1 Ruodhi 7
1 To Solomon nokawo higni apar gadek mondo otiek gero ode.
Solomon took thirteen years to build his own palace.
2 Nogero ode gi Bungu mar Lebanon ma borne romo fut mia achiel gi piero abich gachiel to lachne romo fut piero abiriyo gabich gi nus kendo borne madhi malo romo fut piero angʼwen gangʼwen. Nogure ewi laini angʼwen mag sirni mag sida moriwie bape mag sida.
He built the Palace of the Forest of Lebanon. Its length was one hundred cubits, its width was fifty cubits, and its height was thirty cubits. The palace was built with four rows of cedar pillars with cedar beams on the pillars.
3 Noumo wiye gi bap sida mokadho e sirni piero angʼwen gabich, e laini ka laini apar gabich.
The house was roofed with cedar that rested on beams. Those beams were supported by pillars. There were forty-five beams, fifteen in a row.
4 Dirise noketi adek adek modhi malo momanyore moro gi moro.
There were beams in three rows, and each window was opposite another window in three sets.
5 Sirni mag dhoudi ma bethene ariyo momanyore romre; noketi adek adek nyime ka gimanyore.
All the doors and posts were made square with beams, and window was opposite window in three sets.
6 Bende nogero od sirni ma borne romo fut piero aboro gariyo to lachne romo fut piero angʼwen gochiko. Ne en gi agola man-gi sirni e nyime.
There was a colonnade fifty cubits long and thirty cubits wide, with a portico in front and pillars and a roof.
7 Nogero od kom duongʼ, Od ngʼado Bura kama ne ongʼadoe bura kendo noume gi sida koa piny nyaka e tado.
Solomon built the hall of the throne where he was to judge, the hall of justice. It was covered with cedar from floor to floor.
8 Bende od ruoth mane obiro dakie nogero e laru machielo e tok od bura to nogere mana machal gi od bura, Solomon bende noloso od dak machal kamano ni nyar Farao mane okendo.
Solomon's house in which he was to live, in another courtyard within the palace grounds, was similarly designed. He also built a house like this for Pharaoh's daughter, whom he had taken as a wife.
9 Udigo duto chakre oko nyaka laru maduongʼ kendo chakre mise nyaka yiendambewa noger gi kite ma nengogi tek mopa iye gi oko kendo nongʼadgi mowinjore kaka idwaro.
These buildings were adorned with costly hewn stones, precisely measured and cut with a saw and smoothed on all sides. These stones were used from the foundation to the stones on top, and also on the outside to the great court.
10 Mise ne oger gi kite madongo kendo ma nengogi tek maromo fut apar gabich kod fut apar gachiel gi nus.
The foundation was constructed with very large, costly stones of eight and ten cubits in length.
11 To e wiye malo nokete kite ma nengogi tek mopa kaka owinjore kendo noriwie bape sida.
Above were costly hewn stones precisely cut to size, and cedar beams.
12 Laru maduongʼ noluor gi ohinga mar kite mopa ma lachne en kite adek gi laini achiel mar bap sida mobar machal mana gi laru maiye mar hekalu mar Jehova Nyasaye gi agolane.
The great courtyard surrounding the palace had three rows of cut stone and a row of cedar beams like the courtyard of the temple of Yahweh and the temple portico.
13 Ruoth Solomon nooro jaote Turo ma oomo Huram,
King Solomon sent for Huram and brought him from Tyre.
14 ma min-gi ne en dhako ma chwore otho, nyar dhood Naftali kendo wuon-gi ne ja-Turo kendo ngʼat molony e loso mula. Huram ne en ngʼat mariek, ngʼat man-gi ngʼeyo kendo molony ahinya e kit tije duto mag mula. Nobiro ir ruoth Solomon motimo tije duto mane omiye.
Huram was the son of a widow of the tribe of Naphtali; his father was a man of Tyre, a craftsman in bronze. Huram was filled with wisdom and understanding and skill to do great work with bronze. He came to King Solomon to work with bronze for the king.
15 Noloso sirni madongo ariyo mag mula moro ka moro borne madhi malo romo fut piero ariyo gauchiel to alworane romo fut apar gauchiel.
Huram fashioned the two pillars of bronze, each eighteen cubits high and twelve cubits in circumference.
16 Bende noloso gik moko ariyo machalo agulni mag mula mondo oketi ewi sirni. Bor mar moro ka moro ne romo fut apar gauchiel.
He made two capitals of polished bronze to set on the tops of the pillars. The height of each capital was five cubits.
17 Bende noloso thiwni mogaji mane omako gik machalo agulnigo ewi sirnigo, thiwnigo noketi abiriyo abiriyo ewi gik machalo agulnigo.
Checker latticework and wreaths of chain work for the capitals decorated the top of the pillars, seven for each capital.
18 Noloso gik mongʼinore e laini ariyo molworo thiwnigo mongʼawogi kuom gik machalo agulni manie ewi siro. Notimo mano ewi moro ka moro.
So Huram made two rows of pomegranates around the top of each pillar to decorate their capitals.
