’e i toem-pijebañañey; kiho roe naho tampa’e ty andava’e naho kiho raike naho tampa’e ty ampohe’e.
7 He made two winged creatures from hammered gold.
Niranjie’e kerobe volamena roe; pinepè’e ami’ty vonga’e raike, ho añ’ ila roe’ i toem-pijebañañeio:
8 One of these was put at each end of the chest. The gold [with which they were made] was joined to the gold from which the lid [was made].
ty kerobe etoa, le ty kerobe eroa; rinanji’e ho raik’ amy toem-pijebañañey i kerobe rey songa añ’ila’e.
9 [He placed] the winged creatures facing each other so that their wings touched each other and spread out over the lid.
Navela’ i kerobe rey mañambone o ela’eo; nañaloke i toem-pijebañañey o ela’eo; nifañatre-daharañe iereo, nitolike mb’ amy toem-pijebañañey ty tarehe’ i kerobe rey.
10 Bezalel made a table from acacia wood. It was (36 in./88 cm.) long, (18 in./44 cm.) wide, and (27 in./66 cm.) high.
Rinanji’e ami’ty mendoraveñe i rairaiy: kiho roe ty andava’e, kiho raike ty ampohe’e naho kiho raike naho tampa’e ty haabo’e.
11 He covered it with pure gold, and he put a gold border around it.
Nipakora’e volamena ki’e vaho nandrafeta’e fiètse vola-mena hañarikoboñe aze.
12 He made a rim all around it, (3 in./7 cm.) wide. He put a gold border around the rim.
Mbore nitsenea’e rira ampohe-pitàñe hañarikatok’ aze vaho nanoa’e indram-bolamena añ’olo’e hañariary aze.
13 He made/cast four rings from gold and fastened the rings to the four corners of the table, one ring close to each leg [of the table].
Le nampitranaha’e ravake volamena efatse vaho nampirekete’e ankotso’e efatse tandrife i tombo’e efatse rey.
14 The rings were fastened to the table near the rim.
Nanoeñe marine i rira’ey i ravake rey hitàñe i bao-pitakonan-drairay rey.
15 He made two poles from acacia wood and covered them with gold. These poles for carrying the table were then inserted into the rings.
Rinanji’e ami’ty mendoraveñe i bao-pitakonan-drairay rey le pinako’e volamena.
16 He also made from pure gold all the things to be put on the table. He made the plates, the cups, and the jars and bowls to be used [when the priests] poured out wine [as an offering to Yahweh].
Volamena ki’e ty nitsenea’e o fanak’ ambone’ i rairaiio: o fingao, o fitovio, o soakazoo vaho o tako’eo hanakonañe irezay.
17 [He] made the lampstand from pure gold. Its base and its shaft were hammered from [one large lump of] gold. [The branches of the lampstand], the cups for holding the oil, the flower buds and the petals [that decorated the branches of the lamp, the base, and the shaft were all hammered from] one [big] lump of gold.
Le tsinene’e i fitàn-jiro volamena ki’ey; am-pipepehañe ty nanoa’e i fitàn-jiroy. Songa nanoen-ko raik’ ama’e ty taho’e, o tsampa’eo, o vatavo’eo, o rava-drave’eo naho o voñe’eo.
18 There were six branches on the lampstand, three on each side [of the shaft].
Eneñe ty tsampa’e niakatse amo ila’eo: tsampa’e telo ty niakatse am-pitàn-jiro etia naho tsampa’e telo ty niakatse am-pitàn-jiro atia.
19 Each of the branches had on it three [gold decorations that looked like] almond blossoms. These decorations also had flower buds and [flower] petals.
Le an-tsampa’e etia ty vatavo telo sarem-boti-mahabibo, ty rava-draveñe naho ty ravem-boñe vaho an-tsampa’e tandrife atia ty vatavo telo sarem-boti-mahabibo sindre aman-drava-draveñe naho ravem-boñe’e; irezay ty ho a’ i tsampa’e eneñe miakatse ty taho’ i fitàn-jiroy rey.
20 On the [shaft of the] lampstand there were four [gold decorations that also looked like] almond blossoms, each one with flower buds and [flower] petals.
Le nanoeñe vatavo efatse misare boti-mahabibo, sindre reketse rava-draveñe naho ravam-boti’e, an-taho’ i fitàn-jiroy;
21 On each side, beneath and extending from each of the branches, there was one [flower] bud.
le ty rava-draveñe miray ami’ty fireketa’ ty tsempa’e roe amy tahoy, ie ho amy tsampa’e eneñe miakatse ama’e rey.
22 All these [flower] buds and branches, along with the shaft, were hammered from one large lump of pure gold.
Raik’ amy taho’ey o rava-drave’eo naho o tsampa’eo, hene pinepèke am-bongam-bolamena ki’e raike.
23 Bezalel also made seven small cups [for holding oil. He put one cup on top of the shaft and he put the others on top of the branches]. He made from pure gold the tongs [for removing the burned wicks] and the trays [in which to put the burned wicks].
Le tsinene’e volamena ki’e ty jiro’e fito naho o fiharatan-tsokotsoko’eo vaho o sadròm-baen’ afo’eo.
24 He used (75 pounds/35 kg.) of pure gold to make the lampstand and all the things that were used to take care of it.
Nanoe’e am-bongam-bolamena ki’e talenta raike, ie naho o fana’e iabio.
25 From acacia wood, Bezalel made the altar [for burning] incense. It was square, (18 in./45 cm.) on each side. It was (3 ft./90 cm.) high. He made [a projection that looked like] a horn on each of the top corners. The projections were carved from the same block of wood that the altar was made of.
Rinanji’e ami’ty mendoraveñe ty kitrelim-pañembohañe: kiho raike ty andava’e, kiho raike ty ampohe’e, efa-mira, vaho kiho roe ty haabo’e. Raik’ ama’e o tsifa’eo.
26 He covered the top and the four sides, including the projections, with pure gold. He put a gold border around the altar, [near the top].
Nipakora’e volamena ki’e, ty tako’e naho o ila’e niarifehe azeo vaho o tsifa’e miariary azeo. Le nitsenea’e soñy volamena nañarikatok’ aze.
27 He made two gold rings for carrying the altar. Then he attached them to the altar below the border, one on each side of the altar. The poles by means of which the altar was to be carried were to be inserted into those rings.
Nitsene’e ravake volamena roe ho ambane’ i soñi’ey, an-kotso’e roe atoy naho ami’ty roe aroy, hitañe o bao-pitakonañ’azeo.
28 He made those [two] poles from acacia wood and covered them with gold.
Rinanji’e ami’ty mendoraveñe o bao’eo le nipakora’e volamena.
29 He also made the sacred oil for anointing and the pure sweet-smelling incense. He mixed the incense together as a skilled perfumer would.
Nanoe’e i mena-pañorizañe miavakey naho i emboke ki’e marifondrifoñe an-kafiriañe an-tsatam-panao embokey.
