Gadili Asi 36
1 Mousese da eno amane sia: i, “Bisa: liele, Ouhoulia: be amola hawa: hamosu dunu eno amoga Hina Gode da bagade dawa: su amola liligi huluane Ea Hadigi Malei Sesei gagumusa: amo hamomusa: E da ilima defele i, amo dunu da Hina Gode Ea hamoma: ne sia: i defele hamoma: ne, Gode da sia: sa.”
“So Bezalel, Oholiab, and every skilled person are to carry out everything commanded by the LORD, who has given them skill and ability to know how to perform all the work of constructing the sanctuary.”
2 Mousese da Bisa: liele, Ouhoulia: be amola noga: i hawa: hamosu dunu eno amo da Hina Gode Ea gasa iasu lai amola Gode Ea hawa: hamosu hamomu hanai galu, amo dunu misa: ne wei. Mousese da ilima hawa: muni hamoma: ne sia: i.
Then Moses summoned Bezalel, Oholiab, and every skilled person whom the LORD had gifted—everyone whose heart stirred him to come and do the work.
3 Ilia da Mousese ea loboga amo hahawane udigili iasu liligi Isala: ili dunu da Abula Diasu gaguma: ne gaguli misi, amo lai dagoi. Be hahabe huluane, Isala: ili dunu da mae yolesili, hahawane udigili iasu liligi Mousesema gaguli masu.
They received from Moses all the contributions that the Israelites had brought to carry out the service of constructing the sanctuary. Meanwhile, the people continued to bring freewill offerings morning after morning,
4 Amalalu, bagade dawa: su hawa: hamosu dunu da Mousesema asili,
so that all the skilled craftsmen who were doing all the work on the sanctuary left their work
5 ema amane sia: i, “Isala: ili dunu ilia gaguli manebe da Hina Gode Ea liligi hamomusa: sia: i amo baligisa.”
and said to Moses, “The people are bringing more than enough for doing the work the LORD has commanded us to do.”
6 Amalalu, Mousese da Isala: ili abula diasu gilisisu amoga sia: adole iasi amane, “Hina Gode Ea Abula Diasu gaguma: ne, eno liligi mae ima. Defele gala!” Amalalu, Isala: ili dunu da eno hahawane udigili iasu hame gaguli misi.
After Moses had given an order, they sent a proclamation throughout the camp: “No man or woman should make anything else as an offering for the sanctuary.” So the people were restrained from bringing more,
7 Ilia gaguli misi dagoi da amo hawa: hamosu dagomusa: defele ba: i amola baligimu ba: i.
since what they already had was more than enough to perform all the work.
8 Baligili bagade dawa: su hawa: hamosu dunu da Hina Gode Ea Abula Diasu gagui. Ilia da abula noga: i nabuane gala amo da: iya sibi hinabo gobiaha: i mola: ya: i, oga: iyei amola yoi amoga ‘sielabe’ agoane amo abula dedene amuni amo lale hamoi.
All the skilled craftsmen among the workmen made the ten curtains for the tabernacle. They were made of finely spun linen, as well as blue, purple, and scarlet yarn, with cherubim skillfully worked into them.
9 Amo abula nabuane gala ea defei da mida fagoyale gala amola la: di da mida ageyaduyale gala amo defele ba: i.
Each curtain was twenty-eight cubits long and four cubits wide; all the curtains were the same size.
10 Ilia da abula biyale gala amo disimusa: nodomei. Amola eno biyale gala amo defele hamoi.
And he joined five of the curtains together, and the other five he joined as well.
11 Ilia da abula mola: ya: i amoga gasisalasu agoane hamoi. Amo gasisalasu, ilia da abula afae hamoi amo ea gadili fe amoga nodomei. Amola abula eno defele hamoi.
He made loops of blue material on the edge of the end curtain in the first set, and also on the end curtain in the second set.
12 Ilia da abula afae gilisi amoga gasisalasu 50 agoane nodomei. Amola abula gilisi enoga gasisalasu 50 eno No1abula defele amoga nodomei.
He made fifty loops on one curtain and fifty loops on the end curtain of the second set, so that the loops lined up opposite one another.
13 Ilia da ma: go 50 amo abula gilisi aduna madelagima: ne amo gouliga hamoi.
He also made fifty gold clasps to join the curtains together, so that the tabernacle was a unit.
14 Amalalu, ilia da Abula Diasu dabua gadili dedebomusa: , abula gidayale gala amo goudi hinabo amoga hamoi.
He then made curtains of goat hair for the tent over the tabernacle—eleven curtains in all.
15 Ilia da amo abula gidayale gala afae afae ea defei da mida 13 sedade fe amola mida aduna ea dunumuni fe amo defele hamoi.
Each of the eleven curtains was the same size—thirty cubits long and four cubits wide.
16 Ilia da amo abula biyaduyale gala disimusa: nodomei. Amola eno biyale gala amo disimusa: nodomei.
He joined five of the curtains into one set and the other six into another.
17 Ilia da amo dedebosu abula aduna hamoi afae amoga gasisalasu 50 agoane la: diga nodomei amola afae eno amoga gasisalasu 50 agoane ea la: diga nodomei.
He made fifty loops along the edge of the end curtain in the first set, and fifty loops along the edge of the corresponding curtain in the second set.
18 Ilia da ma: go 50 balasega hamoi. Amo gasisalasu ganodini amo abula disisu madelagima: ne amola dedebosu afadafa hamoma: ne, ilia da sali dagoi.
