1 Kings 7
1 However, it took Solomon thirteen years to finish building the whole of his palace.
Na kotahi tekau ma toru nga tau o Horomona e hanga ana i tona whare ake, na kua oti i a ia tona whare katoa.
2 He built the House of the Forest of Lebanon— a hundred cubits long, fifty cubits wide, and thirty cubits high. There were four rows of cedar pillars that supported cedar beams.
Nana hoki i hanga te whare o te ngahere o Repanona; ko te roa, kotahi rau whatianga, ko te whanui e rima tekau whatianga, ko te tiketike e toru tekau whatianga; ko te turanga e wha nga rarangi pou, he mea hita, he kurupae hita ano i runga i aua p ou.
3 The cedar roof of the house was on top of the beams that rested on the pillars. There were forty-five beams, fifteen in each row.
He hita te hipoki i runga i nga kurupae, i runga hoki era i nga pou e wha tekau ma rima, kotahi tekau ma rima ki te rarangi.
4 The windows were placed high up, in three rows facing each other.
A e toru nga rarangi o nga matapihi; rite tonu tenei wini ki tenei wini; e toru nga rarangi.
5 All the doorways and door casings had rectangular frames, the openings facing each other in sets of three.
Na he porowha nga tatau katoa, nga pou tatau me nga matapihi: me te anga ano tenei matapihi ki tenei matapihi; e toru nga rarangi.
6 He also had the Hall of Columns made—forty cubits long and thirty cubits wide. It had a porch in front, its canopy also supported by columns.
I hanga ano e ia etahi pou hei whakamahau; e rima tekau whatianga te roa, e toru tekau whatianga te whanui: na he whakamahau i mua i era pou: i mua hoki i era he pou me nga kurupae matotoru.
7 The throne room where he sat as judge was called the Hall of Justice, lined with cedar panels from floor to ceiling.
Na ka hanga e ia he whakamahau mo te torona, mo te wahi e whakarite whakawa ai ia, ara te whakamahau whakawa; he mea hipoki ki te hita i tetahi taha o te papa a tae noa ki tetahi taha.
8 Solomon's own palace where he lived was in a courtyard behind the porch, made in a similar way to the Temple. He also had a palace made for Pharaoh's daughter, whom he'd married.
Me tona whare i noho ai ia, he marae tona i roto atu i te whakamahau, rite tonu te hanga. I hanga ano e Horomona he whare mo te tamahine a Parao i marenatia nei e ia; ko tona rite ko tenei whakamahau.
9 All these buildings were built using stone blocks that were expensive to produce. They were cut to size and trimmed with saws on the inside and outside. These stones were used from the foundation to the eaves, from the outside of the building all the way to the great courtyard.
He kohatu utu nui enei katoa, he mea tarai ra ano, he mea ruri ano, he mea kani, a rato, a waho, o te turanga ake ano, ki nga whakapaipai i runga; pera tonu i te taha ki waho whaka te marae nui.
10 The foundations were laid with very large top-quality stones, between eight and ten cubits long.
He kohatu utu nui ano te turanga, he kohatu nunui, he kohatu kotahi tekau nei nga whatianga, he kohatu e waru nei nga whatianga.
11 On these were placed top-quality stones, cut to size, along with cedar timber.
Na a runga, he kohatu utu nui, ko te ruri, kei to nga kohatu tarai, he hita ano hoki.
12 Around the great courtyard, the inner courtyard, and the porch of the Lord's Temple were three courses of dressed stone and a course of cedar beams.
Na, ko te marae nui, a taka noa, e toru nga rarangi kohatu, he mea tarai, kotahi hoki te rarangi o nga kurupae hita; i rite ki to roto marae o te whare o Ihowa, me te whakamahau o te whare.
13 King Solomon sent for Hiram from Tyre.
A i tono tangata a Kingi Horomona ki te tiki atu i a Hirama i Taira.
14 He was the son of a widow from the tribe of Naphtali, and his father was from Tyre, a craftsman who worked in bronze. Hiram had great expertise, understanding and being familiar with all kinds of bronze work. He came to King Solomon and carried out all that the king required.
