Sunglatnah 38
1 Rhining thing te hmueihhlutnah hmueihtuk, a yun dong nga neh a daang dong nga ah hniboeng la om tih a sang te dong thum la a saii.
Bezalel made the altar burnt offering from acacia wood. It was square and measured five cubits long by five cubits wide by three cubits high.
2 A kil pali ah a ki a saii pah tih a ki aka om rhoek te rhohum a ben thil.
He made horns for each of its corners, all one piece with the altar, and covered the whole altar with bronze.
3 Te phoeiah hmueihtuk dongkah hnopai cungkuem, am neh hmaisoh khaw, baelcak ciksum neh baelphaih khaw a saii. A hnopai boeih te rhohum ni a. saii.
He made all its utensils: buckets for removing ashes, shovels, sprinkling bowls, meat forks, and firepans. He made all its utensils of bronze.
4 Hmueihtuk ham a loengboeng hmui lamloh a kong hmui hil rhohum vairhuek dongkah bibi bangla pahak a saii.
He made a bronze mesh grate for the altar and placed it under the ledge of the altar, so that the mesh came halfway down the altar.
5 Thingpang rholhnah ham rhohum pahak kah a hmuicue pali ah kutcaeng pali a hlawn.
He cast four bronze rings for the four corners of the grate as holders for the poles.
6 Rhining thing te thingpang la a suih tih rhohum a ben thil.
He made poles of acacia wood for the altar and covered them with bronze.
7 Te aka kawt ham te hmueihtuk vae kah kutcaeng khuiah thingpang a rholh tih hmueihtuk te thingphael aka khui rhoi neh a khop.
He put the poles through the rings on either side of the altar so it could be carried. He made the altar hollow, using boards.
8 Aka thotat nu kah mangthuinah lamloh rhohum baeldung neh rhohum kho khaw a saii. Amih te tingtunnah dap thohka ah thotat uh.
He made the bronze basin with its stand with bronze from the mirrors of the women who served at the entrance to the Tent of Meeting.
9 Tuithim ben kah ah vongtung a saii tih, vongtung imbang te hnitang dong yakhat a tah thil.
Then he made a courtyard. For the south side of the courtyard he made curtains of finely-spun linen, a hundred cubits long on one side,
10 A tung pakul neh a buenhol pakul te rhohum tih tung dongkah voei neh a yaeltlang tah cak a saii.
with twenty posts and twenty bronze stands, with silver hooks and bands on the posts.
11 Tlangpuei saa kah dong yakhat ham khaw tung pakul neh a buenhol pakul te rhohum tih, tung dongkah voei neh a yaeltlang tah cak a saii.
Similarly he made curtains placed on the north side in an identical arrangement.
12 Khotlak ben kah imbang khaw dong sawmnga lo. A tung parha neh a buenhol parha lo. Tung dongkah voei neh a yaeltlang te cak a ben.
He made curtains for the west side of the courtyard fifty cubits wide, with ten posts and ten stands.
13 Khothoeng ben ah khaw dong sawmnga lo.
The east side of the courtyard that faces the sunrise was fifty cubits wide.
14 A kaep kah imbang te dong hlai nga lo. A tung pathum neh a buenhol pathum om.
He made the curtains on one side fifteen cubits long, with three posts and three stands,
15 A Vongup vongka hlaep kah imbang pabae te he ben ah khaw ke ben ah khaw dong hlai nga lo. A tung pathum neh a buenhol khaw pathum om.
and the curtains on the other side just the same.
16 Vongup kaepvai kah imbang boeih te hnitang a tah thil.
All the curtains around the courtyard were of finely-woven linen.
17 Te vaengah tung dongkah buenhol tah rhohum tih tung dongkah voei neh a yaeltlang tah cak neh a saii. Te dongah vongup kah tung boeih te a soi kah cak ben phoeiah cak neh a cen uh.
The stands for the posts were bronze, the hooks and bands were silver, and the tops of the posts were covered with silver. All the posts around the courtyard had silver bands.
18 Vongup vongka kah himbaiyan khaw kutci neh a thim, daidi, hlampai a lingdik la a en tih hnitang la a tah. Te vaengah vongup kah imbang voeivang kah bangla a yun dong kul neh a daang a sang tah dong nga lo.
