Exodus 36

1 “So Bezalel, Oholiab, and every skilled person are to carry out everything commanded by the LORD, who has given them skill and ability to know how to perform all the work of constructing the sanctuary.”

Na ka mahi a Petareere raua ko Ahoriapa, ratou ko nga tangata ngakau mohio katoa, i homai nei e Ihowa he ngakau tupato ki a ratou, me te whakaaro e mohiotia ai te mahi i nga tini mahi, o nga mea o te wahi tapu, o te pera me nga mea katoa i whakah aua e Ihowa.

2 Then Moses summoned Bezalel, Oholiab, and every skilled person whom the LORD had gifted—everyone whose heart stirred him to come and do the work.

A i karangatia e Mohi a Petareere raua ko Ahoriapa, me nga tangata ngakau mohio katoa; i homai nei e Ihowa he mahara ki o ratou ngakau, nga tangata katoa i toko ake o ratou ngakau kia haere ki te mahi mahi ai:

3 They received from Moses all the contributions that the Israelites had brought to carry out the service of constructing the sanctuary. Meanwhile, the people continued to bring freewill offerings morning after morning,

Na ka tangohia e ratou i te aroaro o Mohi nga whakahere katoa i kawea e nga tama a Iharaira hei hanga i nga mea mo te wahi tapu, kia oti. I kawea ano e ratou he whakahere homai noa ki a ia i tenei ata, i tenei ata.

4 so that all the skilled craftsmen who were doing all the work on the sanctuary left their work

Na ka haere mai nga tangata mohio katoa, nga kaimahi o nga mea katoa o te wahi tapu, tera, tera, i tana mahi i mahi ai;

5 and said to Moses, “The people are bringing more than enough for doing the work the LORD has commanded us to do.”

A ka korero ki a Mohi, ka mea, He nui noa atu ta te iwi e kawe mai nei mo te mahinga o nga mea i whakahaua e Ihowa kia meatia.

6 After Moses had given an order, they sent a proclamation throughout the camp: “No man or woman should make anything else as an offering for the sanctuary.” So the people were restrained from bringing more,

Na ka whakahau a Mohi, a ka pa te karanga i te puni, ka mea, Kaua tetahi tane, wahine ranei e mahi i tetahi atu mahi hei whakahere mo te wahi tapu. Na ka whakamutua te kawe mai a te iwi.

7 since what they already had was more than enough to perform all the work.

He nui hoki, a toe ake, nga mea i a ratou mo te mahinga o nga mea katoa.

8 All the skilled craftsmen among the workmen made the ten curtains for the tabernacle. They were made of finely spun linen, as well as blue, purple, and scarlet yarn, with cherubim skillfully worked into them.

Na nga tangata ngakau mohio katoa o nga kaimahi i hanga te tapenakara ki nga pihi kotahi tekau, ki te rinena miro pai, ki te puru, ki te papura, ki te ngangana: he tohunga rawa te mahinga o nga kerupima i whatua ki roto.

9 Each curtain was twenty-eight cubits long and four cubits wide; all the curtains were the same size.

E rua tekau ma waru whatianga te roa o te pihi kotahi, e wha whatianga te whanui o te pihi kotahi: rite tonu te nui o nga pihi katoa.

10 And he joined five of the curtains together, and the other five he joined as well.

I honoa e ia nga pihi e rima tetahi ki tetahi: me era atu pihi e rima hoki, i honoa e ia tetahi ki tetahi.

11 He made loops of blue material on the edge of the end curtain in the first set, and also on the end curtain in the second set.

A i hanga ano e ia etahi koropiko puru ki te taha o tetahi pihi, ki te taha e honoa ana: i pera ano tana mahi ki te taha ki waho o tetahi pihi, ki te hononga mai o te rua.

12 He made fifty loops on one curtain and fifty loops on the end curtain of the second set, so that the loops lined up opposite one another.

E rima tekau nga koropiko i hanga e ia ki tetahi pihi, e rima tekau hoki nga koropiko i hanga e ia ki te taha o te pihi i te hononga mai o te rua: a i mau nga koropiko tetahi ki tetahi.

13 He also made fifty gold clasps to join the curtains together, so that the tabernacle was a unit.

I hanga ano hoki e ia etahi toromoka koura e rima tekau, a honoa ana nga pihi tetahi ki tetahi ki nga toromoka: a ka kotahi ano te tapenakara.

14 He then made curtains of goat hair for the tent over the tabernacle—eleven curtains in all.

I hanga ano e ia etahi pihi ki te huruhuru koati, hei teneti mo runga i te tapenakara: kotahi tekau ma tahi nga pihi i hanga e ia.

15 Each of the eleven curtains was the same size—thirty cubits long and four cubits wide.

E toru tekau whatianga te roa o te pihi kotahi, e wha hoki nga whatianga te whanui o te pihi kotahi, rite tonu te nui o nga pihi kotahi tekau ma tahi.

16 He joined five of the curtains into one set and the other six into another.

A i honoa e ia nga pihi e rima ki a ratou ano, me nga pihi e ono ki a ratou ano.

17 He made fifty loops along the edge of the end curtain in the first set, and fifty loops along the edge of the corresponding curtain in the second set.