He tama ia na tetahi pouaru o te iwi o Napatari, a ko tona papa he tangata no Taira, he kaimahi parahi; ki tonu ia i te whakaaro nui, i te mohio, i te tohunga hoki ki te mahi i nga mahi parahi katoa. Na haere ana ia ki a Kingi Horomona ki te mah i i ana mahi katoa.
15 He cast two columns in bronze. They were both eighteen cubits high and twelve cubits in circumference.
Nana hoki i hanga nga pou parahi e rua, tekau ma waru whatianga te roa o tetahi, o tetahi; tekau ma rua whatianga o te aho hei pae mo tetahi, mo tetahi.
16 He also cast two capitals in bronze to place on top of the columns. Each capital was five cubits high.
I hanga hoki e ia etahi pane e rua ki te parahi whakarewa, hei whakanoho ki runga o nga pou; e rima whatianga te tiketike o tetahi pane, e rima whatianga te tiketike o tetahi pane.
17 He made a network of lattice of interlinked chains for both capitals, seven for each one.
Tera etahi kupenga, he mea whatu a kupenga, me nga wahiawhi, he mea mekameka, mo nga pane i runga o nga pou: e whitu mo tetahi pane, e whitu mo tetahi pane.
18 Around the lattice network he made two rows of ornamental pomegranates to cover the capitals on the top of both the columns.
Heoi hanga ana e ia nga pou; e rua nga rarangi i tetahi kupenga a ta, a noa, no ka kapi nga pane i runga i nga pou: i pera ano ia ki te rua o nga pane.
19 The capitals placed on top of columns in the porch were in the shape of lilies, four cubits high.
Na ko nga pane i runga o nga pou i te whakamahau he mea mahi ki te rengarenga, e wha nga whatianga.
20 On the capitals of both columns were the two hundred pomegranates in rows that encircled them, just above the rounded part that was next to the chain network.
A tera ano he pane i runga i nga pou, a haere whakarunga, i tata tonu ano ki te puku i te taha o te kupenga: a e rua rau nga pamekaranete, he mea whakararangi, ki tetahi o nga pane a taka noa.
21 He erected the columns at the entrance porch of the Temple. The southern column he named Jachin, and the northern column he named Boaz.
Na whakatura ana e ia nga pou ki te whakamahau o te temepara: i whakaturia e ia te pou ki te taha ki matau, a huaina iho tona ingoa, ko Iakini: i whakaturia ano e ia te pou ki maui, a huaina iho tona ingoa, ko Poaha.
22 The capitals on the columns were in the shape of lilies. And so the work on the columns was finished.
He rengarenga ano te mahi o te pito ki runga o nga pou: na ka oti te mahi o nga pou.
23 Then he made the Sea of cast metal. Its shape was circular, and measured ten cubits from edge to edge, five cubits in height, and thirty cubits in circumference.
I hanga ano e ia tetahi moana, he mea whakarewa, tekau whatianga o tetahi pareparenga ki tetahi pareparenga, he mea porotaka, e rima whatianga tona tiketike: e toru tekau whatianga o te aho i paea ai.
24 Below the edge it was decorated with ornamental gourds that encircled it, ten per cubit all the way around. They were in two rows cast as one piece with the Sea.
Na i raro iho i tona niao ko etahi puku nana i karapoti a taka noa, kotahi tekau ki te whatianga kotahi, i karapotia ai te moana: e rua nga rarangi o nga puku, i whakarewaina i tona whakarewanga.
25 The Sea stood on twelve metal bulls. Three faced to the north, three to the west, three to the south, and three to the east. The Sea was placed on them, with their rears toward the center.
I tu taua moana i runga i nga kau kotahi tekau ma rua, e toru e anga ana ki te raki, e toru e anga ana ki te hauauru, e toru e anga ana ki te tonga, e toru e anga ana ki te rawhiti: i runga ano i aua kau te moana e tu ana; na i anga whaka roto a muri katoa o ratou.
26 It was as thick as the width of a hand, and its edge was like the flared edge of a cup or a lily flower. It held two thousand baths.
