Wuok 38
1 Negigero kendo mar misango miwangʼo pep gi yiend siala ka borne madhi malo romo fut angʼwen gi nus; to lachne kod borne romo fut abiriyo gi nus maromre.
Bezalel constructed the altar of burnt offering from acacia wood. It was square, five cubits long, five cubits wide, and three cubits high.
2 Negiloso tungʼ e konde angʼwen mag kendono, mondo omi tungego kod kendo mar misango obed gimoro achiel, kendo ne gimuono kendo mar misangono gi mula.
He made a horn at each of its four corners, so that the horns and altar were of one piece, and he overlaid the altar with bronze.
3 Gik moko duto mitiyogo e kendo mar misango nolos gi mula. Gigo ne gin agulni, opawo, bakunde mikirogo remo, gi uma michiwogo ringʼo kod tegni mag mach.
He made all the altar’s utensils of bronze—its pots, shovels, sprinkling bowls, meat forks, and firepans.
4 Negiloso singʼenge ne kendo mar misango gi mula mondo oketi e bwoye nyaka chopi e kore gi yo ka malo
He made a grate of bronze mesh for the altar under its ledge, halfway up from the bottom.
5 Negiloso chuma molworore mag mula mondo omak ludhe ma itingʼego e kondene angʼwen-go.
At the four corners of the bronze grate he cast four rings as holders for the poles.
6 Negiloso ludhego gi yiend siala mi gibawe gi mula
And he made the poles of acacia wood and overlaid them with bronze.
7 Negirwako ludhego ei nyangeyego mondo gibedi e bath kendo mar misangono kitingʼego, bende ne gitucho bugo e chunye mondo owe iye thuolo ka gitiyo gi bao mayom.
Then he inserted the poles into the rings on the sides of the altar for carrying it. He made the altar with boards so that it was hollow.
8 Negiloso karaya mar mula gi rachungi miketoe karayano mag mula ka gitiyo gi kiyo mag mon mane tiyo e dho Hemb Romo.
Next he made the bronze basin and its stand from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Bangʼe negiloso laru. Yo milambo mar laruno borne ne romo fut mia achiel gi piero abich gachiel kendo ne en gi pasia momin molos gi law mayom,
Then he constructed the courtyard. The south side of the courtyard was a hundred cubits long and had curtains of finely spun linen,
10 pasiani nolierie sirni piero ariyo gi rachungi piero ariyo mag mula, kod ramaki mag fedha kod rangʼaw miriwogo sirnigo.
with twenty posts and twenty bronze bases, and with silver hooks and bands on the posts.
11 Koma odok yo nyandwat mar laruno nobed maromo fut mia achiel piero abich gachiel kendo nobed gi sirni piero ariyo gi rachungi piero ariyo mag mula man-gi ramaki kod rangʼaw miriwogo kor sirni molos gi fedha.
The north side was also a hundred cubits long, with twenty posts and twenty bronze bases. The hooks and bands of the posts were silver.
12 Kochomo yo podho chiengʼ mar laruno lachne ne romo fut piero ochiko gaboro kendo ne en gi pasia mongʼaw e sirni apar morwakie rachungi apar kaachiel gi ramaki molos gi fedha kod rangʼaw miriwogo sirnigo.
The west side was fifty cubits long and had curtains, with ten posts and ten bases. The hooks and bands of the posts were silver.
13 Kochomo yo wuok chiengʼ mar laruno bende lachne ne romo fut piero abiriyo gabich.
And the east side, toward the sunrise, was also fifty cubits long.
14 Pasia ma borgi romo fut piero ariyo gadek ne nitie e bath rangach konchiel ka pasiago ongʼaw ewi sirni adek man-gi rachungi adek,
The curtains on one side of the entrance were fifteen cubits long, with three posts and three bases.
15 kendo pasia mamoko ma borgi romo fut piero ariyo gadek ne nitie e bath rangach komachielo kongʼawgi e sirni adek man-gi rachungi adek.
And the curtains on the other side were also fifteen cubits long, with three posts and three bases as well.
16 Pasiago duto molworo laruno molos gi law mayom momin.
All the curtains around the courtyard were made of finely spun linen.
17 Rachungi mag sirnigo nolos gi mula. Ramaki gi rangʼaw mag sirnigo nolos gi fedha, kendo nobaw wi sirnigo gi fedha; rangʼaw mag sirnigo duto mag laru nolos gi fedha.