The curtain for the entrance to the courtyard was embroidered with blue, purple, and crimson thread, and finely-spun linen. It was twenty cubits long by five cubits high, the same height as the courtyard curtains.
19 A tung pali neh a buenhol pali tah rhohum a saii. A voei tah cak tih a soi neh a yaeltlang khaw cak ben la om.
It was held up by four posts and four stands. The posts had silver hooks, tops, and bands.
20 Dungtlungim ham neh a kaepvai vongtung ham khaw rhohum hlingcong boeih a saii.
All the tent pegs for the Tabernacle and for the surrounding courtyard were made of bronze.
21 He dungtlungim la a hlum he khosoih Aaron koca Ithamar kut dongkah Levi thohtatnah, Moses ol bangla olphong kah dungtlungim la a soep.
The following is what was used for the Tabernacle, the Tabernacle of the Testimony, recorded at Moses' direction by the Levites under the supervision of Ithamar, son of Aaron the priest.
22 Te vaengah BOEIPA loh Moses a uen vabangla Judah koca lamkah Hur capa Uri kah a ca Bezalel loh a cungkuem te a saii.
Bezalel, son of Uri, son of Hur, from the tribe of Judah, made everything that the Lord had ordered Moses to make.
23 Tedae a taengah moehnah neh a thim la, daidi la, hlampai a lingdik neh hnitang la aka en kutthai, Dan koca lamkah Ahisamak capa Oholiab khaw om.
He was assisted by Oholiab, son of Ahisamach, from the tribe of Dan, an engraver, designer, and embroiderer using blue, purple, and crimson thread and finely-woven linen.
24 Hmuencim bitat cungkuem dongah sui khaw bitat la boeih a saii. Te vaengah thueng hmueih dongkah sui mah hmuencim kah shekel ah talent pakul pako phoeiah shekel ya rhih sawmthum om coeng.
The total amount of gold from the offering that was used for the work on the sanctuary was 29 talents and 730 shekels, (using the sanctuary shekel standard).
25 Rhaengpuei kah a soep cak he khaw talent yakhat neh hmuencim kah shekel ah shekel thawngkhat ya rhih sawmrhih panga lo.
The total amount of silver from those who had been counted in the census was 100 talents and 1,775 shekels (using the sanctuary shekel standard).
26 Hlangmi pakhat dongah beka pakhat, hmuencim shekel ah shekel rhakthuem a paek. Soep hamla aka kat boeih te kum kul ca lamloh a so hang te thawng ya rhuk thawng thum neh ya nga sawmnga lo.
This represents a beka per person, or half a shekel, (using the sanctuary shekel standard) from everyone twenty years of age or older who had been censused, a total of 603,550 men.
27 Te vaengah hmuencim buenhol neh hniyan buenhol la a hlawn ham cak te talent yakhat lo coeng. Buenhol pakhat dongah talent khat van tih talent yakhat lamloh buenhol yakhat rhoeh.
The hundred talents of silver were used to cast the sanctuary stands and the curtain stands, 100 bases from the 100 talents, or one talent per base.
28 Te dongah thawngkhat ya rhih neh sawmrhih panga te tung dongkah voei la a saii. Te phoeiah a soi ah a ben tih a cen.
Bezalel used the 1,775 shekels of silver to make the hooks for the posts, cover their tops, and make bands for them.
29 Te phoeiah thueng hmueih rhohum talent sawmrhih neh shekel thawng nit ya li lo.
The total amount of bronze from the offering was 70 talents and 2,400 shekels.
30 Te nen te tingtunnah dap thohka kah buenhol neh rhohum dapim hmueihtuk khaw, rhohum pahak khaw hmueihtuk kah hnopai cungkuem khaw,
Bezalel used it to make the stands for the entrance to the Tent of Meeting, the bronze altar and its bronze grate, all the utensils for the altar,
31 vongtung phai kah buenhol khaw, vongtung vongka kah buenhol khaw, dungtlungim kah hlingcong boeih neh, vongtung phai kah hlingcong boeih a saii.
the stands for the courtyard and its entrance, and all the tent pegs for the Tabernacle and the courtyard.