19 To gik machalo agulni mane ni ewi sirni mag agola nolosi e kido mag ondanyo ka borgi romo fut auchiel gi nus.
The capitals on the tops of the portico pillars were decorated with lilies, four cubits high.
20 Ewi gik machalo agulni manie wi sirni ariyogo, ewi kama olosi ka tawo but thiwni, noketie gik mongʼinore mia ariyo e laini molwore.
The capitals on these two pillars also included, close to their very top, two hundred pomegranates in rows all around.
21 Nochungo sirnigo e agola mar hekalu. Siro ma yo milambo nomiyo nying ni Jakin (tiende ni osegurore), to siro ma yo nyandwat nomiyo nying ni Boaz (tiende ni teko nitie kuome).
He raised up the pillars at the temple portico. The pillar on the right was named Jakin, and the pillar on the left was named Boaz.
22 Gik machalo agulni mane ni e wiye nolosi kaka ondanyo. Kamano tich sirnigo norumo.
On the top of the pillars were decorations like lilies. The fashioning of the pillars was done in this way.
23 Eka noloso Nam mar mula moleny, molworore kaka karaya, ma lachne romo fut apar gabich to tutne romo fut aboro. Alworane duto ne romo fut piero angʼwen gangʼwen.
Huram made the round sea of cast metal, ten cubits from brim to brim. Its height was five cubits, and the sea was thirty cubits in circumference.
24 E bwo dhoge nolwore gi pugni ma kindgi romo fut achiel gi nus, pugni nochan e laini ariyo ka gimakore gi Namno.
Under the brim encircling the sea were gourds, ten in each cubit, cast in one piece with “The Sea,” when that basin was cast.
25 Karaya mar Namno norenji e ngʼe rwedhi apar gariyo, ka adek ngʼiyo yo nyandwat, to adek ngʼiyo yo podho chiengʼ, to adek ngʼiyo yo milambo bende adek ngʼiyo yo wuok chiengʼ. Karaya mar Namno noyiere kuomgi kendo tiendegi machien nochomo ka iye.
“The Sea” stood on twelve oxen, three looking toward the north, three looking toward the west, three looking toward the south, and three looking toward the east. “The Sea” was set on top of them, and all their hindquarters were toward the inside.
26 Lachne ne romo bat achiel morie to dhoge ne chalo gi dho kikombe, mana ka ondanyo mathiewo. Notingʼo pi manyalo romo lita alufu adek.
The sea was as thick as the width of a hand, and its brim was forged like the brim of a cup, like a lily blossom. The sea held two thousand baths of water.
27 Bende noloso rachungi apar mag mula minyalo dhir; ka moro ka moro romo fut auchiel gi nus e bor madhi malo to lachne to romo fut abich.
Huram made the ten stands of bronze. Each stand was four cubits long and four cubits wide, and the height was three cubits.
28 Ma e kaka rachungigo nolosi: Nosirgi gi bao koa piny nyaka malo.
The work of the stands was like this. They had panels that stood between frames,
29 E bethe bepe mosirogigo ne nitie kido mar sibuoche, kido mar rwedhi kod kido mar kerubi kendo ewi sirnigo bende. E wigi malo kendo e bwo sibuoche gi rwedhigo ne nitie gik machalo maua mothedhi.
and on the panels and on the frames were lions, oxen, and cherubim. Above and below the lions and oxen were wreaths of hammered work.
30 Rachungi ka rachungi ne nigi tiende angʼwen mag mula, man kod chumbe mag mula molworore kendo moro ka moro ewi rachungi angʼwen-go nokete karaya molosi e kido mar maua koni gi kocha.
Every stand had four bronze wheels and axles, and its four corners had supports beneath for the basin. The supports were cast with wreaths on the side of each one.
31 Yo ka iye mag rachungigo ne nitie hoho molworore ma tutne nyalo romo fut achiel gi nus. Hohoni nolwore, kendo bwoye ne oloyo fut achiel gi nus matin. To alwora mar dhoge nolosie kido. Bepe momako sirnigo ne ok olworore to ne gin Skweya.
The opening was round like a pedestal, a cubit and a half wide, and was within a crown that rose up a cubit. On the opening were engravings, and their panels were square, not round.
32 Tiende angʼwen-go ne nitie e bwo bepego kendo kama tielogo ne lworore notudi e rachungi.
The four wheels were underneath the panels, and the axles of the wheels and their housings were in the stand. The height of a wheel was a cubit and a half.
33 Tiendego nolos kaka tiende gach faras; chumbe ma tiende lworore, tiende molworore, weche momake kod dag waya nolos gi mula moleny.
The wheels were forged like chariot wheels. Their housings, rims, spokes, and hubs were all cast metal.
34 Rachungi ka rachungi ne nigi ramaki angʼwen e kona ka kona molos koa e rachungi.
There were four handles at the four corners of each stand, forged into the stand itself.
35 Ewi rachungino ne nitie gima olworore, ma tutne ne ok oromo kata mana nus fut. Rachungi gi bepe nomako siro koago malo.
In the top of the stands there was a round band half a cubit deep, and on the top of the stand its supports and panels were attached.