The bases for the posts were bronze, the hooks and bands were silver, and the plating for the tops of the posts was silver. So all the posts of the courtyard were banded with silver.
18 Pasia duto mag dhorangach nolos gi law mayom momin marambulu gi maralik kod makwar molos gi jatwengʼo molony. Borne ne romo fut piero adek kendo kaka pasia mag laru borne ne romo fut aboro,
The curtain for the entrance to the courtyard was embroidered with blue, purple, and scarlet yarn, and finely spun linen. It was twenty cubits long and, like the curtains of the courtyard, five cubits high,
19 gi sirni angʼwen kod rachungi mag mula angʼwen. Ramekigi gi rangʼawgi nolos gi fedha.
with four posts and four bronze bases. Their hooks were silver, as well as the bands and the plating of their tops.
20 Loye duto mag Hemb Romo kod loye mag alwora mar laru nolos gi mula.
All the tent pegs for the tabernacle and for the surrounding courtyard were bronze.
21 Magi e kar romb gik moko duto mane otigo kigero Hemb Romo, ma en Hema mar singruok kaka nokwan-gi gi chik mane Musa ogolo ne jo-Lawi kotelnegi gi Ithamar wuod Harun jadolo.
This is the inventory for the tabernacle, the tabernacle of the Testimony, as recorded at Moses’ command by the Levites under the direction of Ithamar son of Aaron the priest.
22 (Bezalel wuod Uri ma wuod Hur ja-dhood Juda noloso gik moko duto kaka Jehova Nyasaye nochiko Musa;
Bezalel son of Uri, the son of Hur, of the tribe of Judah, made everything that the LORD had commanded Moses.
23 ne en gi Oholiab wuod Ahisamak ma ja-dhood Dan ma jatich lwedo kendo jagoro kendo jatwangʼ lewni marambulu gi maralik kod marakwaro.)
With him was Oholiab son of Ahisamach, of the tribe of Dan, an engraver, designer, and embroiderer in blue, purple, and scarlet yarn and fine linen.
24 Kar dhahabu duto mane okel kawuok e misango mifwayo mane otigo e tich duto mar kama ler mar lemo ne romo kilo alufu achiel kaluwore gi rapim mar kama ler mar lemo.
All the gold from the wave offering used for the work on the sanctuary totaled 29 talents and 730 shekels, according to the sanctuary shekel.
25 Fedha mane oyudi koa kuom oganda duto mane okwan e kweno maduongʼ ne romo kilo alufu adek mia angʼwen kaluwore gi rapim mar kama ler mar lemo,
The silver from those numbered among the congregation totaled 100 talents and 1,775 shekels, according to the sanctuary shekel—
26 fedhago ema nochok kane ngʼato ka ngʼato mane okwan ogolo nus shekel kaluwore gi rapim mar kama ler mar lemo nimar kar romb joma nokwan machwo mahikgi oromo piero ariyo kadhi nyime ne gin ji alufu mia auchiel gadek mia abich gi piero abich.
a beka per person, that is, half a shekel, according to the sanctuary shekel, from everyone twenty years of age or older who had crossed over to be numbered, a total of 603,550 men.
27 Fedha maromo kilo alufu adek mia angʼwen-go notigo kuom loso rachungi mag kama ler mar lemo kod mag pasia, ka rachungi ka rachungi kawo kilo piero adek gangʼwen.
The hundred talents of silver were used to cast the bases of the sanctuary and the bases of the veil—100 bases from the 100 talents, one talent per base.
28 To kilo piero ariyo negitiyogo kuom loso ramaki mag sirni kendo bawo wi sirnigo kod loso rangʼepegi.
With the 1,775 shekels of silver he made the hooks for the posts, overlaid their tops, and supplied bands for them.
29 Mula mane oyudi e misango mifwayo ne romo kilo alufu ariyo mia angʼwen.
The bronze from the wave offering totaled 70 talents and 2,400 shekels.
30 Negitiyo kode kuom loso rachungi mag dho Hemb Romo gi kendo mar misango mar mula gi singʼengene gi gik moko duto mitiyogo e kendono,
He used it to make the bases for the entrance to the Tent of Meeting, the bronze altar and its bronze grating, all the utensils for the altar,
31 kaachiel rachungi mag laru kod mag dhorangach kod sigingigi mag Hemb Romo kod laru molwore.
the bases for the surrounding courtyard and its gate, and all the tent pegs for the tabernacle and its surrounding courtyard.
