Exodus 38
1 He made the altar of burnt offering of acacia wood. It was square. Its length was five cubits, its width was five cubits, and its height was three cubits.
Rinanji’e ami’ty mendoraveñe i kitrelim-pisoroñañey: kiho lime ty andava’e; naho kiho lime ty ampohe’e, efa-mira; vaho telo kiho ty haabo’e.
2 He made its horns on its four corners. Its horns were of one piece with it, and he overlaid it with bronze.
Tsinene’e ankotso’e efatse o tsifa’eo; raik’ ama’e i tsifa’e rey, le nipakora’e torisìke.
3 He made all the vessels of the altar: the pots, the shovels, the basins, the forks, and the fire pans. He made all its vessels of bronze.
Tsinene’e iaby ty fana’ i kitreliy: o valàñe’eo naho o sadrò’eo naho o koveta’eo naho o firango’eo vaho o endraendra’eo; hene nanoeñe torisike o fana’eo.
4 He made for the altar a grating of a network of bronze, under the ledge around it beneath, reaching halfway up.
Le nanoa’e tsikarakarake torisìke i kitreliy, mifototse ambane’ i soñi’ey miefetse ami’ty fivaki-mirà’ ty haabo’e.
5 He cast four rings for the four corners of bronze grating, to be places for the poles.
Nampitranaha’e ravake efatse ho an-kotso’e efa’ i tsikarakarake torisìkey hitañe o bao’eo.
6 He made the poles of acacia wood, and overlaid them with bronze.
Le rinanji’e ami’ty mendoraveñe o bao’eo vaho nipakora’e torisìke.
7 He put the poles into the rings on the sides of the altar, with which to carry it. He made it hollow with planks.
Le nazili’e amo ravake añ’ ila’ i kitreliio o bao-pitakonaño. Nanoe’e koake am-barambañe.
8 He made the basin of bronze, and its base of bronze, out of the mirrors of the ministering women who ministered at the door of the Tent of Meeting.
Tsinene’e an-torisìke i fanasàñey naho torisìke i foto’ey, boak’ amo hetsoro natolo’ o rakemba mpitoroñe an-dalan-kibohom-pamantañañeo.
9 He made the court: for the south side southward the hangings of the court were of fine twined linen, one hundred cubits;
Le nihajarie’e ty kiririsa; naradorado’e añ’ ila’e atimo ty lamba leny rinorotse marerarera; zato kiho.
10 their pillars were twenty, and their sockets twenty, of bronze; the hooks of the pillars and their fillets were of silver.
Roapolo ty anakòre’e naho roapolo ty foto’e torisìke. Volafoty ty porengo’ o ana-koreñeo naho o bandi’eo.
11 For the north side one hundred cubits, their pillars twenty, and their sockets twenty, of bronze; the hooks of the pillars, and their fillets, of silver.
Zato kiho ka ty avaratse; ty anakòre’e roapolo naho ty tombo’e torisìke roapolo vaho volafoty ty porengo’ o anakòreñeo naho o bandi’eo.
12 For the west side were hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars, and their fillets, of silver.
Limampolo kiho ty firadoradoañe ahandrefañey; folo ty anakòre’e naho folo ty tombo’e. Volafoty ty porengo’ i anakòre’e rey naho o bandi’eo.
13 For the east side eastward fifty cubits,
Le atiñana miatrek’ atiñanañe: limampolo kiho.
14 the hangings for the one side were fifteen cubits; their pillars three, and their sockets three;
Folo lime-amby kiho ty andava’ ty firadoradoañe etoa, telo ty anakòre’e naho telo ty foto’e.
15 and so for the other side: on this hand and that hand by the gate of the court were hangings of fifteen cubits; their pillars three, and their sockets three.
Añ’ila’ i lalan-kiririsay eroa ty firadoradoañe folo lime amby kiho, etoa naho eroa naho ty anakore’e telo naho tombo’e telo.
16 All the hangings around the court were of fine twined linen.
Sindre aman-deny rinorotse matify o firadoradoan-dambalava nañarikatoke i kiririsaio.
17 The sockets for the pillars were of bronze. The hooks of the pillars and their fillets were of silver. Their capitals were overlaid with silver. All the pillars of the court had silver bands.
An-torisìke ty vave’ o anakòre’eo; volafoty ty porengo’ o anakòreñeo naho o bande’eo, pinakotse volafoty ka o honko’eo; songa amam-bandy volafoty o anakòre’ i kiririsaio.
18 The screen for the gate of the court was the work of the embroiderer, of blue, purple, scarlet, and fine twined linen. Twenty cubits was the length, and the height along the width was five cubits, like the hangings of the court.