I hanga ano e ia nga koropiko e rima tekau ki te tapa ki waho o te pihi i te hononga, i hanga ano e ia nga koropiko e rima tekau ki te tapa o te pihi e honoa mai ai te rua.

18 He also made fifty bronze clasps to join the tent together as a unit.

I hanga ano e ia nga toromoka parahi e rima tekau, hei hono i te teneti kia kotahi.

19 Additionally, he made for the tent a covering of ram skins dyed red, and over that a covering of fine leather.

I hanga ano hoki e ia etahi hiako hipi he mea whakawhero, hei uhi mo te teneti, me etahi hiako pateri hei uhi mo waho atu.

20 Next, he constructed upright frames of acacia wood for the tabernacle.

I hanga ano hoki e ia etahi papa mo te tapenakara, he hitimi te rakau, he mea tu ki runga.

21 Each frame was ten cubits long and a cubit and a half wide.

Kotahi tekau whatianga te roa o te papa kotahi, kotahi whatianga me te hawhe te whanui o te papa kotahi.

22 Two tenons were connected to each other for each frame. He made all the frames of the tabernacle in this way.

E rua nga arero o te papa kotahi, he mea hono ki a raua: he pera tonu tana i mea ai ki nga papa katoa o te tapenakara.

23 He constructed twenty frames for the south side of the tabernacle,

I hanga ano e ia nga papa mo te tapenakara: e rua tekau nga papa mo te taha ki te tonga whaka te tonga:

24 with forty silver bases to put under the twenty frames—two bases for each frame, one under each tenon.

E wha tekau hoki nga turanga hiriwa i hanga e ia mo nga papa e rua tekau; e rua nga turanga i raro i tetahi papa mo ona arero e rua, e rua hoki nga turanga i raro i tetahi atu papa mo ona arero e rua.

25 For the second side of the tabernacle, the north side, he made twenty frames

A e rua tekau nga papa i hanga e ia mo tera taha o te tapenakara, mo te taha ki te raki.

26 and forty silver bases—two bases under each frame.

Me nga turanga hiriwa e wha tekau; nga turanga e rua mo raro iho i tetahi papa, me nga turanga e rua mo raro i tetahi atu papa.

27 He made six frames for the rear of the tabernacle, the west side,

A mo te tuarongo o te tapenakara whaka te hauauru, e ono nga papa i hanga e ia.

28 and two frames for the two back corners of the tabernacle,

E rua hoki nga papa i hanga e ia mo nga koki o te tapenakara i te tuarongo.

29 coupled together from bottom to top and fitted into a single ring. He made both corners in this way.

A i honoa aua papa i raro, i honoa ano i runga ki te mowhiti kotahi: i peratia e ia aua papa e rua i nga koki e rua.

30 So there were eight frames and sixteen silver bases—two under each frame.

Na ka waru aua papa; me nga turanga hiriwa, kotahi tekau ma ono nga turanga; e rua nga turanga i raro i tetahi papa, i tetahi papa.

31 He also made five crossbars of acacia wood for the frames on one side of the tabernacle,

I hanga ano e ia etahi kaho, he hitimi te rakau: e rima mo nga papa o tetahi taha o te tapenakara,

32 five for those on the other side, and five for those on the rear side of the tabernacle, to the west.

E rima hoki nga kaho mo nga papa o tetahi taha o te tapenakara, a e rima nga kaho mo nga papa o te tapenakara, mo te tuarongo ki te hauauru.

33 He made the central crossbar to run through the center of the frames, from one end to the other.

A ko to waenga kaho i meinga e ia kia rere na waenganui o nga papa i tetahi pito ki tetahi pito.

34 And he overlaid the frames with gold and made gold rings to hold the crossbars. He also overlaid the crossbars with gold.

I whakakikoruatia ano e ia nga papa ki te koura, a ka hanga nga mowhiti o aua papa ki te koura hei kuhunga mo nga kaho; i whakakikoruatia ano e ia nga kaho ki te koura.

35 Next, he made the veil of blue, purple, and scarlet yarn, and finely spun linen, with cherubim skillfully worked into it.

I hanga ano e ia he arai ki te puru, ki te papura, ki te ngangana, ki te rinena miro pai; he tohunga rawa te mahinga o nga kerupima i whatua e ia ki roto.

36 He also made four posts of acacia wood for it and overlaid them with gold, along with gold hooks; and he cast four silver bases for the posts.

I hanga ano e ia ona pou e wha ki te hitimi, a whakakikoruatia iho e ia ki te koura; he koura nga matau: i whakarewaina ano e ia nga turanga hiriwa e wha mo aua mea.

37 For the entrance to the tent, he made a curtain embroidered with blue, purple, and scarlet yarn, and finely spun linen,

I hanga ano he pa mo te whatitoka o te teneti ki te puru, ki te papura, ki te ngangana, ki te rinena miro pai hoki, he mea mahi ki te ngira;

38 together with five posts and their hooks. He overlaid the tops of the posts and their bands with gold, and their five bases were bronze.

Me ona pou e rima, me nga matau a aua pou: a i whakakikoruatia e ia nga pito ki runga o aua pou me nga awhi ki te koura: ko nga turanga e rima ia he parahi.