He also made fifty bronze clasps to join the tent together as a unit.
19 Ilia da dedebosu eno aduna gadili dedeboma: ne hamoi. Afadafa da sibi gawali gadofo yoi maga: mega ulasi amoga hamoi. Eno da bulamagau gadofo noga: iwane amoga hamoi.
Additionally, he made for the tent a covering of ram skins dyed red, and over that a covering of fine leather.
20 Ilia da Abula Diasu ea dobea hamoma: ne, aga: isia ifa amoga abula: ime hamoi.
Next, he constructed upright frames of acacia wood for the tabernacle.
21 Ilia da amo dobea abula: ime ea defei da golasu ifa la: di mida ageyaduyale gala amola dunumuni disisu la: di da 66 sedimida agoane hamoi.
Each frame was ten cubits long and a cubit and a half wide.
22 Ilia da dobea gagumu liligi (abula: ime) da golasu ifa amoga ifa da amo liligi bugima: ne fonobahadi baligima: ne hamoi. Ilia da abula: ime huluane agoane hamoi.
Two tenons were connected to each other for each frame. He made all the frames of the tabernacle in this way.
23 Ilia da Abula Diasu ea ga (south) la: di dobea gaguma: ne, dobea liligi (abula: ime) 20 hamoi dagoi.
He constructed twenty frames for the south side of the tabernacle,
24 Ilia da amo abula: ime bugima: ne, silifa bai 40 agoane hamoi. Ilia da amo da abula: ime afae afae hagudu aduna ligisimusa: defele hamoi.
with forty silver bases to put under the twenty frames—two bases for each frame, one under each tenon.
25 Ilia da Abula Diasu ea ga (north) la: di eno dobea gaguma: ne, dobea liligi (abula: ime) 20 eno amola silifa bai eno 40 (aduna aduna abula: ime afae afae hagudu ligisima: ne) amola hamoi.
For the second side of the tabernacle, the north side, he made twenty frames
and forty silver bases—two bases under each frame.
27 Ilia da Abula Diasu baligidu la: di amoga bugima: ne, abula: ime gafeyale gala hamoi.
He made six frames for the rear of the tabernacle, the west side,
28 Amola ilia da abula: ime aduna hegomai aduna la: di amola la: di amola disila afufuma: ne hamoi.
and two frames for the two back corners of the tabernacle,
29 Ilia da amo hegomai abula: ime ela bai da la: di abula: ime amoga disila afufuli amasea gadodili heda: sa, huluane noga: le madelagili disi.
coupled together from bottom to top and fitted into a single ring. He made both corners in this way.
30 Amalalu, Abula Diasu baligidu la: di da abula: ime godoane gala amola silifa bai 16 amo da aduna aduna abula: ime afae afae hagudu ligisi ba: i.
So there were eight frames and sixteen silver bases—two under each frame.
31 Ilia da aga: isia ifa amoga dobea gagoi noga: le lala: gimusa: hamoi. Ilia da sedade la: di gadili amoga biyale gala ifa hamoi.
He also made five crossbars of acacia wood for the frames on one side of the tabernacle,
32 Amola eno sedade la: di gadili eno biyale gala hamoi amola baligidu la: di guma: dini amoga legema: ne, biyale eno hamoi.
five for those on the other side, and five for those on the rear side of the tabernacle, to the west.
33 Ilia da abula: ime huluane da silifa bai amoga bugisia, amo ifa bulufalegele madelagi. Dogoa bulufalegei ifa da sedade la: di amo ea defei defele ba: i.
He made the central crossbar to run through the center of the frames, from one end to the other.
34 Ilia da abula: ime huluane amo gouliga dedeboi. Ilia da amoga, gouli gasisalasu madelagi. Ilia da bulufalegei ifa dududawalo agoane amo gasisalasu ganodini sali dagoi amola ilia da bulufalegei ifa gouliga dedeboi dagoi.
And he overlaid the frames with gold and made gold rings to hold the crossbars. He also overlaid the crossbars with gold.
35 Ilia da abula noga: iwane Abula Diasu ganodini gosagisimusa: hamoi. Amoga ilia da sibi hinabo mola: ya: i, oga: iyei amola yoi ‘sielabe’ agoaila amuni.
Next, he made the veil of blue, purple, and scarlet yarn, and finely spun linen, with cherubim skillfully worked into it.
36 Ilia da golasu ifa biyaduyale gala aga: isia ifa amoga hamoi amo gouliga dedeboi. Ilia da amo ifaga ma: go lala: gilisi. Amola ilia da golasu ifa amo silifa bai gelabo ifa salasu amoga sali.
He also made four posts of acacia wood for it and overlaid them with gold, along with gold hooks; and he cast four silver bases for the posts.
37 Ilia da Da: bena: gele Abula Diasu amo ea logo holei amoga gosagisima: ne, abula noga: i hamoi. Amoga ilia da sibi hinabo mola: ya: i, oga: iyei amola yoi amuni.
For the entrance to the tent, he made a curtain embroidered with blue, purple, and scarlet yarn, and finely spun linen,
38 Ilia da amo abula gosagisima: ne, golasu ifa biyale gala aga: isia ifa amoga hamoi. Amo ifa ilia da gouliga dedeboi amola gouli ma: go amoga lala: gilisi. Amola ilia da amo golasu ifa bugima: ne, balase ifa salasu bai biyale gala hamoi.
together with five posts and their hooks. He overlaid the tops of the posts and their bands with gold, and their five bases were bronze.