Na he whanuitanga ringaringa tona matotoru; rite tonu te hanganga o tona niao ki to te niao o te kapu, he puawai rengarenga ona; e rua mano ona pati ina ki.
27 He also made ten carts to carry basins. The carts measured four cubits long, four cubits wide, and three cubits high.
I hanga ano e ia etahi turanga parahi kotahi tekau, e wha whatianga te roa o tetahi turanga, e wha whatianga te whanui, e toru whatianga te tiketike.
28 This is how they were put together: side panels were attached to uprights.
A ko te hanganga tenei o nga turanga: i whai awhi, a i nga takiwa o nga karapiti nga awhi.
29 Both the side panels and the uprights were decorated with lions, bulls, and cherubim. Above and below the lions and the bulls were decorative wreaths.
A, i nga awhi i nga takiwa o nga karapiti, he raiona, he kau, he kerupima; a he turanga o nga karapiti i runga: i raro hoki i nga raiona, i nga kau, ko etahi tautau, he mea angiangi.
30 Each cart had four bronze wheels with bronze axles. A basin rested on four supports that had decorative wreaths on each side.
A e wha nga wira parahi o tenei turanga, o tenei turanga, me etahi kakau wira parahi. I whai pokohiwi ano ona koki e wha; i raro i te takotoranga wai nga pokohiwi, he mea whakarewa, he tautau i te taha o tetahi, o tetahi.
31 At the top of each cart was a round opening like a pedestal to hold the basin. The opening was one cubit deep, and one and a half cubits wide. The opening had carvings around it. The panels of the cart were square, not round.
Na, ko tona waha, i roto i te pane a haere whakarunga, kotahi te whatianga: he porotaka ia tona waha te mahinga, kei to te turanga, kotahi te whatianga me te hawhe: na he tuhi kei tona waha, me nga awhi ano o aua tuhi, he porowha, ehara i te mea porotaka.
32 The four wheels were under the panels, and the axles of the wheels were attached to the cart. Each wheel measured one and a half cubits in diameter.
A ko nga wira e wha i raro i nga awhi; he mea hono ki te turanga nga kakau o nga wira: na, ko te ikeike o tetahi wira, kotahi whatianga me te hawhe whatianga.
33 The wheels were made in the same way as chariot wheels; their axles, rims, spokes, and hubs were all made by casting.
A ko te mahinga o nga wira, kei te mahinga o te wira hariata: ko nga kakau, o waenga, o waho, me nga titoko o aua wira, he mea whakarewa katoa.
34 Each cart had four handles, one on each corner, made as part of the stand.
A e wha nga pokohiwi i raro i nga koki e wha o te turanga kotahi; ko nga pokohiwi me te turanga, kotahi tonu.
35 There was a ring on the top of the cart a half cubit wide. The supports and panels were cast as one piece with the top of the cart.
Na he hawhe whatianga te ikeike o te wahi porotaka i runga i te turanga: a runga o te turanga, ona karapiti, me ona awhi, kotahi tonu.
36 He had designs of cherubim, lions, and palm trees engraved on the panels, supports, and frame, wherever there was space, with decorative wreaths all around.
Na, ko nga papa o ona karapiti, me ona awhi, tuhia iho e ia ki te kerupima, ki te raiona, ki te nikau, he mea whakarite ki te wahi takoto kau o tetahi, o tetahi, ki nga mea ano i tapiritia.
37 This is how he made the ten carts, with the same casts, size, and shape.
Penei tonu tana hanga i nga turanga kotahi tekau: kotahi tonu te whakarewanga o te katoa, kotahi te nui, kotahi te ahua.
38 Then he made ten bronze basins. Each one held forty baths and measured four cubits across, one basin for each of the ten carts.
Na ka hanga e ia ki te parahi etahi oko horoi kotahi tekau: e wha tekau nga pati o te oko kotahi, ina ki: e wha nga whatianga o tetahi oko, o tetahi oko: kotahi te oko horoi i runga i tetahi, i tetahi, o nga turanga kotahi tekau.
39 He placed five carts on the south side of the Temple and five on the north side. He placed the Sea on the south side, by the southeast corner of the Temple.