Satam-pamahotse i lambalamba fañefetse an-dalambein-kiririsay: am-pole manga naho malòmavo naho mena mañabarà vaho leny rinorotse marerarera; roapolo kiho ty andava’e naho lime kiho ty haabo’e manahake ty am-pohe’ o firadoradoañe an-kiririsao.
19 Their pillars were four, and their sockets four, of bronze; their hooks of silver, and the overlaying of their capitals, and their fillets, of silver.
Efatse ty anakòre’e reketse ty vave’e torisìke efatse; volafoty o porengo’eo, naho nipakorañe volafoty o honko’eo naho o bandi’eo.
20 All the pins of the tabernacle, and around the court, were of bronze.
Songa torisìke ty tsato’ i kivohoy naho i kiririsa mañarikatok’ azey.
21 These are the amounts of materials used for the tabernacle, even the Tabernacle of the Testimony, as they were counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, the son of Aaron the priest.
Intoy ty famolilañe’ i kivohoy, i kivohom-pañinay, amy namantoha’ i Mosèy, nisokire o nte-Levio, ambanem-pità’ Itamare ana’ i Aharone mpisoroñe.
22 Bezalel the son of Uri, the son of Hur, of the tribe of Judah, made all that the LORD commanded Moses.
Namboare’ i Betsalale ana’ i Ory, ana’ i Kore, fifokoa’ Iehodà, ze hene nandilia’ Iehovà amy Mosè hamboareñe.
23 With him was Oholiab, the son of Ahisamach, of the tribe of Dan, an engraver, and a skillful workman, and an embroiderer in blue, in purple, in scarlet, and in fine linen.
Nañolotse aze t’i Oholiabe ana’ i Ahisamake, fifokoa’ i Dane, mpandranjy naho mpanao sare naho mpanenoñe mahay volo: ami’ty manga naho ty malòmavo naho ty fole mena mañabarà vaho ty leny matify.
24 All the gold that was used for the work in all the work of the sanctuary, even the gold of the offering, was twenty-nine talents and seven hundred thirty shekels, according to the shekel of the sanctuary.
Nahatakatse talenta roapolo-sive’ amby naho sekele fitonjato-tsi-telopolo, toe sekele’ i toe-miavakey, ty volamena nitseneñe ze hene raha amy toe-miavakey, amy volamena binanabanay.
25 The silver of those who were counted of the congregation was one hundred talents and one thousand seven hundred seventy-five shekels, according to the shekel of the sanctuary:
Le talenta zato naho sekele arivo-tsi-fitonjato-tsi-fitompolo lime amby, toe sekele’ i toe-miavakey, ty volafoty amo niaheñe amy fivoribeiio;
26 a beka a head, that is, half a shekel, according to the shekel of the sanctuary, for everyone who passed over to those who were counted, from twenty years old and upward, for six hundred three thousand five hundred fifty men.
bèka raike ty vili-loha’ (toe vakin-tsekele’ i toe-miavakey raike), ze hene ondaty nitsake mb’amo niaheñeo amo niroapolo taoñe mañamboneo, aa le enen-ketse-tsi-telo-arivo-tsi-limanjato-tsi-limampolo.
27 The one hundred talents of silver were for casting the sockets of the sanctuary and the sockets of the veil: one hundred sockets for the one hundred talents, one talent per socket.
Volafoty zato talenta ty natranake ho a o vave’ i toe-miavakeio naho o vave’ i lamba fañefetse reio: talenta zato ty vave’e zato, talenta raike ty vave’e raike.
28 From the one thousand seven hundred seventy-five shekels he made hooks for the pillars, overlaid their capitals, and made fillets for them.
Le amy sekele arivo-tsi-fiton-jato-tsi-fitompolo lime amby rey ty nitsenea’e ty porengo’ o anakòreñeo naho nipakora’e o honko’eo vaho nanoe’e o bandi’eo.
29 The bronze of the offering was seventy talents and two thousand four hundred shekels.
Fitompolo talenta naho ro-arivo-tsi-efajato sekele ty torisìke nengaeñe;
30 With this he made the sockets to the door of the Tent of Meeting, the bronze altar, the bronze grating for it, all the vessels of the altar,
ama’e ty nitsenea’e o vave’ i lalan-kibohom-pamantañañeio, i kitrely torisìkey, i tsikarakara’e torisìkey naho o fana’ i kitreliy iabio,
31 the sockets around the court, the sockets of the gate of the court, all the pins of the tabernacle, and all the pins around the court.
naho ty vave’ i kiririsa miarikatokey, o foto’ i lalambein-kiririsaio, ze hene tsato’ i kivohoy vaho ze fonga tsatoke amy kiririsa miarifehe azey.