36 Noketo kido mar kerubi gi sibuor kod yiend othidhe e bethe rachungi kod bepe kamoro amora mane ni thuolo, gi kido mar maua e alworane duto.
On the surfaces of the supports and on the panels Huram engraved cherubim, lions, and palm trees that covered the space available, and they were surrounded by wreaths.
37 Ma e kaka noloso rachungi apargo. Giduto nolenygi machalre e gimoro achiel bende ne gichalre e romgi kod losogi.
He made the ten stands in this manner. All of them were cast in the same molds, and they had one size, and the same shape.
38 Eka noloso kareche mag mula apar ka moro ka moro tingʼo pi maromo lita mia aboro gi piero aboro, kendo ma lachne nyalo romo fut auchiel gi nus, ka karaya ka karaya noketo ewi rachungi apargo moro ka moro.
Huram made ten basins of bronze. One basin could hold forty baths of water. Each basin was four cubits across and there was one basin on each of ten stands.
39 Noketo rachungi abich yo milambo mar hekalu kendo abich noketo yo nyandwat. Noketo Nam yo milambo, e kona ma yo milambo mar wuok chiengʼ mar hekalu.
He made five stands on the south-facing side of the temple and five on the north-facing side of the temple. He set “The Sea” on the east corner, facing toward the south of the temple.
40 Bende noloso agulni gi opewni kod tewni mag kiro remo. Kamano Huram notieko tich duto mane otimo ne ruoth Solomon e hekalu mar Jehova Nyasaye:
Huram made the basins and the shovels and the sprinkling bowls. Then he finished all the work that he did for King Solomon in the temple of Yahweh:
41 Sirni ariyo, agulni ariyo machalo tawo moketi ewi sirni; thiwni ariyo mane okedgo gik machalo agulni ariyo machalo tawo moketi ewi sirni;
the two pillars, and the bowl-like capitals that were on top of the two pillars, and the two sets of decorative latticework to cover the two bowl like capitals that were on top of the pillars.
42 gik mongʼinore mia angʼwen mag thiwni laini ariyo, moluwore (laini ariyo mag thiwni oketi e laini ariyo mag gik mongʼinore mane okedgo gik machalo agulni molos kaka tawo ewi sirni);
He made the four hundred pomegranates for the two sets of decorative latticework (two rows of pomegranates for each set of latticework to cover the two bowl-like capitals that were on the pillars);
43 rachungi apargo kod karechegi apar;
the ten stands, and the ten basins on the stands.
44 Karaya mar Nam gi rwedhi apar gariyo manie e bwoye;
He made the large basin called “The Sea” with its twelve oxen under it;
45 Agulni gi opewni kod tewni mag kiro remo. Gigi duto mane Huram oloso ni ruoth Solomon ni hekalu mar Jehova Nyasaye nolos gi mula moleny.
also the pots, shovels, basins, and all the other implements. Huram made them out of polished bronze, for King Solomon, for the temple of Yahweh.
46 Ruoth nomiyo giwangʼo lowo mane gisechweyo e paw Jordan man e kind Sukoth gi Zarethan.
The king had cast them in the plain of the Jordan, in the clay ground between Succoth and Zarethan.
47 Solomon noweyo gigi duto ma ok opimo nikech negingʼeny ahinya, pek mar mulano ne ok ongʼere.
Solomon did not weigh all the utensils because there were too many to weigh, because the weight of the bronze could not be measured.
48 Kendo Solomon noloso gik mitiyogo manie ei hekalu mar Jehova Nyasaye: Kendo mar misango mar dhahabu; mesa mar dhahabu nikete makati e nyim Ruoth;
Solomon had made all the furnishings that were in the temple of Yahweh out of gold: the golden altar and the table on which the bread of the presence was to be placed;
49 rachungi teyni molos gi dhahabu mopwodhi (abich korachwich kendo abich koracham e nyim kama ler mar lemo); maupe molosi mag dhahabu gi teyni gi ramaki;
the lampstands, five on the right side and five on the left, in front of the inner room, were of pure gold, and the flowers, the lamps, and the tongs were of gold.
50 gi karache mag dhahabu mopwodhi, gi makas mingʼadogo otambi, tewni mag kiro remo, dise, gi tawo mar ubani; gi dhoudi molos gi dhahabu mag udi mar ot maiye gi Kama Ler Moloyo, kaachiel gi dhoudi mar laru mar hekalu.
Solomon also had made the cups, lamp trimmers, basins, spoons, and incense burners, all of which were made of pure gold; he had sockets of gold made for the doors of the inner room (which was the most holy place), and for the doors of the main hall of the temple.
51 Ka tije duto mane ruoth Solomon osetimo e hekalu mar Jehova Nyasaye noserumo, nokelo gik mane Daudi wuon-gi osewalo kaka fedha gi dhahabu kod gik mitimogo lemo kendo noketogi e od keno mar hekalu Jehova Nyasaye.
In this way, all the work that King Solomon directed for the house of Yahweh was finished. So Solomon brought in the things that were set apart by David, his father, and the silver, the gold, and the furnishings, and put them into the storerooms of the house of Yahweh.