A i whakaturia e ia aua turanga, e rima ki te taha ki matau o te whare, e rima ki te taha ki maui o te whare: i whakaturia ano e ia te moana ki te taha ki matau o te whare, ki te rawhiti, whaka te tonga.
40 He also made the pots, shovels, and bowls. So Hiram finished making everything required by King Solomon for the Temple of the Lord:
Na hanga ana e Hirama nga oko horoi, nga koko pungarehu, me nga peihana. A mutu ake ta Hirama mahi i nga mahi katoa a Kingi Horomona i hanga e ia mo te whare o Ihowa:
41 the two columns; the two capitals shaped like bowls on top the columns; the two chain networks that covered the bowls of the capitals on top of the columns;
I nga pou e rua, i nga peihana o nga pane i te pito ki runga o nga pou; i nga kupenga e rua hei kopaki mo nga peihana e rua o nga pane i nga pito ki runga o nga pou;
42 the four hundred ornamental pomegranates for the chain networks (in two rows for the chain networks that covered the capitals on top of the columns);
I nga pamekarenete e wha rau mo nga kupenga e rua, e rua rarangi pamekaranete mo te kupenga kotahi, hei kopaki mo nga peihana e rua o nga pane i nga pito ki runga o nga pou;
43 the ten carts; the ten basins on the carts;
I nga turanga kotahi tekau, i nga oko horoi kotahi tekau i runga o nga turanga;
44 the Sea; the twelve bulls under the Sea;
I te moana kotahi, i nga kau kotahi tekau ma rua i raro i te moana;
45 and the pots, shovels, and bowls. Everything that Hiram made for King Solomon in the Temple of the Lord was made of polished bronze.
I nga pata, i nga koko pungarehu, i nga peihana. Na, ko enei mea katoa i hanga nei e Hirama ma Kingi Horomona, ki roto ki te whare o Ihowa, he parahi kanapa katoa.
46 The king had them cast in molds made of clay in the Jordan valley between Succoth and Zarethan.
I whakarewaina aua mea e te kingi ki te mania o Horano ki te wahi onematua i waenganui o Hukota, o Taretana.
47 Solomon did not weigh anything that had been made because there was just so much—the weight of bronze used could not be measured.
A i waiho noa iho nga mea katoa e Horomona, kahore i paunatia, he tini rawa hoki; kihai hoki i kitea te taimaha o te parahi.
48 Solomon also had made all the items for the Temple of the Lord: the golden altar; the golden table where the Bread of the Presence was placed;
A i hanga e Horomona nga oko katoa o te whare o Ihowa: te aata koura, me te tepu, he koura, i runga nei te taro aroaro;
49 the lampstands made of pure gold that stood in front of the inner sanctuary, five on the right and five on the left; the flowers, lamps, and tongs that were all made of pure gold;
Me nga turanga rama he parakore nei te koura, e rima ki te taha ki matau, e rima ki te taha ki maui, i mua o te ahurewa; me nga puawai, me nga rama, me te kokopi koura;
50 the basins, wick trimmers, bowls, ladles, and censers that again were all made of pure gold; and the gold hinges for the doors of the inner sanctuary, the Most Holy Place, in addition to the doors of the main hall of the Temple.
Me nga kapu, me nga kuku, me nga peihana, me nga koko, me nga tahu kakara, he parakore te koura; me nga inihi koura mo nga tatau o te whare i roto, ara o te wahi tino tapu, mo nga tatau o te whare, ara o te temepara.
51 In this way all King Solomon's work for the Temple of the Lord was completed. Then Solomon brought in the items his father David had dedicated, the special objects made of silver, the gold, and the Temple furnishings, and he placed them in the treasuries of the Temple of the Lord.
Heoi ka oti nga mahi katoa i mahia e Kingi Horomona mo te whare o Ihowa. Na ka kawea e Horomona nga mea i whakatapua e tona papa, e Rawiri, te hiriwa, te koura, nga oko, hoatu ana e ia ki roto ki nga takotoranga taonga o te whare o Ihowa.
